Menghapus citra buruk njai dalam karya-karya fiksi berbahasa melayu (1896-1927) / Maya Sutedja-Liem
Maya Sutedja-Liem;
(University of Indonesia, Faculty of Humanities, 2008)
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In the Dutch colonial literature of the mid nineteenth century, the njai (Asianconcubine) is the symbol of degeneration and of undermining colonial society inthe Dutch Indies. Opposed to this portrayal, in Malay literature the image of thenjai is on the whole positive: she is faithful and loyal to her partner, intelligent,and economical. However, she easily falls victim to external powers, which isoften the masculine power of the society she belongs to. In many Malay textsshe is represented as ready to fight back, primarily for the sake of the future ofher offspring(s) or herself. Sometimes she succumbs, sometimes she triumphs.Examples can be found in texts like Tjerita Njai Dasima (1896), Tjerita Nji Paina(1900), Seitang Koening (1906), Hikajat Raden Adjeng Badaroesmi (1901-1903), TjeritaNjai Isah (1904), and Boenga roos dari Tjikembang (1927). These texts represent are-evaluation of the njai and stand in opposition to nineteenth century Dutchcolonial literature |
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Penerbitan : | [Place of publication not identified]: University of Indonesia, Faculty of Humanities, 2008 |
Sumber Pengatalogan : | LibUI ind rda |
ISSN : | 24076899 |
Majalah/Jurnal : | Wacana Jurnal Ilmu Pengetahuan Budaya |
Volume : | vol. 10, No. 2, 2008: Hal. 277 - 286 |
Tipe Konten : | text |
Tipe Media : | computer |
Tipe Carrier : | online resource |
Akses Elektronik : | http://wacana.ui.ac.id/index.php/wjhi/article/view/197/185 |
Institusi Pemilik : | Universitas Indonesia |
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03-17-361087862 | TERSEDIA |
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