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"Makalah non-seminar ini membahas representasi Indonesia yang terdapat dalam tiga buah lagu karya Wieteke van Dort yaitu Arm Den Haag (1975), Geef Mij Maar Nasi Goreng (1991), dan Terug Naar Soerabaja (1991).  Wieteke van Dort adalah seorang Indo yang lahir dan menghabiskan masa kecilnya di Indonesia, tepatnya di Surabaya. Penulis ingin melihat bagaimana seorang Indo merepresentasikan Indonesia melalui karyanya.  Ketiga lagu tersebut dianalisis menggunakan teori semiotik Ferdinand de Saussure. Kesimpulan yang ingin dicapai adalah bagaimana lirik dari ketiga lagu tersebut memiliki makna yang merepresentasikan Indonesia.This non-seminar paper discusses the representation of Indonesia contained in three songs by Wieteke van Dort namely Arm Den Haag (1975), Geef Mij Maar Nasi Goreng (1991), and Terug Naar Soerabaja (1991). Wieteke van Dort is an Indisch who was born and spent her childhood in Indonesia, precisely in Surabaya. The author wants to see how an Indisch represents Indonesia through his work. All three songs were analyzed using the semiotic theory of Ferdinand de Saussure. The conclusion to be reached is how the lyrics of the three songs have a meaning that represents Indonesia."

"ABSTRAKJurnal ini membahas mengenai karya lagu dari Wieteke van Dort, seorang penyanyi yang terkenal di Belanda. Di Belanda, dia dikenal sebagai penyanyi dengan ciri khas orang Indo. Dia meninggalkan Indonesia akibat adanya Imigrasi besar-besaran warga Belanda yang tinggal di Indonesia. Wieteke van Dort menggunakan ciri khas orang Indo dalam karirnya di Belanda. Masalah dalam jurnal ini adalah karakteristik budaya Indis yang bagaimana yang tercermin dalam lagu-lagu karya Wieteke van Dort. Tujuan penelitian ini adalah untuk mendeskripsikan karakteristik budaya Indis dalam lagu-lagu karya Wieteke van Dort. Hasil penelitian menunjukkan bahwa lagu-lagu karya Wieteke van Dort mencerminkan kenangan kehidupannya ketika berada di Hindia-Belanda. Kenangan itu seolah mengurung dirinya.

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ABSTRACTThis journal discusses the songwriting of Wieteke van Dort, a famous singer in the Netherlands. In the Netherlands, she is known as a singer with the characteristics of the Indo. She left Indonesia due to massive migration of Dutch citizens living in Indonesia to return to the Netherlands. Wieteke van Dort used the characteristics of the Indo people in her career. The problem in this journal is how Indis cultural characteristics are reflected in songs by Wieteke van Dort. This study aims to describe characteristics of Indies culture through Wieteke van Dorts songs. The results showed that the songs by Wieteke van Dort reflect memories of her life when she was in the Dutch East Indies. The memories seemed to lock her up."

"In search of a path, An analysis of the foreign policy of Suriname from 1975 to 1991, Roger Janssen The foreign policy of small states is an often neglected topic, which is particularly the case when it comes to Suriname. How did the young Republic deal with its dependency on the Netherlands for development aid after 1975? Was Paramaribo following a certain foreign policy strategy or did it merely react towards internal and external events? What were the decision making processes in defining the foreign policy course and who was involved in these processes? And why was a proposal discussed to hand back the right of an independent foreign and defence policy to a Dutch Commonwealth government in the early 1990s? These questions are examined here in depth, in the first comprehensive analysis of Suriname's foreign policy from 1975 to 1991. The book provides readers interested in Caribbean and Latin American affairs with a detailed account of Suriname's external relations. Moreover, the young Republic may stand as a case study, as it confronted the difficulties and challenges that small developing states often face. Roger Janssen (1967), born in the Dutch-German border region of Cleve, migrated to Australia in 1989. He received his education as a historian at the University of Western Australia where he obtained a Ph.D. in 1999. During his graduate and post-graduate studies, the main focus of his research was directed towards the social-economic and political developments of the Dutch Caribbean after the Second World War. Currently he lives and works in the Netherlands."

"In search of a path, An analysis of the foreign policy of Suriname from 1975 to 1991, Roger Janssen The foreign policy of small states is an often neglected topic, which is particularly the case when it comes to Suriname. How did the young Republic deal with its dependency on the Netherlands for development aid after 1975? Was Paramaribo following a certain foreign policy strategy or did it merely react towards internal and external events? What were the decision making processes in defining the foreign policy course and who was involved in these processes? And why was a proposal discussed to hand back the right of an independent foreign and defence policy to a Dutch Commonwealth government in the early 1990s? These questions are examined here in depth, in the first comprehensive analysis of Suriname's foreign policy from 1975 to 1991. The book provides readers interested in Caribbean and Latin American affairs with a detailed account of Suriname's external relations. Moreover, the young Republic may stand as a case study, as it confronted the difficulties and challenges that small developing states often face. Roger Janssen (1967), born in the Dutch-German border region of Cleve, migrated to Australia in 1989. He received his education as a historian at the University of Western Australia where he obtained a Ph.D. in 1999. During his graduate and post-graduate studies, the main focus of his research was directed towards the social-economic and political developments of the Dutch Caribbean after the Second World War. Currently he lives and works in the Netherlands"

"ABSTRACTHans Vervoort, penulis Belanda yang lahir di Hindia-Belanda, menulis dua cerita perjalanan mengenai Indonesia pasca repatriasinya ke Belanda, yaitu Van Onder De Koperen Ploert (1975) yang berlatar di Jawa dan Retourtje Tropen (2005) yang bercerita mengenai Jawa dan Sumatra. Dalam dua buku tersebut, pencerita Aku yang berlatar belakang kolonial dihadapkan pada perubahan objek-objek dalam ruang fisik dan sosial Indonesia pada dua periode di masa pascakolonial. Penelitian ini bertujuan untuk memaparkan representasi Indonesia yang diwakili oleh dua pulau dalam dua cerita perjalanan tersebut. Gambaran setiap objek dalam dua buku diselisik dan disandingkan untuk melihat perubahan dan pergeseran representasi Indonesia. Selanjutnya, mengacu pada teori Orientalisme (Said, 1977), representasi ini dianalisis lebih lanjut untuk melihat narasi mengenai Indonesia sebagai Timur yang sarat dengan wacana kolonial dan poskolonial. Hasil penelitian menunjukkan perg eseran representasi Indonesia dari negatif ke positif namun masih menunjukkan cara pandang kolonial. 

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ABSTRACTHans Vervoort, a Dutch-Indies-born author, wrote two travel writings to Indonesia posterior to his repatriation to the Netherlands, which are Van Onder De Koperen Ploert (1975) that is set in Java and Retourtje Tropen (2005) that tells about the same setting with Sumatra as addition. In these two books, the I-narrator with his colonial background observes the postcolonial Indonesia, represented by the two islands, in two periods along with changes in its social and physical space. This research aims to describe the representation of Indonesia in the two travel writings. The description of significant objects is analyzed to see the changes and shifts in the representation of Indonesia. The representation then, using Orientalism theory (Said, 1977), is examined to reveal the narration of Indonesia as The Orient that indicates colonial as well as postcolonial discourses. The result shows a shift where Indonesia is represented more positively yet still in the view of colonial eyes."

"Artikel ini tentang analisis dari bangunan Mauritshuis di Den Haag dan Paleis op De Dam di Amsterdam yang bergaya arsitektur Hollandse Classicisme. Tujuan artikel ini adalah memaparkan perkembangan fungsi bangunan Mauritshuis dan Paleis op De Dam serta menjelaskan ciri Hollandse Classicisme pada bangunan Gouden Eeuw (Abad Keemasan), Mauritshuis di Den Haag dan Paleis op de dam di Amsterdam karya Jacob van Kampen. Penelitian ini menggunakan metode kajian pustaka dan disajikan secara deskriptif disertai dengan analisis data berdasarkan buku-buku arsitektur dan internet. Hasil penelitian menunjukan bahwa kedua bangunan tersebut berubah fungsi seiring perkembangan zaman. Ciri bangunan Gouden Eeuw pada bangunan Mauritshuis dan Paleis op de dam karya Jacob van Kampen dipengaruhi oleh gaya Hollandse Classicisme yang merupakan ciri khas gaya pada abad keemasan di Belanda.

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This article analyses The Dutch Classicism of Maurits house in Den Haag and Paleis op de Dam in Amsterdam Both of the buildings were designed by Jacob van Campen. The Dutch Classicism in Dutch version is Hollandse Classicisme.

The purpose of this article is to show the functions and to describe the characteristics of The Dutch Classicism on those buildings in the Golden Age. This research use literature review with descriptive analysis based on the architectural books and sites.

The results show that the functions of those buildings had changed throughout decades. The characters of the Dutch Classicism on Maurits house and Paleis op de Dam are tipically the major style of architecture during the Golden Age."