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"This book introduces the complex forces of global filmmaking using the popular concept of film genre. The cluster-based organization allows students to acquire a clear understanding of core issues that apply to all films around the world."World Cinema through Global Genres introduces the complex forces of global filmmaking using the popular concept of film genre. The cluster-based organization allows students to acquire a clear understanding of core issues that apply to all films around the world"--"

"Penelitian ini membuktikan bahwa di era sekarang telah muncul berbagai fenomena di media sosial yang mendegradasi hakikat medium sinema menuju konten. Penelitian ini juga membuktikan adanya implikasi dari problem tersebut, berupa distorsi terhadap relasi antara kemampuan gambar sinematik dalam menangkap realitas dengan aktivitas atau proses mental penontonnya seperti melakukan refleksi hingga merasakan emosi tertentu. Penelitian ini di sisi lain menunjukkan bahwa mengembalikan pemaknaan medium sinema secara filosofis sekaligus merekonstruksi relasi antara gambar sinematik dan proses mental melalui pengalaman menonton yang utuh mampu memenuhi kondisi ambivalen manusia untuk mengetahui realitas. Tujuan dari penelitian ini adalah membongkar dimensi paling optimum dari sinema yang mampu dimaknai serta diinvestigasi secara filosofis. Penelitian ini menggunakan metode kualitatif melalui kajian literatur terhadap buku, artikel, maupun jurnal yang berkaitan dengan tema penelitian. Teori ontologi film Stanley Cavell juga digunakan sebagai basis untuk melakukan analisis secara runut terhadap bentuk-bentuk fenomena konten yang ada. Adapun kesimpulan dari penelitian ini adalah fenomena konten terbukti mendegradasi hakikat serta potensi sinema dalam mereproduksi realitas dan membangun relasi dengan penontonnya.

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This study demonstrates that, in the current era, various phenomena on social media have emerged that degrade the essence of cinema as a medium into mere content. It also proves the implications of this problem, such as the distortion of the relationship between the cinematic image's ability to capture reality and the audience's mental activities or processes, including reflection and the experience of specific emotions. On the other hand, this research shows that restoring the philosophical meaning of cinema as a medium, while reconstructing the relationship between cinematic images and mental processes through a holistic viewing experience, can fulfill the human condition of ambivalence in understanding reality. The purpose of this study is to uncover the most optimal dimensions of cinema that can be interpreted and philosophically investigated. This research employs a qualitative method by conducting a literature review of books, articles, and journals related to the research theme. Stanley Cavell's theory of film ontology is also utilized as a basis for systematically analyzing the various forms of content phenomena. The conclusion of this study is that content phenomena are proven to degrade the essence and potential of cinema in reproducing reality and establishing a relationship with its audience. Keyword: cinema; image; content; mental process, reality"

"Violence can be said to lackey contemporary political order and convey viewers only to escapism in society, but is it really so unambiguosly? This paper analyzes violence in poststructuralist sense by asking what kind of functions the cinematic violence can be seen to serve in the films of the era of the Renaissance of the Korean films (from 1996 to 2008). Most of the previous work has not addressed the question as they have dealt with the question of mimetic representation, although some studies (Anna Powell, David Martin-Jones) have paved the way for the poststructuralist readings. The question of violence in Korean cinema is tackled here as an immanent question of affect and percept: if it is a construction of time, then in it lies a chance to open up new perspectives for imaging. There could be new worlds after the violent encounter of thought in films. Key film is Na Hong-jin&rsquos Chugyeogja."

"Penulisan skripsi ini berfokus pada the overlooked architecture yang merupakan elemen arsitektur yang berinteraksi dengan aktivitas manusia dalam lingkup everyday life dengan frekuensi yang tinggi hingga menciptakan suatu ritme tersendiri. Pembahasan mengenai peran arsitektur dalam everyday life ini masih sangat minim. Hal ini karena ketidaksadaran manusia terhadap everyday life itu sendiri dan kurangnya kemampuan persepsi manusia menangkap detail sekelilingnya. Karena itu, diperlukan metode yang efektif untuk melihat overlooked architecture dan mendalami faktor pembentuknya. Dengan demikian, skripsi ini akan mengkaji the overlooked architecture lebih lanjut melalui sinema sebagai alat bantu kita melihat arsitektur dari perspektif everyday. Menggunakan sistem rhythmanalysis, pengkajian dilakukan dengan mengamati ritme yang terjadi pada film Still Walking (Kore-eda, 2008) yang menjadi studi kasus pada skripsi ini.

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This thesis is focused on the overlooked architecture that can be defined as architectural elements that interact with humans’ activities within the everyday life with such high frequency it creates its own rhythm. The discussion surrounding architecture’s role as a subject within the everyday life is still very much the bare minimum. Humans’ unawareness to everyday life and the limit of our environment perception is to blame. That is the reason why we need an effective method to see through the overlooked architecture and to understand its origins. By that means, this thesis will study the overlooked architecture even deeper through the cinema lens to help us look at architecture from the perspective of everyday life. Using rhythmanalysis, this study is conducted to observe and analyse the rhythm within Still Walking (Kore-eda, 2008) — the film that will be used for the study case in this thesis."