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Putu Pande Sulistyas Agustina
"[ABSTRAK
Penelitian ini bertujuan untuk melihat objektifikasi yang terjadi pada perempuan penari dalam praktik budaya seni tari Joged Bumbung. Metode yang digunakan adalah etnografi feminis, yang bertujuan untuk melihat operasi gender dan distribusi kekuasaan yang terjadi di dalam masyarakat dan budaya di dalamnya. Ditemukan bahwa perempuan penari dalam kasus ini, terobjektifikasi secara seksual karena adanya sistem budaya patriarki, dan diperparah karena mekanisme pasar kapitalis. Temuan ini kemudian dilihat menggunakan perspektif feminis
radikal sebagai teori utama dalam menjelaskan fenomena yang ditemukan dan perspektif feminis sosialis sebagai teori pendukungnya
ABSTRACT
The purpose of this research is to see the objectification of woman dancer in the
traditional dance, Joged Bumbung. The method used in this research was feminist
ethnographic that was used to see the gender operation and the distribution of
power happened in the society and the culture within. It was that women dancer in
this case, was objectified sexually because of the patriacrchy system, and worsen
by the capitalistic market. This findings was analyzed using the radical feminist
perspective as the main theory and socialist feminist perspective as the supporting
theory.;The purpose of this research is to see the objectification of woman dancer in the
traditional dance, Joged Bumbung. The method used in this research was feminist
ethnographic that was used to see the gender operation and the distribution of
power happened in the society and the culture within. It was that women dancer in
this case, was objectified sexually because of the patriacrchy system, and worsen
by the capitalistic market. This findings was analyzed using the radical feminist
perspective as the main theory and socialist feminist perspective as the supporting
theory.;The purpose of this research is to see the objectification of woman dancer in the
traditional dance, Joged Bumbung. The method used in this research was feminist
ethnographic that was used to see the gender operation and the distribution of
power happened in the society and the culture within. It was that women dancer in
this case, was objectified sexually because of the patriacrchy system, and worsen
by the capitalistic market. This findings was analyzed using the radical feminist
perspective as the main theory and socialist feminist perspective as the supporting
theory.;The purpose of this research is to see the objectification of woman dancer in the
traditional dance, Joged Bumbung. The method used in this research was feminist
ethnographic that was used to see the gender operation and the distribution of
power happened in the society and the culture within. It was that women dancer in
this case, was objectified sexually because of the patriacrchy system, and worsen
by the capitalistic market. This findings was analyzed using the radical feminist
perspective as the main theory and socialist feminist perspective as the supporting
theory.;The purpose of this research is to see the objectification of woman dancer in the
traditional dance, Joged Bumbung. The method used in this research was feminist
ethnographic that was used to see the gender operation and the distribution of
power happened in the society and the culture within. It was that women dancer in
this case, was objectified sexually because of the patriacrchy system, and worsen
by the capitalistic market. This findings was analyzed using the radical feminist
perspective as the main theory and socialist feminist perspective as the supporting
theory.;The purpose of this research is to see the objectification of woman dancer in the
traditional dance, Joged Bumbung. The method used in this research was feminist
ethnographic that was used to see the gender operation and the distribution of
power happened in the society and the culture within. It was that women dancer in
this case, was objectified sexually because of the patriacrchy system, and worsen
by the capitalistic market. This findings was analyzed using the radical feminist
perspective as the main theory and socialist feminist perspective as the supporting
theory.;The purpose of this research is to see the objectification of woman dancer in the
traditional dance, Joged Bumbung. The method used in this research was feminist
ethnographic that was used to see the gender operation and the distribution of
power happened in the society and the culture within. It was that women dancer in
this case, was objectified sexually because of the patriacrchy system, and worsen
by the capitalistic market. This findings was analyzed using the radical feminist
perspective as the main theory and socialist feminist perspective as the supporting
theory.;The purpose of this research is to see the objectification of woman dancer in the
traditional dance, Joged Bumbung. The method used in this research was feminist
ethnographic that was used to see the gender operation and the distribution of
power happened in the society and the culture within. It was that women dancer in
this case, was objectified sexually because of the patriacrchy system, and worsen
by the capitalistic market. This findings was analyzed using the radical feminist
perspective as the main theory and socialist feminist perspective as the supporting
theory., The purpose of this research is to see the objectification of woman dancer in the
traditional dance, Joged Bumbung. The method used in this research was feminist
ethnographic that was used to see the gender operation and the distribution of
power happened in the society and the culture within. It was that women dancer in
this case, was objectified sexually because of the patriacrchy system, and worsen
by the capitalistic market. This findings was analyzed using the radical feminist
perspective as the main theory and socialist feminist perspective as the supporting
theory.]"
Fakultas Ilmu Sosial dan Ilmu Politik Universitas Indonesia, 2015
S60601
UI - Skripsi Membership  Universitas Indonesia Library
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Arintia Diah Martiana
"Beberapa penelitian mengenai budaya fan menunjukkan bahwa demokratisasi kebudayaan tengah terjadi. Demokratisasi kebudayaan adalah proses transformasi perilaku konsumen, keberkuasaan konsumen atas media, juga hubungan hirarkis antara produsen dan konsumen. Selama proses transformasi ini berlangsung, produsen dan konsumen memiliki kekuasaan yang semakin setara terhadap media melalui budaya partisipasi. Fenomena ini juga terpantau pada masyarakat Jepang bilamana hubungan dialogis antara produsen dan konsumen ini mulai terjadi pada beberapa fandom di Jepang. Dengan menggunakan metode projected interactivity, penelitian ini berupaya mendefinisikan hubungan antara produsen dan fan dalam fandom grup musik Jepang, Sound Horizon, sebagai salah satu fandom yang menunjukkan gejala demokratisasi kebudayaan.

Some studies on fan culture indicated that the democratization of culture is taking place. Democratization of culture is a transformation in consumer rsquo s behavior, consumer rsquo s authority upon media, and the hierarchical relationship between producer and consumer of media. During this transformation, producer and consumer are approaching an equal standing in front of media through the participatory culture. This phenomenon is also taking place in Japanese society, where the dialogical producer fan relationship is observable in some Japanese fandoms. By employing the projected interactivity methodology, this research leads to a greater understanding of producer fan relationship within a fandom for the Japanese musical band, Sound Horizon, as one of the Japanese fandoms which show the signs of democratization of culture.
"
Depok: Fakultas Ilmu Pengetahuan dan Budaya Universitas Indonesia, 2016
S66027
UI - Skripsi Membership  Universitas Indonesia Library
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Padang: Proyek Pengembangan Permuseuman, 1982
306 TAB
Buku Teks  Universitas Indonesia Library
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Vincentia Irmayanti Meliono
"Penelitian ini membahas tentang dimensi etis (etika makanan/food ethics) terhadap pola perilaku makan yang muncul dalam kehidupan sehari-hari. Pola makan seseorang ternyata dibentuk dari latar belakang budaya yang dimilikinya dengan berbagai perubahan sosial- budaya yang terjadi (gaya hidup, rekayasa bio-teknologi, ekpresi simbolik, masuknya ideologi). Hasil penelitian ini menunjukan bahwa perilaku makan seseorang berkaitan dengan dimensi etis dalam melihat tentang ?yang baik? dan ?buruk? pada proses pembuatan dan pemasaran makanan dan berdampak pada munculnya masyarakat konsumtif.

This research described that the ethical dimensions (food ethics) of the food?s pattern of human beings is coming from their lifes. So, the food?s pattern of human beings was also built and constructed from their culture with many social culture changes, for example, life style, bio-technology, symbolic expression, and ideologies. The results shows that the eating habitat has ethical dimensions about ?the good? and ?the bad? in the processing and the marketing of food and making issues of the consumer society by implication."
Depok: Fakultas Ilmu Pengetahuan dan Budaya Universitas Indonesia, 2004
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Artikel Jurnal  Universitas Indonesia Library
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Nurul Qolbi Izazy
"ABSTRAK
Skripsi ini membahas tentang pernikahan sebagai model pemertahanan identitas etnik keturunan Arab di Kelurahan Panjunan, Cirebon Jawa Barat. Penelitian ini adalah penelitian kualitatif dengan menggunakan metode observasi dan wawancara. Hasil penelitian menyebutkan bahwa prosesi pernikahan merupakan salah satu cara pemertahanan identitas etnik keturunan Arab di Kelurahan Panjuan Cirebon. Adapun dalam prosesi pernikahan yang masih menjadi penggambaran identitas etnik Arab ada pada seluruh rangkaian pernikahan seperti pengenalan calon, midad, lailatul henna, akad nikah dan resepsi pernikahan. Hanya saja prosesi yang masih dipertahankan telah mengalami proses asimilasi kultural atau proses akulturasi.

ABSTRACT
This thesis discusses marriage as an identity model retention of Arab descent at Panjunan, Cirebon. This study is a qualitative method using observation and interviews. The result shows that the wedding procession is one of the preservation ways Arab descent ethnic identity at Panjunan, Cirebon. As the wedding procession is still a depiction of Arab ethnic identity on the whole set of the wedding such as bride and groom or matchmaking, midad, lailatul henna, ceremony and wedding reception. However procession retained, has absorbed the process of."
2014
S53308
UI - Skripsi Membership  Universitas Indonesia Library
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Permadi Heru Prayogo
"Penelitian ini membahas tentang budaya kontrol lingkungan di Keraton Kasepuhan dan Keraton Kanoman. Penelitian ini adalah penelitian kualitatif dengan metode pengumpulan data melalui wawancara dan observasi lapangan. Penelitian ini membandingkan keadaan ruang penyimpanan pada Keraton Kasepuhan dan Keraton Kanoman. Di dalam penelitian ini, pengukuran keadaan ruangan menjadi salah satu cara untuk melihat hal-hal yang telah dilakukan oleh keraton dalam menjaga keadaan lingkungan ruang penyimpanan. Ditemukan dalam penelitian ini bahwa kontrol lingkungan dalam penyimpanan naskah masih belum dilakukan dengan baik. Budaya keraton adalah salah satu latar belakang atas tindakan penyimpanan naskah di dalam keraton. Kearifan lokal menjadi salah satu bentuk tindakan yang dilakukan dalam menjaga ruang penyimpanan. Tindakan yang dilakukan antara lain berbentuk peng-ukup-an, hal tersebut dilakukan untuk menciptakan ruangan yang bebas dari serangga. Kendala-kendala yang menjadi penghambat kegiatan pemeliharaan ruang juga disebabkan oleh budaya keraton.

This thesis discusses about environment control culture in Kasepuhan palace and Kanoman palace. This study is a qualitative research. Method of collecting data is conducted through interviews and field observations. This study compares condition of storage space at Kanoman and Kasepuhan palace. Measurement of the condition of the room is one way to look at how thing have been done by these two palaces in maintaining the environmental condition of storage space. This study found that enviroment control in the storage room is still not done well this is due to the background culture of the palace. Indigenous approach is done to keep the storage space namely peng-ukup-an (giving certain scent) done, in order to free from insects. The constraints in enviroment control activities is caused by palace’s culture."
Depok: Fakultas Ilmu Pengetahuan dan Budaya Universitas Indonesia, 2013
S46736
UI - Skripsi Membership  Universitas Indonesia Library
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"Penulisan artikel ini bertujuan untuk menjelaskan peranan Islam sebagai landasan ideal kebudayaan masyarakat Tanah datar (Minangkabau - Sumatera Barat) dan implementasinya dalam kehidupan seni pertunjukan musik. Untuk menemukan kejelasan yang dimaksud dilakukan kajian berdasarkan pendekatan kualitatif dengan mengutamakan data atau bahan di lapangan...."
Artikel Jurnal  Universitas Indonesia Library
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