[ABSTRAK
Tesis ini membahas bentuk humor dalam bahasa Jepang. Penelitian ini merupakanpenelitian kualitatif yang membahas dan memaparkan humor dalam komik stripbahasa Jepang. Tujuan penelitian adalah untuk menganalisis bentuk-bentuktuturan yang memicu terbentuknya humor pada komik strip, menganalisis maknagambar dan relevansinya dalam membentuk humor pada komik strip danmerumuskan bentuk humor dalam bahasa Jepang. Data penelitian ini adalahkomik strip Shin Kobochan karya Masashi Ueda jilid 28, 29 dan 30 yangditerbitkan pada tahun 2014 oleh penerbit Houbunsha. Teori yang dipakai adalahteori implikatur Grice untuk mengungkapkan makna tersirat tuturan, teoriikonisitas Danesi dan Peron serta teori proses semiosis Perice untuk memaknaigambar dan Teori Relevansi Sperber dan Wilson untuk melihat relevansiantartuturan dan antara tuturan dengan gambar dalam membentuk humor. Hasilpenelitan menunjukkan bahwa tuturan-tuturan pembentuk humor dapat berupatuturan langsung dan tuturan tidak langsung. Tuturan-tuturan tersebut tidak hanyamenyampaikan makna tersurat, tetapi juga mengandung makna tersirat. Gambarmenampilkan penutur dan mitra tutur melakukan suatu aktifitas tertentu yangdiperlukan dalam proses penarikan kesimpulan sehingga makna pesan yangdikomunikasikan dapat ditemukan. Pada akhirnya, humor pada komik stripberbahasa Jepang dibentuk oleh adanya perbedaan topik pembicaraan, perbedaanlogika dan kontradiksi logika penutur dan mitra tutur.;
ABSTRACT
This thesis discusses the form of humor in Japanese. This study is a qualitativeresearch that discusses and explains humor in strip comic. The aims of thisresearch to analyze the forms of utterance that triggered the formation of humor instrip comic, analyze the meaning of images and their relevance‟s in shaping thehumor in strip comic, and define a form of humor in Japanese. The data of thisstudy are taken from ?Shin Kobochan? strip comic by Masashi Ueda volume 28,29 and 30, published in 2014 by Houbunsha. The theories employed in this studyare Grice‟s implicatures theory which aims to reveal the implicit meaning of theutterances, Danesi and Peron‟s iconicity theory, Perice‟s theory of semiosisprocess, which aim to interpret the images and Sperber and Wilson‟s relevancetheory, which aims to see the relevance between the speech and the images in theform of humor utterances. The results show that the humor utterances can be inthe form of direct and indirect speech. Those utterances not only convey explicitmeaning, but also reveal some implicit meaning. Images showing the speaker andhearer performing certain activity are required in the process of understanding thewhole humor, so that the communicated meaning and the message can be found.At last, humor in Japanese strip comic is created by topic differences, logicaldifferences, and logical contradiction between the speaker and the hearer.;This thesis discusses the form of humor in Japanese. This study is a qualitativeresearch that discusses and explains humor in strip comic. The aims of thisresearch to analyze the forms of utterance that triggered the formation of humor instrip comic, analyze the meaning of images and their relevance‟s in shaping thehumor in strip comic, and define a form of humor in Japanese. The data of thisstudy are taken from ?Shin Kobochan? strip comic by Masashi Ueda volume 28,29 and 30, published in 2014 by Houbunsha. The theories employed in this studyare Grice‟s implicatures theory which aims to reveal the implicit meaning of theutterances, Danesi and Peron‟s iconicity theory, Perice‟s theory of semiosisprocess, which aim to interpret the images and Sperber and Wilson‟s relevancetheory, which aims to see the relevance between the speech and the images in theform of humor utterances. The results show that the humor utterances can be inthe form of direct and indirect speech. Those utterances not only convey explicitmeaning, but also reveal some implicit meaning. Images showing the speaker andhearer performing certain activity are required in the process of understanding thewhole humor, so that the communicated meaning and the message can be found.At last, humor in Japanese strip comic is created by topic differences, logicaldifferences, and logical contradiction between the speaker and the hearer.;This thesis discusses the form of humor in Japanese. This study is a qualitativeresearch that discusses and explains humor in strip comic. The aims of thisresearch to analyze the forms of utterance that triggered the formation of humor instrip comic, analyze the meaning of images and their relevance‟s in shaping thehumor in strip comic, and define a form of humor in Japanese. The data of thisstudy are taken from ?Shin Kobochan? strip comic by Masashi Ueda volume 28,29 and 30, published in 2014 by Houbunsha. The theories employed in this studyare Grice‟s implicatures theory which aims to reveal the implicit meaning of theutterances, Danesi and Peron‟s iconicity theory, Perice‟s theory of semiosisprocess, which aim to interpret the images and Sperber and Wilson‟s relevancetheory, which aims to see the relevance between the speech and the images in theform of humor utterances. The results show that the humor utterances can be inthe form of direct and indirect speech. Those utterances not only convey explicitmeaning, but also reveal some implicit meaning. Images showing the speaker andhearer performing certain activity are required in the process of understanding thewhole humor, so that the communicated meaning and the message can be found.At last, humor in Japanese strip comic is created by topic differences, logicaldifferences, and logical contradiction between the speaker and the hearer., This thesis discusses the form of humor in Japanese. This study is a qualitativeresearch that discusses and explains humor in strip comic. The aims of thisresearch to analyze the forms of utterance that triggered the formation of humor instrip comic, analyze the meaning of images and their relevance‟s in shaping thehumor in strip comic, and define a form of humor in Japanese. The data of thisstudy are taken from “Shin Kobochan” strip comic by Masashi Ueda volume 28,29 and 30, published in 2014 by Houbunsha. The theories employed in this studyare Grice‟s implicatures theory which aims to reveal the implicit meaning of theutterances, Danesi and Peron‟s iconicity theory, Perice‟s theory of semiosisprocess, which aim to interpret the images and Sperber and Wilson‟s relevancetheory, which aims to see the relevance between the speech and the images in theform of humor utterances. The results show that the humor utterances can be inthe form of direct and indirect speech. Those utterances not only convey explicitmeaning, but also reveal some implicit meaning. Images showing the speaker andhearer performing certain activity are required in the process of understanding thewhole humor, so that the communicated meaning and the message can be found.At last, humor in Japanese strip comic is created by topic differences, logicaldifferences, and logical contradiction between the speaker and the hearer.] |
T44255-Idrus.pdf :: Unduh