Teater mamanda dan pendefinisian kembali identitas banjar
oleh Ninuk Kleden-Probonegoro ([Publisher not identified]
, 2002)
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| This article examines notions of identity in the context of Mamanda, a traditional theatre in Banjar, South Kalimantan. The author Mamanda as a cultural symbol and describes the formulation of its identity using a semiotic approach whereby identity is conceived as a part of a binary composition fluctuating between the opposing notions of 'us' and 'other'. This is illustrated in the oppositions between the theatre's community and the state, individuals and the state, and the contradictory oppositions between the community members within Mamanda itself. This article demonstrates that identity is continually reformulated and is linked to political interests such as regional autonomy. |
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| Penerbitan : | [Place of publication not identified]: [Publisher not identified], 2002 |
| Sumber Pengatalogan : | LibUI ind rda |
| ISSN : | 16936086 |
| Majalah/Jurnal : | Jurnal Antropologi Indonesia |
| Volume : | No 69 (2002) |
| Tipe Konten : | text |
| Tipe Media : | computer |
| Tipe Carrier : | online resource |
| Akses Elektronik : | http://journal.ui.ac.id/index.php/jai/article/view/3441 |
| Institusi Pemilik : | Universitas Indonesia |
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| No. Panggil | No. Barkod | Ketersediaan |
|---|---|---|
| 03-19-732696857 | TERSEDIA |
| Ulasan: |
| Tidak ada ulasan pada koleksi ini: 20452201 |
