[ABSTRAK Penulisan sastra drama di Indonesia dari masa ke masa memperlihatkan perkembangan yangselaras dengan dinamika masyarakat sebagai sumber cerita yang tidak habis-habis. Setiapzaman memiliki sastra drama kanonnya sendiri-sendiri sekaligus merepresentasikan bentukdan isi yang mencirikan semangat zaman. Demikian pula dengan sastra drama karyaAkhudiat yang dibuat pada tahun 1970-an. Karya-karyanya sebagaimana juga karya penulislain sezaman memperlihatkan semangat bereksperimen, baik dalam segi bentuk maupunisinya.Penelitian ini membahas lima karya Akhudiat yang dibuat antara tahun 1972 hingga 1977,dengan berfokus pada dua karya, yaitu ?Jaka Tarub? dan ?Re? yang dipandang menampilkanpencapaian kreativitas Akhudiat. Dua pendekatan digunakan untuk menelaah karya-karyatersebut, yaitu pendekatan struktural digunakan untuk mendapatkan komposisi setiap karyasebagai wujud dari realisasi gagasan Akhudiat, dan dari komposisi itu diperoleh teknikpengaransemenan yang berpola. Pola tersebut dalam tataran struktur, yaitu pola dramatik,pola bahasa, dan pola permainan. Selain komposisi secara struktural, karya-karya Akhudiatjuga mengandung unsur tekstural, berupa musik dan gerak, yang membangun dramatik secarasignifikan. Di samping masalah komposisi, pendekatan intertekstualitas terhadap karya-karyaAkhudiat itu untuk menunjukkan jalinan antarteks yang membangun pemaknaan di pembaca.Pola hubungan transtekstualitas pada karya-karya tersebut memperlihatkan jenis hubunganantarteks berupa intertekstualitas, paratekstualitas, metatekstualitas, dan hipertekstualitasyang diwujudkan dalam berbagai tataran baik struktur maupun tekstur.; ABSTRACT From time to time, the writing of drama in Indonesian literature has shown a developmentwhich is consistent with the dynamics of Indonesian community as its inexhaustible source ofstories. Every era has its disciplinary canons of literary drama on their own as well asrepresenting the form and content that characterizes the spirit of its age. Similarly, the literarydramas of Akhudiat?s which were composed in the 1970s, as well as contemporary works byother authors in the respective era, show the spirit of experimentation, both in terms of formand content.This study discusses Akhudiat five works which were written between 1972 to 1977, witha focus on two of his works, namely "Jaka Tarub" and "Re," which are perceived as a notableachievement of Akhudiat?s creativity. Two approaches are used to examine these works.Firstly, the structural approach is used to obtain the composition of each work as amanifestation of the realization of Akhudiat?s ideas, from which the patterned arrangementtechniques are identified. The patterns studied at the structural level are the dramatic patterns,pattern of languages, and the pattern of the game. In addition to structural composition,Akhudiat?s works also contain textural elements, such as music and movement, which buildup the dramatic scenes significantly. Secondly, in addition to the structural approach,intertexuality approach is used since Akhudiat?s works demonstrate intertextual fabrics whichfurther develop readers?process of meaning-making. Transtextuality relationship patterns inthose works also reflect the types of intertextual relations in the forms of intertextuality,paratextuality, metatextuality, and hypertextuality which are embodied in various levels,especially structure and texture.;From time to time, the writing of drama in Indonesian literature has shown a developmentwhich is consistent with the dynamics of Indonesian community as its inexhaustible source ofstories. Every era has its disciplinary canons of literary drama on their own as well asrepresenting the form and content that characterizes the spirit of its age. Similarly, the literarydramas of Akhudiat?s which were composed in the 1970s, as well as contemporary works byother authors in the respective era, show the spirit of experimentation, both in terms of formand content.This study discusses Akhudiat five works which were written between 1972 to 1977, witha focus on two of his works, namely "Jaka Tarub" and "Re," which are perceived as a notableachievement of Akhudiat?s creativity. Two approaches are used to examine these works.Firstly, the structural approach is used to obtain the composition of each work as amanifestation of the realization of Akhudiat?s ideas, from which the patterned arrangementtechniques are identified. The patterns studied at the structural level are the dramatic patterns,pattern of languages, and the pattern of the game. In addition to structural composition,Akhudiat?s works also contain textural elements, such as music and movement, which buildup the dramatic scenes significantly. Secondly, in addition to the structural approach,intertexuality approach is used since Akhudiat?s works demonstrate intertextual fabrics whichfurther develop readers?process of meaning-making. Transtextuality relationship patterns inthose works also reflect the types of intertextual relations in the forms of intertextuality,paratextuality, metatextuality, and hypertextuality which are embodied in various levels,especially structure and texture., From time to time, the writing of drama in Indonesian literature has shown a developmentwhich is consistent with the dynamics of Indonesian community as its inexhaustible source ofstories. Every era has its disciplinary canons of literary drama on their own as well asrepresenting the form and content that characterizes the spirit of its age. Similarly, the literarydramas of Akhudiat’s which were composed in the 1970s, as well as contemporary works byother authors in the respective era, show the spirit of experimentation, both in terms of formand content.This study discusses Akhudiat five works which were written between 1972 to 1977, witha focus on two of his works, namely "Jaka Tarub" and "Re," which are perceived as a notableachievement of Akhudiat’s creativity. Two approaches are used to examine these works.Firstly, the structural approach is used to obtain the composition of each work as amanifestation of the realization of Akhudiat’s ideas, from which the patterned arrangementtechniques are identified. The patterns studied at the structural level are the dramatic patterns,pattern of languages, and the pattern of the game. In addition to structural composition,Akhudiat’s works also contain textural elements, such as music and movement, which buildup the dramatic scenes significantly. Secondly, in addition to the structural approach,intertexuality approach is used since Akhudiat’s works demonstrate intertextual fabrics whichfurther develop readers’process of meaning-making. Transtextuality relationship patterns inthose works also reflect the types of intertextual relations in the forms of intertextuality,paratextuality, metatextuality, and hypertextuality which are embodied in various levels,especially structure and texture.] |