Langgam sebagai media penyampaian narasi di film Wes Anderson = The use of style as narration device in Wes Anderson movies
Mirna Heradyani;
Mohammad Nanda Widyarta, supervisor; Kemas Ridwan Kurniawan, examiner; Arif Rahman Wahid, examiner
([Publisher not identified]
, 2017)
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ABSTRAK Langgam dalam film Anderson menjelaskan relasi antara ruang fisik dengan penggunanya. Pengguna ruang atau subjek memiliki peran penting dalam definisi ruang karena subjek yang akan mengaktifkan serta memberi pengertian terhadap ruang Tschumi, 1976 . Analisis mengenai ruang dan interioritas berdasarkan hubungan dengan representasi, okupasi ruang dan well-being subjek Power, 2014 . Definisi mengenai ruang memiliki keterkaitan dengan waktu karena waktu memberi modifikasi baik dalam level kultural maupun personal terhadap ruang.Anderson menggunakan visualiasasi berupa concept art dan storyboard sebelum diaplikasikan dalam montase akhir dunia film. Concept art Anderson menjelaskan elemen-elemen ruang yang dapat menjelaskan keadaan manusia dalam dunia film.Tulisan ini bertujuan untuk menjelaskan hubungan antara langgam Wes Anderson dan interioritas ruang sebagai media narasi cerita. Tulisan ini menggunakan film The Grand Budapest Hotel 2014 dan The Royal Tenenbaums 2001 sebagai studi kasus. ABSTRACT The use of style is to describe the relationship between physical space and its user. The portrayal of space are as something generated by movement and life Tschumi, 1976 . Explanation about space and interiority are based on its relation to representation, occupation and well being of the subject Power, 2014 . The definition of space itself is determined by time, as time give modification on both cultural and personal levels.Anderson used visualization in form of concept arts and storyboard before establishing the final montage in the film. His concept arts explain spatial elements which contribute to the representation of subject rsquo s relation to space.With this paper, the author described the relationship between Wes Anderson style with the interiority of space as a narration device of explaining his movie universe. This paper used The Grand Budapest Hotel 2014 and The Royal Tenenbaums 2001 as case studies. |
 S69305-Mirna Heradyani .pdf :: Unduh
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| No. Panggil : | S69305 |
| Entri utama-Nama orang : | |
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| Penerbitan : | [Place of publication not identified]: [Publisher not identified], 2017 |
| Program Studi : |
| Bahasa : | ind |
| Sumber Pengatalogan : | LibUI ind rda |
| Tipe Konten : | text |
| Tipe Media : | unmediated ; computer |
| Tipe Carrier : | volume ; online resource |
| Deskripsi Fisik : | xii, 103 pages : illustration ; 28 cm |
| Naskah Ringkas : | |
| Lembaga Pemilik : | Universitas Indonesia |
| Lokasi : | Perpustakaan UI, Lantai 3 |
| No. Panggil | No. Barkod | Ketersediaan |
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| S69305 | 14-19-917917100 | TERSEDIA |
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| Tidak ada ulasan pada koleksi ini: 20457015 |
