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Scripts and scenarios: the performance of comedy in renaissance italy

Andrews, Richard; (Cambridge University Press, 2009)

 Abstrak

The Italian Renaissance produced a new type of stage comedy, experimental and even revolutionary in its time, by copying and updating the dramatic formats of Plautus and Terence from ancient Rome. These scripted comedies, first written and performed for private audiences, ranged in tone from sober moralism to scurrilous farce, and influenced European dramatists from Shakespeare to Molière and Lope de Vega. This book gives an account of how the new dramatic experiment was born and grew, moving from closed courtly audiences to a wider public. It examines the performing values of these scripts rather than their literary qualities, in order to demonstrate their links with improvised commedia dell'arte, and thus explores a crucial phase in the development of European theatre. It will be of interest to scholars and students in both theatre history and Italian studies

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 Metadata

No. Panggil : e20528342
Entri utama-Nama orang :
Subjek :
Penerbitan : Cambridge, UK: Cambridge University Press, 2009
Sumber Pengatalogan: LibUI eng rda
Tipe Konten: text
Tipe Media: computer
Tipe Pembawa: online resource
Deskripsi Fisik: xiii, 298 pages
Tautan: https://www.cambridge.org/core/books/scripts-and-scenarios/3BE997FA3E33C62A8B08E9378C14CD4F#fndtn-information
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e20528342 20-22-25354265 TERSEDIA
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