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"This book provides a detailed analysis of the controversial privatisation of the Berlin Water Company (BWB) in 1999. As with other cases of privatisation around the world, the city’s government argued there was no alternative in a context of public debts and economic restructuring. Drawing on post-structuralist theory, the analysis presented here steps outside the parameters of this neat, straightforward explanation. It problematises the ‘hard facts’ upon which the decision was apparently made, presenting instead an account in which facts can be political constructions shaped by normative assumptions and political strategies. A politics of inevitability in 1990s Berlin is revealed, one characterised by depoliticisation, expert-dominated policy processes and centred upon the perceived necessities of urban governance in the global economy. It is an account in which global and local dynamics mix, where the interplay between the general and the specific, between neoliberalism and politicking, and between globalisation and local actors characterise the discussion."

"This book asks how particular news events become global iconic events, while others fade into oblivion. Focusing on journalists covering the fall of the Berlin Wall and on subsequent retellings of the event (from Legoland reenactments to segments of the Berlin Wall installed in shopping malls), it discusses how storytellers build up certain events so that people in many parts of the world remember them for long periods of time. The East German border opening that we now summarize as the fall of the Berlin Wall was in fact unintentional, confusing, and prompted in part by misleading media coverage of bureaucratic missteps. But its global message is not about luck or accident or happenstance in history. Incarnated as a global iconic event, the fall of the Berlin Wall has come to communicate the momentary power that vulnerable ordinary people can have. The events story, branded into a simple phrase, a short narrative and a recognizable visual scene, provides people from China to Turkey to the United States with a contemporary social myth. This myth shapes our debates about separation walls and fences, borders and refugees, and the possibilities of human freedom to this day."

"ABSTRAKKota urban merupakan sebuah wilayah yang heterogen dengan mayoritas masyarakatnya bersifat individualis dan bekerja dibidang nonpertanian, terdapat gedung-gedung dan jalur lalu lintas padat, juga terjadi transaksi ekonomi tanpa henti. Berlin pada periode 1900-1930 merupakan kota pertama di Eropa yang mengalami kemajuan industri dan teknologi yang pesat sehingga terjadi berbagai fenomena baru layaknya sebuah kota metropolitan. Citra kota urban Berlin 1900-1930 mendorong para penyair untuk menuangkannya kedalam puisi beraliran Ekspressionismus. Penggambaran kota Berlin 1900-1930 tergambarkan dalam dua karya sastra puisi korpus data, yaitu puisi Auf der Terrasse des Caf Josty Paul Boldt 1912 dan Besuch Vom Lande Erich K stner 1929 . Metode kualitatif digunakan dalam artikel ini untuk membahas fokus kajian secara deskriptif dan mendalam, dengan mengacu pada teori produksi ruang Henri Levebre dalam ldquo;The Production of Space rdquo; 1991 dan teori representasi kota dan ruang publik dari Louis Wirth dalam ldquo;Urbanism as a Way of Life rdquo; 1938 . Analisis kedua puisi ini memperlihatkan bahwa kota Berlin pada awal abad ke-20 benar-benar mengalami perubahan besar, bisa dilihat dari karakteristik dan interaksi masyarakatnya, dimana Berlin menjadi sebuah kota dengan lalu lintas yang padat, gedung-gedung mengisi setiap ruang sudut kota, dan menjadi kota dengan citra yang cukup mengerikan dimata para penyair Berlin.

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ABSTRACT<>br>Urban city is a heterogeneous area with the majority of its society are individualist and working in non agricultural fields, there are so many buildings and the traffic lanes are solid, the economic transactions also never stopped. Berlin in the period 1900 1930 is the first urban city in Europe which its industrial and technology rapidly evoled, so there are so many various new phenomenon like a metropolis. The image of the urban city Berlin 1900 1930 encourage the poets to make it into an expressionism poems. The image of Berlin city 1900 1930 can be seen in the poems Auf der Terrasse des Caf Josty Paul Boldt 1912 and Besuch Vom Lande Erich K stner 1929 . Qualitative methods are used in this article to discuss the focus of the study in descriptive and in depth way. This article are using Henri Levebre 39 s space production theory in The Production of Space 1991 and Louis Wirth 39 s theory of city and public space in ldquo Urbanism as a Way of Life 1938 . The analysis of these two poems shows that Berlin at the beginning of the twentieth century was really run into a major changes, it can be seen from the characteristics and interactions of its society. Berlin became a city with a heavy traffic, buildings in every corner of the city, and Berlin turns into a city with a pretty horrible image in the eyes of Berlin poets."

"Dalam serial drama Berlin, berlin, saya meneliti jenis-jenis implikatur percakapan dan perwujudan ragam bahasa pria dan ragam bahasa wanita berdasarkan 4 episode. Tujuan penelitian ini adalah untuk memaparkan apa saja jenis implikatur percakapan dalam serial drama Berlin, berlin dan juga untuk mendeskripsikan ragam bahasa yang ada pada hubungan antar tokoh pria dan wanita dalam serial drama Berlin,berlin. Metode yang digunakan dalam tugas akhir ini adalah metode kualitatif. Hal ini bertujuan untuk mengetahui jenis-jenis implikatur percakapan dalam serial drama Berlin, berlin berdasarkan teori dari Grice dan juga teori ragam bahasa pria dan wanita menurut Opperman & Weber dan Robin Lakoff. Hasil penelitian ini secara umum menunjukkan bahwa terdapat jenis implikatur non-konvensional berdasarkan masing-masing episode dan wujud ragam bahasa pria berdasarkan tokoh pria yang terdapat dalam masing-masing episode yaitu tegas, jelas, mengandung nasehat dan mengandung pola intonasi pertanyaan. Berbeda dengan tokoh wanita, ragam bahasa yang digunakan lebih ekspresif, penuh semangat dan menggunakan ragam bahasa tersirat. Dengan demikian, perbedaan ragam bahasa antara wanita dan pria terjadi dalam kehidupan sehari-hari karena terdapat banyak faktor seperti perbedaan jenis kelamin, sikap, kehidupan sosial dan juga dapat dipengaruhi oleh maksud pembicara.Berlin,berlin drama series, I researched the types of implicature and a variety languages between male and female based on 4 episodes. The purpose of this study is to describe what Berlin, berlin drama series and also to describe a variety male and female languages that existed in the relationship between men and women in Berlin, berlin drama series. This study used a qualitative method. It aims to determine the types of conversational implicature and variety languages between male and female based on the theory of Grice and the theory of languages according to Opperman & Weber and Robin Lakoff. As a result, this study found that there is a non-conventional type of Implicature based on each episode and the appearance of the variety male language is firmly, clearly and contain the intonation patterns of questions. On the other hand, the variety of female languages used more expressive, zestful, and implied. In general the differences of language between male and female occur because of many factors such as gender, attitudes, social life and also the meaning of speaker."