[ABSTRAK
Les Romanesques merupakan trilogi karya Alain Robbe-Grillet, sineas dansastrawan Nouveau Roman. Trilogi Les Romanesques terdiri dari Le miroir quirevient (1984), Angélique ou l’enchantement (1987), dan Les derniers jours deCorinthe (1994). Disertasi ini berusaha mengungkap cara penulis menggunakanteknik naratif dan naratologi serta intertekstualitas untuk mengacaukan genre teks.Landasan metodologis yang digunakan adalah pendekatan struktural dan semiotik,serta beberapa konsep dasar psikoanalisis. Analisis struktur teks, pengujaran, danintertekstualitas memperlihatkan bahwa trilogi Les Romanesques mengacaukanrealitas dan imajinasi, mengungkapkan konstelasi antara penulis trilogi, narator,dan tokoh rekaan penulis, serta ditemukannya leitmotiv yang muncul dalam LesRomanesques dan karya-karya Robbe-Grillet lainnya. Kesimpulan darikeseluruhan analisis memperlihatkan ambiguitas genre trilogi Les Romanesques,antara teks otobiografi, fiksi, dan esei.;
ABSTRACT
Les Romanesques is a trilogy by Alain Robbe-Grillet, French film maker andwriter of the Nouveau Roman. This trilogy is composed of Le miroir qui revient(1984), Angélique ou l’enchantement (1987), and Les derniers jours de Corinthe(1994). The dissertation is trying to unveil the narrative technique of the author,narratology, as well as intertextuality to confound the genre of the text. Themethodologies applied are structural and semiotic approaches, plus several basicconcepts of psychoanalysis. Analysis of the text’s structure, narratology, andintertextuality, shows that the trilogy confuses reality and imagination, reveals aconstellation between author, narrator, and the fiction character, and foundleitmotivs appear in Les Romanesques and the other works of Robbe-Grillet. Theconclusion of the analysis proves the ambiguity genre of the trilogy, between theautobiography, fiction, and essay.;Les Romanesques is a trilogy by Alain Robbe-Grillet, French film maker andwriter of the Nouveau Roman. This trilogy is composed of Le miroir qui revient(1984), Angélique ou l’enchantement (1987), and Les derniers jours de Corinthe(1994). The dissertation is trying to unveil the narrative technique of the author,narratology, as well as intertextuality to confound the genre of the text. Themethodologies applied are structural and semiotic approaches, plus several basicconcepts of psychoanalysis. Analysis of the text’s structure, narratology, andintertextuality, shows that the trilogy confuses reality and imagination, reveals aconstellation between author, narrator, and the fiction character, and foundleitmotivs appear in Les Romanesques and the other works of Robbe-Grillet. Theconclusion of the analysis proves the ambiguity genre of the trilogy, between theautobiography, fiction, and essay., Les Romanesques is a trilogy by Alain Robbe-Grillet, French film maker andwriter of the Nouveau Roman. This trilogy is composed of Le miroir qui revient(1984), Angélique ou l’enchantement (1987), and Les derniers jours de Corinthe(1994). The dissertation is trying to unveil the narrative technique of the author,narratology, as well as intertextuality to confound the genre of the text. Themethodologies applied are structural and semiotic approaches, plus several basicconcepts of psychoanalysis. Analysis of the text’s structure, narratology, andintertextuality, shows that the trilogy confuses reality and imagination, reveals aconstellation between author, narrator, and the fiction character, and foundleitmotivs appear in Les Romanesques and the other works of Robbe-Grillet. Theconclusion of the analysis proves the ambiguity genre of the trilogy, between theautobiography, fiction, and essay.] |
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