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Teater mamanda dan pendefinisian kembali identitas banjar

oleh Ninuk Kleden-Probonegoro ([Publisher not identified] , 2002)

 Abstrak

This article examines notions of identity in the context of Mamanda, a traditional theatre in Banjar, South Kalimantan. The author Mamanda as a cultural symbol and describes the formulation of its identity using a semiotic approach whereby identity is conceived as a part of a binary composition fluctuating between the opposing notions of 'us' and 'other'. This is illustrated in the oppositions between the theatre's community and the state, individuals and the state, and the contradictory oppositions between the community members within Mamanda itself. This article demonstrates that identity is continually reformulated and is linked to political interests such as regional autonomy.

 Kata Kunci

 Metadata

No. Panggil : PDF
Entri utama-Nama orang :
Subjek :
Penerbitan : [Place of publication not identified]: [Publisher not identified], 2002
Sumber Pengatalogan : LibUI ind rda
ISSN : 16936086
Majalah/Jurnal : Jurnal Antropologi Indonesia
Volume : No 69 (2002)
Tipe Konten : text
Tipe Media : computer
Tipe Carrier : online resource
Akses Elektronik : http://journal.ui.ac.id/index.php/jai/article/view/3441
Institusi Pemilik : Universitas Indonesia
Lokasi :
  • Ketersediaan
  • Ulasan
No. Panggil No. Barkod Ketersediaan
PDF 03-19-732696857 TERSEDIA
Ulasan:
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