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"Dramatic changes in the reading public and literary market in early nineteenth-century England not only altered the relationship between poetand reader but prompted new conceptions of the poetic text, literary reception, and authorship. With the decline of patronage, the rise of the noveland the periodical press, and the emergence of the mass reading public, poets could no longer assume the existence of an audience for poetry. Andrew Franta examines how the reconfigurations of the literary market and thepublishing context transformed the ways poets conceived of their audience and the forms of poetry itself. Through readings of Wordsworth, Byron,Shelley, Keats, Hemans, and Tennyson, and with close attention to key literary, political, and legal debates, Franta proposes a new reading ofRomanticism and its contribution to modern conceptions of politics and publicity."

"In this study, Mark Parker proposes that literary magazines should be an object of study in their own right. He argues that magazines such as the London Magazine, Blackwood’s Edinburgh Magazine, and the New Monthly Magazine, offered an innovative and collaborative space for writers and their work, indeed, magazines became one of the preeminent literary forms of the 1820s and 1830s. Examiningthe dynamic relationship between literature and culture which evolved within this context, Literary Magazines and British Romanticism claims that writing in such a setting enters into a variety of alliances with other contributions and with ongoing institutional concernsthat give subtle inflection to its meaning. The book provides the only extended treatment of Lamb’s Elia essays, Hazlitt’s Table-Talk essays, “Noctes Ambrosianae,” and Carlyle’s Sartor Resartus in their original contexts, and should be of interest to scholars of culturaland literary studies as well as Romanticists."