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"Dada and Surrealism are two of the most influential, provocative, and intellectually demanding areas of twentieth century art. A Companion to Dada and Surrealism provides an excellent overview of new research in the area from some of the finest established and up-and-coming scholars in the field. Blending expert synthesis of the latest scholarship with previously unpublished research findings, the book offers detailed historical coverage as well as in-depth and innovative discussion of thematic areas such as childhood, natural history, counterculture, criminality, sexuality, and gender. --One of the first studies to produce global coverage of the two movements together, this unique overview addresses the themes that unite them, but also looks at them as discrete, albeit partially overlapping, entities. The Companion is divided into three sections: the first offers a complete historical account of the movements in an expanded global context. The second provides a series of essays on key themes shared, to a greater or lesser extent, by the movements. The final section deals with the critical and cultural aftermath of Dada and Surrealism in the later twentieth century. Re-defining the research field, this text provides an invaluable companion for both scholars and students. --David Hopkins is Professor of Art History at the University of Glasgow. An acknowledged expert on Dada and Surrealism, he has published widely on these movements, and on artists such as Marcel Duchamp and Max Ernst. --Book Jacket."

"Seiring waktu yang terus mengalir, begitupun dengan kehadiran arsitektur yang selalu menyesuaikan dengan kondisi zaman. Arsitek-arsitek dunia mencoba menghadirkan sesuatu yang baru, suatu pemikiran kreatif dan inovatif, yang lama sudah tidak sesuai lagi. Sebuah pendekatan merancang yang baru hadir dalam berarsitektur. Terjadi banyak eksperimen dan metode yang tak biasa dalam merancang sebuah bangunan. sebuah penyelesaian yang ideal. Perubahan yang teriadi daiam dunia arsitektur mengindikasikan ketidakpuasan dan belum tercapainya kondisi yang ideal. Adakah mereka yang membawa perubahan dalam dunia arsitektur Indonesia, yang menghadirkan pembahaman demi perkembangan ke arah yang lebih maju?"

"Perkembangan seni lukis avant-garde di Rusia merupakan peristiwa penting dalam sejarah seni rupa modern. Di bawah semangat kebaharuan, avant-garde merupakan gagasan radikal yang berusaha mendobrak aliran seni rupa tradisional sebelumnya. Radikalisasi ini tidak terlepas dari faktor eksternal seperti keadaan ekonomi-politik, perkembangan ilmu pengetahuan, dan transformasi sosial di zamannya. Di bawah era industrialisasi dan revolusi, avant-garde Rusia berkembang dan menemukan dinamikanya sendiri.Penelitian ini bertujuan untuk menganalisis perkembangan dan dinamika avant-garde sehubungan dengan konteks sosial di zamannya. Dari penelitian dapat dibuktikan bahwa kondisi sosial dan kondisi ekonomi-politik di suatu ruang dan waktu berpengaruh signifikan terhadap perkembangan medan seni rupa (lukis).

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The development of avant-garde panting in Russia is a significant moment in the history of visual art. At the sake of modernization, avant-garde is radical notion that tries to break the previous traditional art. This radicalization can not be separated from economic-politics, the development of science, and social transformation of its time. Under the industrialization and revolution, Russian avant-garde developed and found its own dynamics.

This research aims to analyze the development and dynamic of Russian avant-garde, regarding its social context at its time. From this research, it is proved that social, economic-politics in particular space and time, could influence the visual art (painting) significantly."