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"A complaint of unwillingness to eat in the elderly is often overlooked, both by the patient, the family, or the doctor. Such condition may have a more serious underlying background, such as infection. A reduced physiological deposit and different clinical manifestations gives importance lo the analysis of the problem of anorexia. Changes in body composition, reduced physical activity and basal metabolism rate, reduced Na+-Kl~-ATP-ase, teeth that are no longer in optimal condition, reduced taste and smell ability, increased CCK satiation effect, reduced gastric emptying, reduced NO-synthase activity of the gastric fundus, as well as reduced endogenous opioid level, could all influence the development of anorexia. In addition, there are also several other clinical conditions that play a role, such as polypharmacy, dementia, depression, and physiological disturbance in swallowing."

"Schopenhauer mengemukakan kesadaran hanya kulit permukaan dari sesuatu yang lebih dalam dan luas yakni dari kehendak yang buta, irasional, dan tidak sadar. Jacques Lacan, sang psikoanalis juga kurang lebih mendukung pernyataan tersebut. Adapun terbersit dalam pikiran penulis, hal ini identik dengan ajaran Buddha, maka penulis mencoba menganalisis film yang sarat Buddhisme, yaitu Shaolin (2011). Yang menjadi fokus perhatian penulis bukanlah simbol-simbol agama melainkan kaitan makna nasib para tokohnya, terutama tokoh antagonis yang kemudian menjadi protagonis—Hou Jie yang diperankan Andy Lau—serta tokoh yang menjadi antagonis sepanjang cerita—Cao Man, diperankan Nicholas Tse. Apa yang memungkinkan jalan kehidupan mereka berubah (ubah) adalah tepat kiranya ditelaah dengan konsep Lacan mengenai tiga fase perkembangan manusia.

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Schopenhauer argued consciousness only skin surface of something deeper and broader than the will of a blind, irrational, and unconscious. Jacques Lacan, the psychoanalyst is also about supporting the statement. As occurred in the mind of the writer, it is quite synonymous with Buddhism, so the author tries to analyze the film that loaded Buddhism, Shaolin (2011). Which became the focus of attention of the author are not religious symbols but the fate of the characters meaning of terms, especially the antagonist who later became the protagonist--Hou Jie, played by Andy Lau--as well as the antagonist character throughout the story--Cao Man, starring Nicholas Tse. What allows them to change their way of life is precisely would be reviewed with Lacan's concept of the three phases of human development."