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"Penelitian ini dilakukan untuk mendapatkan gambaran mengenai hubungan antara regulasi emosi dengan kecemasan performa musik pada performer musik remaja. Pengukuran regulasi emosi menggunakan alat ukur Emotion Regulation Questionnaire (ERQ) yang dikembangkan oleh Gross dan John (2003) dan pengukuran kecemasan performa musik dengan menggunakan Music Performance Anxiety Inventory for Adolescents (MPAI-A) yang dikembangkan oleh Osborne dan Kenny (2005a dalam Kenny & Osborne, 2006). Partisipan berjumlah 73 performer musik remaja yang berdomisili di Jabodetabek. Hasil penelitian ini menunjukkan tidak terdapat hubungan yang signifikan antara strategi cognitive reappraisal dalam regulasi emosi dengan kecemasan performa musik pada performer musik remaja (r = -0.027, dan tidak signifikan pada l.o.s 0.05 (p = 0.818), dan tidak terdapat hubungan yang signifikan antara strategi expressive suppression dalam regulasi emosi dengan kecemasan performa musik pada performer musik remaja (r = -0.045, dan tidak signifikan pada l.o.s 0.05 (p = 0.707)). Artinya, strategi regulasi emosi tidak berhubungan dengan tingkat kecemasan performa musik. Hal ini mungkin disebabkan oleh, perlunya mengukur state and trait anxiety sebelum mengukur kecemasan performa musik, dan perlunya menggunakan alat ukur yang dapat mengukur tingkat seberapa jauh seseorang sudah mampu mengontrol kecemasannya pada tingkat optimum. Berdasarkan hasil tersebut, perlu pengkajian lebih dalam faktor-faktor, serta kemungkinan yang memengaruhi hubungan tersebut.

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The study was conducted to get a description about the correlation between emotion regulation and music performance anxiety on adolescent music performer. Emotion regulation was measured by using Emotion Regulation Questionnaire (ERQ) developed by Gross and John (2003) and music performance anxiety was measured by using Music Performance Anxiety Inventory for Adolescent (MPAI-A) developed by Osborne and Kenny (2005a in Kenny & Osborne, 2006). Participants were 73 adolescent music performer in Jabodetabek. The result shows that there is no significant correlation between cognitive reappraisal strategy in emotion regulation and music performance anxiety on adolescent music performance (r = -0.027, and is not significant at l.o.s 0.05 (p = 0.818)), and that there is no significant correlation between expressive suppression strategy in emotion regulation and music performance anxiety on adolescent music performace (r = -0.045, and is not significant at l.o.s 0.05 (p = 0.707)). This leads us to a conclusion that emotion regulation does not correlate with music performance anxiety. The indication maybe caused by the need to measure whether the anxiety is a state or trait before measuring music performance anxiety and to use a measurement qualified for measuring how far someone can control their anxiety at optimum level. There is a need to conduct an exploration about factors and possibilities that affect the correlation."

"[ABSTRAKSkripsi ini membahas tentang perempuan yang memutuskan untuk menjadi penampil di dalam musik metal underground sebagai upaya counter-culture terhadap sistem kebudayaan yang patriarkis. Penelitian ini menggunakan dimensi analisa culture as crime dalam kajian kriminologi budaya mengingat terdapat praktik-praktik di dalam kebudayaan metal yang dilihat sebagai praktik-praktik yang menyimpang karena dianggap tidak sesuai dengan moralitas yang ada di masyarakat dominan. Selain itu, penelitian ini juga menggunakan kajian teori feminis radikal-libertarian dan feminis sosialis sebagai dasar dalam memaknai upaya yang dilakukan perempuan sebagai bentuk counter-culture. Sebuah band dengan personel keseluruhannya yang adalah perempuan menjadi subyek dalam penelitian ini, yakni Psychotic Angels. Penelitian ini menggunakan metode penelitian kualitatif dengan studi kasus feminis dan critical social science guna memaknai keputusan perempuan untuk menjadi penampil di dalam musik metal underground sebagai upaya counter-culture.ABSTRACTThis thesis discusses about the choices that women made to be a performer in metal underground music as a way to make counter-culture to the patriarchy culture. This thesis using the culture as crime dimension analysis in cultural criminology because there are so many aspect in metal music culture that people view it as a forms of deviance that does not analogous with the dominant morality in society. This thesis also using radical-libertarian feminist and socialist feminist theory as a core to understand the way the women use to do counter-culture. The subject of this research is a full women personel band, named Psychotic Angels. This thesis using the qualitative methods with feminist case study and critical social science perspective to understand the women choices to be a metal underground music performer in order to do counter-culture.;This thesis discusses about the choices that women made to be a performer in metal underground music as a way to make counter-culture to the patriarchy culture. This thesis using the culture as crime dimension analysis in cultural criminology because there are so many aspect in metal music culture that people view it as a forms of deviance that does not analogous with the dominant morality in society. This thesis also using radical-libertarian feminist and socialist feminist theory as a core to understand the way the women use to do counter-culture. The subject of this research is a full women personel band, named Psychotic Angels. This thesis using the qualitative methods with feminist case study and critical social science perspective to understand the women choices to be a metal underground music performer in order to do counter-culture., This thesis discusses about the choices that women made to be a performer in metal underground music as a way to make counter-culture to the patriarchy culture. This thesis using the culture as crime dimension analysis in cultural criminology because there are so many aspect in metal music culture that people view it as a forms of deviance that does not analogous with the dominant morality in society. This thesis also using radical-libertarian feminist and socialist feminist theory as a core to understand the way the women use to do counter-culture. The subject of this research is a full women personel band, named Psychotic Angels. This thesis using the qualitative methods with feminist case study and critical social science perspective to understand the women choices to be a metal underground music performer in order to do counter-culture.]"