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"Style refers to ways of speaking, how speakers use the resource of language variation to make meaning in social encounters. This book develops a coherent theoretical approach to style in sociolinguistics, illustrated with copious examples. It explains how speakers project different social identities and create different social relationships through their style choices, and how speech-style and social context inter-relate. Style therefore refers to the wide range of strategic actions and performances that speakers engage in, to construct themselves and their social lives. Coupland draws on and integrates a wide variety of contemporary sociolinguistic research as well as his own extensive research in this field. The emphasis is on how social meanings are made locally, in specific relationships, genres, groups and cultures, and on studying language variation as part of the analysis of spoken discourse."

"The study of how language varies in social context, and how it can be analysed and accounted for, are the two key goals of sociolinguistics. Until now, however, the actual tools and methods have been largely passed on through ‘word of mouth’ rather than being formally documented. This is the first comprehensive, ‘how-to’ guide to the formal analysis of sociolinguistic variation. It shows step-by-step how the analysis is carried out, leading the reader through every stage of a research project from start to finish. Topics covered include fieldwork, data organisation and management, analysis and interpretation, presenting research results and writing up a paper. Practical and informal, the book contains all the information needed to conduct a fully fledged sociolinguistic investigation, and includes exercises, checklists, references andinsider tips. "

"Penelitian ini merupakan penelitian dialektologi yang bertujuan untuk memetakan distribusi variasi bahasa dan istilah pertanian di Kabupaten Karawang. Hasil penelitian ini juga dibandingkan dengan dua penelitian terdahulu di tahun 1990 dan 1996. Selain itu, penelitian ini juga bertujuan untuk menyusun glosarium istilah pertanian di Kabupaten Karawang. Penelitian dibatasi pada tataran leksikon. Metode yang digunakan adalah metode pupuan lapangan dengan 50 titik pengamatan, 100 informan, dan daftar tanyaan sebanyak 200 kosakata swadesh dan 125 istilah pertanian. Teknik analisis data menggunakan peta bahasa, isoglos, dan dialektometri. Hasil menunjukkan bahwa terdapat tiga daerah pakai kosakata, yaitu kosakata Betawi, kosakata Jawa, dan kosakata Sunda. Hal ini masih sesuai dengan hasil kedua penelitian terdahulu, tetapi saat ini telah mengalami perubahan daerah distribusi.

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This research uses dialectology to mapping distribution of language variation and agricultural terms in Karawang regency. The results of this research are compared to two former research in 1990 and 1996. Besides, this research is also to compose a glossary of agricultural terms in Karawang regency. The conduct of this research is limited to the lexicon level. Method that being used was field research method with 50 observatory points, 100 informants, and list of questions which consist of 200 swadesh vocabulary and 125 agricultural terms. Data analytical technique used language map, isogloss, and dialectrometric. Result shown that there are three vocabulary using areas, which are Betawi vocabulary, Java vocabulary, and Sunda vocabulary. This is still suitable with two former research result. However, the areas have been changed nowadays."

"Paper ini bertujuan untuk mengidentifikasi nomina yang kerap muncul pada laras fotografi studio bagi pemula. Dengan menggunakan metode kualitatif dan deskriptif, penulis menganalisis dua artikel yang berasal dari website Belanda dan Belgia: "Studiofotografie: de basis van het werken met studioflitsers" dan "Begin je eigen fotostudio thuis. Hou alles zelf in de hand". Dari kedua artikel, penulis menemukan tujuh nomina yang kerap digunakan pada kedua artikel. Dari ketujuh nomina ini, tidak semua memiliki makna yang sesuai dengan makna dasar dalam bahasa Belandanya. Beberapa kata benda juga merupakan saduran dari bahasa asing, yaitu bahasa Inggris. Beberapa kata lainnya juga ditulis dalam bahasa Inggris karena tidak memiliki padanan kata dalam bahasa Belanda. Untuk pemahaman yang tepat akan nomina tersebut dibutuhkan keterangan lainnya.

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This paper aims to identify the most frequent nouns in the register of the studio photography for beginners. Using the qualitative and descriptive methods, the writer analyzed two articles from a Dutch- and Belgium website: "Studiofotografie: de basis van het werken met studioflitsers" and "Begin je eigen fotostudio thuis. Hou alles zelf in de hand". From the two articles, the writer found seven nouns that were always used in both articles. From those nouns, not all the words have the same meaning in Dutch. Some of the nouns were translated from English to Dutch and some of them remained in their original form, lacking of comparison in Dutch. To understand the meaning of the register, these nouns must be combined with other words."

"The language we use forms an important part of our sense of who we are, of our identity. This book outlines the relationship between our identity as members of groups, ethnic, national, religious and gender, and the language varieties important to each group. What is a language? What is a dialect? Are there such things as language ‘rights’? Must every national group have its own unique language? How have languages, large and small, been used to spread religious ideas? Why have particular religious and linguistic ‘markers’ been so central, singly or in combination, to the ways in which we think about ourselves and others? Using a rich variety of examples, the book highlights the linkages among languages, dialects and identities, with special attention given to religious, ethnic and national allegiances."

"ABSTRAKPenelitian ini membahas tentang negosiasi identitas yang dilakukan oleh musisi klasik di tengah gempuran budaya dominan dalam industri musik yakni musik populer. Penelitian ini menggunakan metode kualitatif dengan paradigma konstruktivisme kritis dan ditempuh melalui analisis resepsi khalayak dari Stuart Hall. Hasil penelitian menyatakan bahwa informan remaja yang berada pada posisi ldquo;pembacaan rdquo; negosiasi dan oposisi terhadap negosiasi identitas Isyana Sarasvati justru merupakan informan dari musisi klasik itu sendiri. Musik klasik sebagai budaya subordinat dalam penelitian ini pun pada arena tertentu menjadi musik yang dominan, sebaliknya musik populer juga pada arena tertentu menjadi musik subordinat. Sehingga, budaya dominan dan populer merupakan sesuatu yang relatif dan dapat saling bertukar tempat. Peneliti mengidentifikasi musisi seperti Isyana Sarasvati ini sebagai ldquo;musisi posmodern rdquo; di mana identitasnya cair, tidak tetap, parsial, dan terfragmen, serta bisa berada pada posisi dominan dan subordinat sekaligus.

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ABSTRACTThis research is discussing about identity negotiation of classical musician in the middle of dominant culture in music industries, which refers to popular music omnipresence. The research is conducted by using qualitative methods with critical constructivism approach and is undergone by Stuart Hall rsquo s 1980 reception analysis. The results show that youth informants who are in negotiated and oppositional ldquo reading rdquo positions surprisingly come from classical musician themselves. Classical music, which in this paper belongs to subordinate culture, in certain arena becomes dominant culture, and vice versa. Hence, what is defined by dominant and subordinate culture are interchangeably and contextual. This research is identifying some kind of ldquo Isyana Sarasvati rdquo musician as a ldquo postmodern musician rdquo , which has fluid, flexible, partial, unsecured, and fractured identities, also possibly become dominant and subordinate as well."

"In the last 500 years or so, the English language has undergone remarkable geographical expansion, bringing it into contact with other languages in new locations. This also caused different regional dialects of the language to come into contact with each other in colonial situations. This book is made up of a number of fascinating tales of historical- sociolinguistic detection. These are stories of origins, of a particular variety of English or linguistic feature, which together tell a compelling general story. In each case, Trudgill presents an intriguing puzzle, locates and examines the evidence, detects clues that unravel the mystery, and fi nally proposes a solution. The solutions are all original, often surprising, sometimes highly controversial. Providing a unique insight into how language contact shapes varieties of English, this entertaining yet rigorous account will be welcomed by students and researchers in linguistics, sociolinguistics and historical linguistics."