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"The essays in this book are essays in literary aesthetics. They deal with philosophical problems which arise in connection with the appreciation and evaluation of literary works and with problems that arise because there is a practice of writing and reading literary works. Though they were written over a period of more than ten years, the essays are unified by a consistent perspective on theoretical problems and by a consistent scepticism about the possibility of any general theory of literature, be it Marxist, Freudian, Structuralist or Post-Structuralist. Literary theories come and go, it seems, more and more quickly. But the practice of literature remains and so do the philosophical problems connected with it. The need to deal with these problems in a philosophically responsible way remains and cannot be ignored."

"How does a reader respond to a work of literature and how does he begin to evaluate it? Mr Olsen attempts to answer these and related questions. The book is in two parts. In the first three chapters, the author demolishes established theories that literature has a special language, provides a heightened insight into 'truth' and has emotion as its prime currency. In the remaining chapters Mr Olsen constructs and fully illustrates the theory that understanding of a work of literature comes in two complementary stages: first, judgements about the author's aesthetic intentions (interpretation); second, appreciation of the aesthetic qualities of the work (evaluation). At the end of his argument, attempting an answer to the question 'Why is literature important?', Mr Olsen characterizes literature as an institution and thus forges links with contemporary philosophy which sees all human action as ordered and defined by social institutions."

"Do the various forms of literary theory - deconstruction, Marxism, new historicism, feminism, post-colonialism, and cultural/digital studies - have anything in common? If so, what are the fundamental principles of theory? What is its ideological orientation? Can it still be of use to us in understanding basic intellectual and ethical dilemmas of our time? These questions continue to perplex both students and teachers of literary theory. Habib finds the answers in theory's largely unacknowledged roots in the thought of German philosopher Hegel. Hegel's insights continue to frame the very terms of theory to this day. Habib explains Hegel's complex ideas and how they have percolated through the intellectual history of the last century. This book will interest teachers and students of literature, literary theory and the history of ideas, illuminating how our modern world came into being, and how we can better understand the salient issues of our own time."

"What is valuable about literary studies? What is its point and purpose? In The Values of Literary Studies: Critical Institutions, Scholarly Agendas, leading scholars in the field illuminate both the purpose and priorities of literary criticism. At a time when the humanities are increasingly called upon to justify themselves, this book seeks to clarify their myriad values and ideologies. Engaging the idea of literary value while at the same time remaining attuned to aesthetic, ethical, political and psychological principles, this book serves to underscore the enduring significance of literary studies in an academic climate that is ostensibly concerned with expediency and quantification. As a sophisticated examination of literary theory and criticism, The Values of Literary Studies: Critical Institutions, Scholarly Agendas provides a comprehensive and hopeful view of where the discipline is now and what avenues it is likely to take from here"