Full Description
| Cataloguing Source | LibUI ind rda |
| Content Type | text (rdacontent) |
| Media Type | unmediated (rdamedia); computer (rdamedia) |
| Carrier Type | volume (rdacarrier); online resource (rdacarrier) |
| Physical Description | xiv, 106 pages : illustration ; 28 cm + appendix |
| Concise Text | |
| Holding Institution | Universitas Indonesia |
| Location | Perpustakaan UI, Lantai 3 |
- Availability
- Digital Files: 1
- Review
- Cover
- Abstract
| Call Number | Barcode Number | Availability |
|---|---|---|
| T43514 | 15-17-388188635 | TERSEDIA |
| No review available for this collection: 20415526 |
Abstract
Tesis ini membahas soal hubungan rasa dengan seni pertunjukan. Dalam cakupannya yang luas, seni pertunjukan memiliki kesamaan, yakni aktivitas yang mengandung interaksi. Di dalam interaksi pada seni pertunjukan, terdapat penampil dan audiens yang bersama-sama saling melibatkan diri dalam sebuah gelaran pertunjukan. Interaksi antara penampil dan audiens dalam tulisan ini dijelaskan melalui perspektif pertukaran emosi yang memperlihatkan komunikabilitas rasa.
This thesis examines the relationship between rasa theory and the performing arts. Beyond its vast plenitude, the performing arts has something in common, which is interractive activity. In that activity, there is always the audience and the performer engaging themselves into the performance. Here, using the rasa theory, the emotional communication and transformation were explained.
This thesis examines the relationship between rasa theory and the performing arts. Beyond its vast plenitude, the performing arts has something in common, which is interractive activity. In that activity, there is always the audience and the performer engaging themselves into the performance. Here, using the rasa theory, the emotional communication and transformation were explained.