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"ABSTRAKSkripsi ini merupakan sebuah penelitian yang berada dalam ruang lingkup Estetika. Teori estetika yang menjadi landasan teori dalam penelitian ini adalah estetika Immanuel Kant. Objek kajian dalam penelitian ini merujuk pada salah satu konsep yang terdapat dalam teori estetika Kant, yaitu konsep Genius. Dengan menggunakan metode studi kepustakaan deskriptif ndash;analisis, konsep genius akan dijelaskan dan didefinisikan oleh penulis agar para pembaca dapat mengetahui karakteristik apa saja yang terdapat di dalam konsep ini. Setelah genius dijelaskan secara deskriptif, penulis akan masuk ke dalam pembahasan analisis, yaitu implikasi konsep genius di dalam tiga karya seni, diantaranya puisi, musik, dan lukis. Genius memiliki implikasi pada penciptaan karya seni di jamannya, salah satunya adalah aliran Romantik. Dari sini penulis mengharapkan penelitian ini akan menghasilkan sebuah kejelasan tentang apa itu genius dan bagaimana sebuah karya seni dapat disebut sebagai karya seorang genius. Dalam penelitian ini penulis ingin menyatakan tesis yang membuktikan adanya justifikasi sosial yang ditemukan dalam proses menciptakan suatu karya seni pada jaman Romantik, sebagai implikasi kemunculan konsep genius. Adapun tujuan penelitian ini adalah untuk menjelaskan terlebih dahulu perihal deskripsi dan karakteristik konsep genius dari filsuf Immanuel Kant dan menjelaskan implikasinya di dalam tiga contoh karya Romantik yang penulis ambil untuk membuktikan adanya justifikasi sosial yang terikat dalam seni Romantik.

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ABSTRACTThis thesis is a study that is within the scope of Aesthetic. Aesthetic theory that became the theoretical basis of this research is the aesthetics of Immanuel Kant. The object of study in this research refers to one of the concepts contained in Kant 39 s aesthetic theory, the concept of Genius. By using the methods of literature study and descriptive analysis, the concept of genius will be explained and defined by the author so that readers may know the characteristics of what is contained in this concept. Once the concept of genius described, the author will get into the discussion of the analysis, the implications of the concept of genius in three works of art, such as poetry, music, and painting. Genius has implications on the creation of works of art at the time, one of them is Romantic. From here the author expect the study will yield a clarity about what genius is, and how a work of art can be described as work of a genius. In this study, the author would like to express the thesis that prove their social justification is found in the process of creating works of art in the Romantic era, as the implications of the emergence of the concept of genius. The purpose of this study is to explain in advance regarding the description and characteristics of the genius concept of the philosopher Immanuel Kant and to explain its implications in three examples of Romantics works which tooks to prove their social justification bound in Romanesque art."

"ABSTRACTSecara umum, ada pemahaman bahwa ruang berkesenian di Jakarta problematik bagi produktivitas suatu kelompok teater, mulai dari keterbatasan infrastruktur, kesulitan pendanaan, sampai tak adanya khalayak penonton teater. Dalam kondisi ruang tersebut, Teater Pandora berhasil menyelenggarakan empat judul pementasan pada tahun 2018. Penelitian saya mengkaji produktivitas tersebut dalam konteks ruangnya, yaitu dalam interaksi antara praktik produksi Teater Pandora dengan ruang berkesenian di Jakarta pada tahun 2018. Sesuai kerangka MediaSpace milik Couldry (2004), saya melihat interaksi tersebut bekerja dua arah; kondisi ruang membentuk Teater Pandora dan Teater Pandora juga membentuk ruangnya. Dengan etnografi sebagai metode, saya memaparkan bagaimana Teater Pandora memetakan, merespon, dan akhirnya membentuk ruangnya. Penelitian saya menemukan bahwa kuasa Teater Pandora adalah produktivitas itu sendiri yang terjadi dalam interaksi dengan ruang berkesenian di Jakarta pada tahun 2018.

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ABSTRACTThere is a general understanding that Jakartas space of artistic production is problematic for a theater grous productivity; in terms of lack of infrastructure, financing problems, and the non-existent market of theater-goers. Amidst those spatial conditions, Teater Pandora succeeded in staging four performances in 2018 alone. My research is a study of that productivity in its spatial context, through analysis of interaction between Teater Pandoras production practices and Jakartas space of artistic production in 2018. With Couldrys MediaSpace (2004) perspective, I argue that the interaction works both ways; the conditions of its space shapes Teater Pandora while Teater Pandora shapes that space also. Using ethnography as my method, I elaborate on how Teater Pandora maps, responds, and ultimately shapes its space. My research finds that Teater Pandoras power is the productivity itself, which takes place in its interaction with Jakartas space of artistic production in 2018."

"Contemporary art practices have developed expansively over the global stage with the development of big international exhibitions, including those held in museums or biennales and festivals. In the last decade, the global artworld has witnessed the contestation of powers among institutions and art practitioners generated by massive movements such as Occupy Movements,Arab Springs, Black Lives Matter, which has shifted the positionalities of artists and arts in the Global South. This shift also encourages discussions on decoloniality in the art system and art history, including how to centralize the issue of gender equality. Southeast Asian women artists have expanded their practices to show their individual world views, and touch upon political and ideological contexts revealing common urgencies on such issues as ecology, history, spirituality, and humility. This essay discussesart works created by women artists in Southeast Asia presented as part of the Biennale Jogja Equator (BJE) series in the period 2011 to 2021. This has provided artists with possibilities to engage in critical conversations and experiences, usually the preserve of the male-dominated sphere. By looking into these projects, the wide range of the shared trauma of violence, war, and colonialism, ecological damage, and lost livelihoods, to the pilgrimage towards the inner-self, have been juxtaposed and interwoven to create an imagination of collective futurism."

"An integrative introduction to the theories and themes in research on creativity, the second edition of creativity is both a reference work and text for courses in this burgeoning area of research. The book begins with a discussion of the theories of creativity (Person, Product, Process, Place), the general question of whether creativity is influenced by nature or nurture, what research has indicated of the personality and style of creative individuals from a personality analysis standpoint, and how social context affects creativity. This wide-ranging work then proceeds to coverage of issues such as gender differences, whether creativity can be enhanced, if creativity is related to poor mental or physical health, and much more."