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"Sastra dari luar, misalnya dari India, Persia, dan Cina telah lama masuk ke ranah sastra Indonesia, bahkan juga menjadi bagian dari sastra Jawa, misalnya Mahabarata, Ramayana, dan Baratayudha (dari India), Menak, Ambiya, Yusup dari Persia, serta Sam Pek Eng Tai dan Sin Jin Kui dari Cina. Kehadiran (naskah-naskah) sastra tersebut dilakukan melalui perpindahan penduduk ke luar daerah asalnya (migrasi) sambil membawa serpihan kekayaan budaya mereka. Di negeri singgahnya, biasanya, mereka beradaptasi dengan saling menunjukkan kebudayaan masing-masing, yang selanjutnya teradaptasi di negeri baru itu. Perjalanan budaya semacam itu dapat terjadi juga pada abad modern ini, misalnya kehadiran guritan karya Noriah Muhammed dan puisi karya Si Zainon Ismail (keduanya dari Malaysia). Perpindahan sastra Jawa (dan Indonesia) keluar negerinya juga melalui perpindahan penduduk atau migrasi, tetapi ada perbedaan pada latar belakang yang mendasarinya karena kondisi dan konsep bernegara masa kini lebih bersistem, yang tidak memungkinkan migrasi secara mudah, dan atau mengajarkan kebudayaan negeri asal secara bebas pula."

"Penelitian ini mengkaji ajaran sufisme dalam budaya Jawa yang tercermin pada naskah Suluk Sandi Pratistha (SSP). Sufisme jawa dalam teks ini penting untuk dibahas karena memberikan ajaran atau tahapan dalam mencapai insan kamil atau kesempurnaan diri. Naskah SSP tersimpan dalam koleksi Mangkunegaran, dengan kode koleksi MN 316 A 66. Sebagai salah satu teks suluk yang berfungsi untuk memberikan ajaran keagamaan, filsafat, dan etika, SSP memuat ajaran sufisme Islam yang bersinggungan dengan kebudayaan Jawa. Maka dari itu masalah utama dalam penelitian ini adalah sebagai berikut: 1) Bagaimana menyajikan teks naskah SSP agar dapat dipahami oleh pembaca? ; dan 2) Bagaimana ajaran sufisme Jawa terkandung dalam teks naskah SSP? Sejalan dengan rumusan masalah tersebut, penelitian ini bertujuan untuk menjelaskan integrasi sufisme Jawa dalam teks naskah SSP. Metode yang digunakan dalam penelitian ini adalah metode kualitatif dengan pendekatan filologi dan sufisme Jawa untuk mengkaji teks naskah SSP. Melalui analisis filologis, penelitian ini menyajikan teks naskah secara jelas dan mudah dimengerti oleh pembaca. Selain itu, penelitian ini juga mengeksplorasi ajaran sufisme Jawa yang terkandung dalam naskah SSP, termasuk konsep-konsep seperti distansi, konsentrasi, iluminasi, dan insan kamil yang mengacu pada pandangan Simuh (1995). Melalui praktik tersebut teks SSP menyediakan kerangka kerja komprehensif untuk mencapai perkembangan spiritual yang tinggi.

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This study examines the teachings of Sufism in Javanese culture as reflected in the Suluk Sandi Pratistha (SSP) manuscript. Javanese Sufism in this text is important to discuss because it provides teachings or stages in achieving insan kamil or self-perfection. The SSP manuscript is stored in the Mangkunegaran collection, with collection code MN 316 A 66. As one of the suluk texts that functions to provide religious, philosophical and ethical teachings, SSP contains Islamic Sufism teachings that intersect with Javanese culture. Therefore, the main problems in this research are as follows: 1) How to present the SSP manuscript text so that it can be understood by readers; and 2) How are Javanese Sufism teachings contained in the SSP manuscript text? In line with the formulation of the problem, this research aims to explain the integration of Javanese Sufism in the SSP manuscript text. The method used in this research is a qualitative method with a philological approach and Javanese Sufism to study the SSP manuscript text. Through philological analysis, this research presents the manuscript text clearly and easily understood by readers. In addition, this study also explores the teachings of Javanese Sufism contained in the SSP manuscript, including concepts such as distancing, concentration, illumination, and insan kamil that refer to the views of Simuh (1995). Through these practices the SSP text provides a comprehensive framework for achieving high spiritual development."

"In the Dutch colonial literature of the mid nineteenth century, the njai (Asianconcubine) is the symbol of degeneration and of undermining colonial society inthe Dutch Indies. Opposed to this portrayal, in Malay literature the image of thenjai is on the whole positive: she is faithful and loyal to her partner, intelligent,and economical. However, she easily falls victim to external powers, which isoften the masculine power of the society she belongs to. In many Malay textsshe is represented as ready to fight back, primarily for the sake of the future ofher offspring(s) or herself. Sometimes she succumbs, sometimes she triumphs.Examples can be found in texts like Tjerita Njai Dasima (1896), Tjerita Nji Paina(1900), Seitang Koening (1906), Hikajat Raden Adjeng Badaroesmi (1901-1903), TjeritaNjai Isah (1904), and Boenga roos dari Tjikembang (1927). These texts represent are-evaluation of the njai and stand in opposition to nineteenth century Dutchcolonial literature"

"Produksi sastra populer mengikuti selera masyarakat luas. Oleh sebab itu, sastra populer seringkali mengalami perubahan seiring dengan perubahan selera masyarakat. Pada tahun 2009, terbit novel populer yang menggunakan latar tempat kota di luar negeri. Setelah itu, mulai bermunculan novel-novel lain dengan latar tempat luar negeri. Bahkan, lokasi luar negeri bukan hanya muncul sebagai latar, melainkan juga sebagai judul novel. Dengan demikian, permasalahan dalam penelitian ini yaitu bagaimana penggunaan latar luar negeri dalam sastra populer. Penelitian ini bertujuan untuk mengungkapkan karakteristik tren latar tempat luar negeri dalam novel populer pada periode 2009-2016. Untuk mencapai tujuan tersebut, penelitian ini menggunakan metode deskriptif analitik dan pendekatan sosiologi sastra. Objek kajian dalam penelitian ini adalah novel Winter in Tokyo (2008) karya Ilana Tan, Paris: Aline (2013) karya Prisca Primasari, dan Love in Marrakech (2016) karya Irene Dyah.Popular literature production will always follow the direction of publics preference. Therefore, popular literature will always transform along with the shifting of publics preference. On 2009, an Indonesian popular literature with an overseas setting was published. Afterwards, other novels with overseas setting began to emerge. The use of overseas setting became a trend in Indonesian popular literature. Overseas location was not only used as the story setting, but also as title of the novel. This research discusses how overseas setting was used in Indonesian popular literature. The objective of this research is to signify the characteristic of overseas setting trend in Indonesian popular literature for the period of 2009-2016. This research is using sociology of literature approach and descriptive analytics method. The object of study of this research are Winter in Tokyo (2008) a novel by Ilana Tan, Paris: Aline (2013) a novel by Prisca Primasari, and Love in Marrakech (2016) a novel by Irene Dyah."

"This study attempts to discuss the offensive policy taken by Partai Komunis Indonesia (Indonesia Communist Party) i cultural sphere, especially in film during the period of Demokrasi Terpimpin (1957-64). One of the implementation of the policy was the decision to stop the circulation of two films, Pagar Kawat Berduri and Anak Perawan di Sarang Penyamun, written by Asrul Sani and Usmar Ismail. By analyzing various written and audiovisual sources. This study concludes that the reason were more political. Film was not seen as a form of art, but was suspected as a threat to the political power of the party"

"What is meant by contemporary literature? The first thing that comes up in mind is that the terminology of contemporary literature points out to ?literature that is new? or ?literature that is very recent?, and constitutes a new trend lastly in touch with public. With this, contemporarity might possibly be seen or measured on the basis of time frame. In China, contemporary literature is not measured merely by the most recent time and the changing literary trend in a certain period of time, it is apparently not free from the political influence of the goverment in power. Political guidance issued by the goverment in a certain period, will define the change in the literary trend in China. Uniquely, the literary trend in a certain period not merely brings out certain themes, but also followed by a great deal of literary works representing the emerging literary trend. In China, by reading a literary work, one will easily be able to detect when that kind of literary works approximately emerged, and who were the authors producing that works."