Hasil Pencarian  ::  Simpan CSV :: Kembali

"Film Spy (2015) memberikan penggambaran baru tentang agen rahasia yang belum pernah ditunjukkan dalam film-film Hollywood sebelumnya. Film tersebut menampilkan agen rahasia wanita bernama Susan Cooper sebagai karakter utama dan menggambarkan dirinya sebagai agen rahasia yang lebih mumpuni dalam menjalankan misi dibandingkan dengan agen rahasia laki-laki bernama Rick Ford. Jurnal ini menjabarkan bagaimana penggambaran baru tentang agen rahasia dalam film Spy muncul sebagai kritik atas maskulinitas dan stereotip dominan yang melekat pada tokoh agen rahasia di film-film Hollywood, terutama James Bond. Film Spy dianalisis sebagai teks menggunakan teori oposisi biner pada gender dari Judith Buttler (1990) dan konsep teknik humor dari Buijzen dan Valkenburg (2014), serta teknik humor dari Berger yang dikutip oleh Trisilo (2014). Jurnal ini menjelaskan bahwa film Spy mendekonstruksikan strereotip tradisional agen rahasia dengan cara membalikkan penggambaran yang ada dalam tokoh James Bond melalui tokoh Cooper dan Ford. Keterbalikkan tersebut menciptakan penggambaran baru dan mendekonstruksi stereotip tradisional agen rahasia secara bersamaan.

---

Spy movie (2015) freshly offers new portrayals of secret agents that have never been shown in Hollywood movie industry. The movie puts the female secret agent character, Susan Cooper, as the leading character and the one that is more capable in carrying field task than the male secret agent, Rick Ford. This paper explores how the new portrayals of secret agent in Spy movie serve as a critic towards masculinity and dominant stereotype of secret agent constructed in Hollywood movies, particularly James Bond.

The movie is analyzed from gender binary opposition perspective by Judith Buttler (1990) and the concept of humor technique from Buijzen and Valkenburg (2014) and humor technique from Berger quoted in Trisilo (2014). This paper discovers that Spy movie deconstructs the traditional stereotype of secret agent by reversing the representations presented in James Bond through Cooper and Ford characters. The reversals strongly proffer the new portrayals of secret agent and deconstruct the traditional stereotypes of secret agent at the same time."

"Travel writing (catatan perjalanan) telah menjadi medium dokumentasi bagi para penjelajah Eropa, termasuk dari Belanda, ketika menjelajahi luar Eropa pada abad ke-16 hingga ke-19. Kini travel writing telah diakui sebagai sumber sejarah penting bagi Belanda dan juga wilayah-wilayah yang dikunjungi penjelajah Belanda. Penelitian ini berfokus pada buku Mijn Indische Reis (1931), catatan perjalanan H.P. Berlage ketika di Hindia Belanda pada tahun 1923. Identitas Berlage sebagai orang Barat yang melakukan perjalanan ke Timur menjadi unsur menarik untuk mengkaji bagaimana penilaian Berlage sebagai orang Barat terhadap budaya Hindia Belanda. Dengan menggunakan pendekatan pascakolonial yakni Orientalisme dari Edward Said, penelitian ini menemukan bahwa terdapat narasi oposisi biner dalam perbandingan budaya antara Hindia Belanda dengan Barat yang dilakukan oleh Berlage. Hasil dari penelitian menunjukkan bahwa terdapat perubahan narasi oposisi biner Berlage sehingga identitasnya terekonstruksi di Timur. Ambivalensi narasi oposisi biner di akhir perjalanan Berlage menunjukkan perubahan pandangan orientalis Berlage sebagai orang Barat dengan mengutarakan kritiknya terhadap praktik kolonial yang dilakukan oleh bangsa Belanda. Sehingga dapat disimpulkan Mijn Indische Reis (1931) adalah medium kritik Berlage terhadap pandangan Barat mengenai Timur

---

Travel writing has become a medium of documentation for European explorers, including those from the Netherlands when exploring outside Europe in the 16th to 19th centuries. Now travel writing has been recognized as an important historical source for the Netherlands and also for the regions visited by Dutch explorers. This research focuses on the book Mijn Indische Reis (1931), a travel writing of H.P. Berlage while in the Dutch East Indies in 1923. Berlage's identity as a Westerner who traveled to the East is a unique element in examining how Berlage as a Westerner assessed Dutch Indies culture. By using a postcolonial theoretical approach, namely Orientalism by Edward Said, this research finds that there are binary opposition narratives in the cultural comparison between the Dutch East Indies and the West carried out by Berlage. The results of the research show that there is a change in Berlage's binary opposition narrative so that his identity is reconstructed in the East. The ambivalence of the binary opposition narrative at the end of Berlage's journey shows a change in Berlage's orientalist view as a Westerner by expressing his criticism of colonial practices carried out by the Dutch. So it can be concluded that Mijn Indische Reis (1931) is a medium for Berlage's criticism of Western views on the East."

"This research aims to learn a potential and a struggle of the Chinese in clash of power during Amangkurat I (1646 – 1677) reign. The Chinese role was represented by Rara Oyi and her parents, Ki and Nyi Mangun. Literature study is done by applying binary opposition which is part of Post Collonialism theory. Analysis is done by showing evidences related to Binary opposition, which are good versus bad, man versus woman, powerful versus powerless, majority versus minority, oppressor and oppressed, rich versus poor, and love versus hate. It can be concluded that all aspects of binary oppositios and multiculturalism are presented clearly in Rembulan Ungu novel written by Bondan Nusantara."

"ABSTRAKDalam sebagian besar film Hollywood dengan genre action-spionase spy , protagonis utama dimainkan oleh seorang agen rahasia laki-laki, sementara karakter perempuan dimainkan sebagai ldquo;kaki tangan rdquo; dari agen rahasia tersebut. Namun, film Spy 2015 menantang stereotip dan peran jender yang dikaitkan dalam film action-spionase pada umumnya dengan memerankan wanita sebagai protagonis agen rahasia utama dan menggambarkan karater laki-laki kebalikan dari stereotip agen rahasia. Penelitian ini berfokus pada bagaimana pergeseran stereotip dan peran jender sebagai agen rahasia tersebut digambarkan dalam film Spy. Analisis tekstual digunakan untuk menyelidiki pergeseran dan pengaruhnya, dan kerangka teoritis yang digunakan adalah Women Existence in Espionage Movies oleh Amalina 2015 dan The Evolution of Female Gender Roles oleh Bayard 2015 . Hasil dari penelitian ini menunjukan bahwa ada perubahan yang signifikan antara karakterisasi tokoh perempuan dan laki-laki sebagai agen rahasia.

---

ABSTRACTAbstractIn most of Hollywood action espionage movies, the main protagonists are male secret agents, while female characters play the role of the secret agents rsquo sidekicks. However, Spy 2015 challenges the stereotypes and the attributed gender roles in action espionage movies by having female protagonist as the lead secret agent and depicting the male characters the opposite of secret agent stereotypes. This research focuses on how the shift of stereotypes and gender role of secret agents are portrayed in Spy. Textual analysis is used to investigate the shifts and its effects, and the theoretical frameworks used are Women Existence in Espionage Movies by Amalina 2015 and The Evolution of Female Gender Roles by Bayard 2015 . The research findings reveal that there are significant changes between the female and the male characterizations as secret agents.Keywords Gender Role, Stereotype, Secret Agent"

"ABSTRAK Pada abad 21, jumlah penampilan tokoh wanita yang kuat atau tangguh di film-film Hollywood mengalamikenaikan. Terdapat sejumlah jalan cerita di mana tokoh wanita berperan sebagai pahlawan atau sosok yang kuatatau tangguh menghadapi tokoh-tokoh lainnya di film-film Hollywood. Menganalisa ?The Girl with the DragonTattoo? dan ?Gone Girl? karya David Fincher, jurnal ini menyampaikan argumen bahwa representasi tokoh wanitadi kedua film tersebut hanya sampai pada titik tertentu. Memberikan sejumlah analisis mengenai hubungan antarakarakter pria dan wanita di kedua film tersebut, jurnal ini menunjukkan bahwa representasi tokoh wanita kuat atautangguh di ?The Girl with the Dragon Tattoo? dan ?Gone Girl? karya David Fincher sangat berkaitan denganterjadinya ketidakseimbangan kekuasaan atau power imbalance di dalam hubungan, dan hanya jatuh pada konsepbinary opposition, di mana tokoh wanita dilihat sebagai sosok yang kuat atau tangguh hanya di saat merekamengalami pembalikkan kekuasaan atau reversal of power di dalam hubungan.ABSTRACT In the 21st century, the number of appearances of strong female characters in Hollywood movies is increasing.There are a lot of circumstances in which female characters play as heroines or are powerful over other charactersin Hollywood movies. Examining David Fincher?s ?The Girl with the Dragon Tattoo? and ?Gone Girl?, this paperargues that the portrayal of strong female characters in the two films is only to a particular extent. By presenting anumber of analyses of how relationships go between male and female characters in the two films, the paper showsthat the representation of strong female characters in David Fincher?s ?The Girl with the Dragon Tattoo? and?Gone Girl? is strongly related with the occurrence of power imbalance in relationships yet only falls under theconcept of binary opposition, in which female characters are seen as strong or powerful only when they undergoreversal of power in relationships.;In the 21st century, the number of appearances of strong female characters in Hollywood movies is increasing.There are a lot of circumstances in which female characters play as heroines or are powerful over other charactersin Hollywood movies. Examining David Fincher?s ?The Girl with the Dragon Tattoo? and ?Gone Girl?, this paperargues that the portrayal of strong female characters in the two films is only to a particular extent. By presenting anumber of analyses of how relationships go between male and female characters in the two films, the paper showsthat the representation of strong female characters in David Fincher?s ?The Girl with the Dragon Tattoo? and?Gone Girl? is strongly related with the occurrence of power imbalance in relationships yet only falls under theconcept of binary opposition, in which female characters are seen as strong or powerful only when they undergoreversal of power in relationships.;In the 21st century, the number of appearances of strong female characters in Hollywood movies is increasing.There are a lot of circumstances in which female characters play as heroines or are powerful over other charactersin Hollywood movies. Examining David Fincher?s ?The Girl with the Dragon Tattoo? and ?Gone Girl?, this paperargues that the portrayal of strong female characters in the two films is only to a particular extent. By presenting anumber of analyses of how relationships go between male and female characters in the two films, the paper showsthat the representation of strong female characters in David Fincher?s ?The Girl with the Dragon Tattoo? and?Gone Girl? is strongly related with the occurrence of power imbalance in relationships yet only falls under theconcept of binary opposition, in which female characters are seen as strong or powerful only when they undergoreversal of power in relationships.;In the 21st century, the number of appearances of strong female characters in Hollywood movies is increasing.There are a lot of circumstances in which female characters play as heroines or are powerful over other charactersin Hollywood movies. Examining David Fincher?s ?The Girl with the Dragon Tattoo? and ?Gone Girl?, this paperargues that the portrayal of strong female characters in the two films is only to a particular extent. By presenting anumber of analyses of how relationships go between male and female characters in the two films, the paper showsthat the representation of strong female characters in David Fincher?s ?The Girl with the Dragon Tattoo? and?Gone Girl? is strongly related with the occurrence of power imbalance in relationships yet only falls under theconcept of binary opposition, in which female characters are seen as strong or powerful only when they undergoreversal of power in relationships."

"Oposisi biner adalah metafisika kehadiran. Oposisi biner ini terdapat dalam struktur sehingga memunculkan hierarki. Hierarki ini merupakan sejarah filsafat barat. Oposisi biner memunculkan makna yang stabil dan pasti. Hal inilah yang didekonstruksi oleh Derrida. Dekonstruksi Derrida ini memunculkan konsekuensi tentang makna teks. Metode dekonstruksi digunakan untuk menemukan dan menunjukkan konsekuensi dekonstruksi Derrida itu. Dekonstruksi Derrida terhadap oposisi biner tidak untuk mencari makna, melainkan menciptakan makna yang terkait dengan teks, konteks, intertekstualitas, penafsir, dan permainan bahasa. Derrida menolak oposisi biner dan muncul pluralitas makna.

---

The binary opposition is a metaphysics of presence. This binary opposition can be found in structure that emerge hierarchy. This hierarchy is history of Western philosophy. The binary opposition emerge stable and certain meaning. This case is deconstructed by Derrida. This deconstruction of Derrida emerge the consequence about meaning of text. The method of deconstruction is used to find out and to point out that consequence of Derrida's deconstruction. The deconstruction of Derrida on the binary opposition is not looking for meaning, but it creates meanings that related to text, context, intertextuality, interpreter, and language games. Derrida rejected binary opposition and emerge plurality of meanings."

"Tesis ini membahas mengenai legalitas atas hak cipta lagu parodi yang diunggah di dalam layanan berbagi video YouTube dengan mengkaji sejauhmana Undang-Undang Nomor 28 Tahun 2014 tentang Hak Cipta mengatur hal tersebut termasuk perlindungan terhadap hak moral dan hak ekonomi pencipta dan pelaku pertunjukan lagu asli. Dengan kemajuan teknologi, kepastian hukum atas suatu ciptaan lagu yang ditransformasikan menjadi parodi dan kemudian diunggah di internet sangatlah penting untuk dikertahui oleh pencipta dan pelaku pertunjukan lagu asli. Terdapat dua cara untuk mengetahui sejauhmana suatu lagu parodi yang diunggah melalui YouTube adalah sah ataukah bertentangan dengan UUHC. Jika terjadi pelanggaran hak cipta, maka pencipta dan pelaku pertunjukan lagu asli berhak atas perlindungan hukum dengan cara mengajukan penghentian, gugatan perdata, maupun tuntuan pidana yang diatur di dalam UUHC, UU ITE dan Copyrigts on YouTube.

---

This thesis discusses the legality to Copyright of Parody Song which being uploaded in video-sharing website, YouTube by analyzing at how far The Law of Republic of Indonesia Number 28 Year 2014 Regarding Copyright regulates this matter including the protection of moral right and economic right of the original songwriter and performer. With the progress of technology, legal certainty of the song which being transformed to parody and also uploaded to internet is very important for original songwriter and performer to know. There are two ways to find out about a parody song which were uploaded through YouTube be valid or contrary to UUHC. When there is a violation of copyright, the original songwriter and performer have a rights to access legal protection by reporting the termination, filing a lawsuit for compensation, and criminal charges as governed in UUHC, UU ITE, and Copyrights on YouTube."

"The theory of oppositions based on Aristotelian foundations of logic has been pictured in a striking square diagram which can be understood and applied in many different ways having repercussions in various fields: epistemology, linguistics, mathematics, sociology, physics. The square can also be generalized in other two-dimensional or multi-dimensional objects extending in breadth and depth the original Aristotelian theory.The square of opposition from its origin in antiquity to the present day continues to exert a profound impact on the development of deductive logic. Since 10 years there is a new growing interest for the square due to recent discoveries and challenging interpretations. This book presents a collection of previously unpublished papers by high level specialists on the square from all over the world."

"Sistem pembangkit panas bumi biner pertama di Indonesia yang telah berhasil diimplementasikan ialah sistem biner 500kW di Lahendong. Namun, masih terdapat celah untuk meningkatkan pengembangan sistem biner di Lahendong. Kajian ini bertujuan untuk memberikan perancangan alternatif dari sistem biner dengan menggunakan siklus Rankine organik. Investigasi analisis termodinamika berbasis hukum termodinamika, analisis scaling silika dan optimisasi pemilihan fluida kerja akan disajikan. Proses flashing dari separator menghasilkan uap air dan brine-cair dengan laju alir massa 48,6kg/s dan 173,6kg/s serta tekanan separator 10,23 bar. Berbasis analisis hukum kedua termodinamika didapatkan energi berguna maksimal dari aliran brine sebesar 7,2MW. Berdasarkan hasil simulasi, didapatkan bahwa potensi daya yang dapat dibangkitkan dari panas buang di Lahendong sebesar 2,46MW dengan efisiensi termal dan eksergi bersih sebesar 11% dan 34%. Dibandingkan dengan sistem biner yang telah beroperasi, masih terdapat banyak energi yang dapat diambil dalam pengembangan ke depan di pembangkit Lahendong"

"

Lapangan geothermal  “X” di Indonesia memproduksi wet steam yang banyak menghasilkan hot brine dari hasil separasi terhadap wetsteam. Hot brine yang merupakan fasa liquid dari steam selama ini langsung di injeksikan kembali ke dalam sumur injeksi. Dalam penelitian ini usulan teknologi yang ditawarkan untuk memanfaatkan energi dari hot brine tersebut adalah melalui teknologi binary power plant.

Penelitian ini bertujuan mengkaji pemanfaatan hot brine menjadi energi listrik. Proses simulator digunakan terutama untuk mengetahui kondisi di tiap siklus, berapa power output yang dapat dihasilkan, analisa jenis fluida kerja yang dipilih, efisiensi energi dan konfigurasi peralatan yang diusulkan.

Hasil dari kajian teknis dan keekonomian yang digunakan menunjukkan bahwa pemanfaatan hot brine dari lapangan “X” tersebut mampu menghasilkan 11.2 MW daya keluaran bersih dari 953,400 Kg/H laju hot brine. Agar layak secara ekonomi yaitu mendapatkan IRR 12.5% maka tarif harga listrik yang diharapkan adalah sebesar  9.6 cent $/kwh.

Kata kunci : binary cyle, fluida kerja, hot brine, kelayakan ekonomi, pemanfaatan energi

 

---

Geothermal field “X” in  Indonesia producing wet steam that contain hot brine as result of separation from wet steam. Currently hot brine production is injected to injection wells. The need to extract the heat from hot brine had lead to further potential assessment ofbinary plant technology to extract the heat from hot brine into electricity.

This research aimed to evaluate utilization of hot brine from “X” field to become electrical energy. Process simulator used to get condition in each cycle phase, power output generated and analysis of favorable working fluids, energi efficiency and configuration of process equipment involved.

Result of the techno and economic study shown that heat extraction of hot brine from “X” field enable to generate around 11.2 MW net power output from 953,400 Kg/H hot brine rate. In order to be economically feasible based on cut off value of 12.5% IRR , the expected electric price of 9.6 cent$/kwh would be required.

 

 

"