Samuel beckett and the philosophical image
Uhlmann, Anthony;
(Cambridge University Press, 2009)
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Beckett often made use of images from the visual arts and readapted them, staging them in his plays, or using them in his fiction. Anthony Uhlmann sets out to explain how an image differs from other terms, like 'metaphor’ or ‘representation’, and, in the process, to analyse Beckett’s use of images borrowed from philosophy and aesthetics.This is the first study of Beckett’s thoughts on the image in his literaryworks and of his extensive notes to the philosopher Arnold Geulincx.Uhlmann considers how images might allow one kind of interactionbetween philosophy and literature, and how Beckett makes use ofimages which are borrowed from, or drawn into dialogue with,philosophical images from Geulincx, Berkeley, Bergson and theAncient Stoics. Uhlmann’s reading of Beckett’s aesthetic and philosophicalinterests provides a revolutionary new reading of the importanceof the image in his work. |
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No. Panggil : | e20393620 |
Entri utama-Nama orang : | |
Subjek : | |
Penerbitan : | Cambridge, UK: Cambridge University Press, 2009 |
Sumber Pengatalogan: | LibUI eng rda |
Tipe Konten: | text |
Tipe Media: | computer |
Tipe Pembawa: | online resource |
Deskripsi Fisik: | vii, 191 pages : illustration |
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Lembaga Pemilik: | |
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No. Panggil | No. Barkod | Ketersediaan |
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e20393620 | 20-22-50616104 | TERSEDIA |
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