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"The 722 cantos and 247,766 lines of poetry in the Sĕrat Cĕnthini, composed in Surakarta by Ki Ng. Ronggasutrasna, R.Ng. Yasadipura II, and Ki Ng. Sastradipura under the direction of the Crown Prince of Surakarta (later Pakubuwana V, r.1820-1823) in 1815 during the British occupation of Java (1811- 1816), are arguably the greatest expression of literary art ever written in Javanese. The earliest version of the Sĕrat Cĕnthini comes from Cirebon at the beginning of the seventeenth century. When the poem reached Surakarta in the late eighteenth to early nineteenth century, court poets rewrote it, greatly expanding the number of episodes and characters, as well as the kinds of information and literary style to be found in the text. My interest in the excerpt I have translated from Canto 364 focuses on two aspects of this process of literary revision: characterization and the representation of everyday life."

"Tulisan ini membahas mengenai konsep silence dan bagaimana implikasinya terkait ruang dalam arsitektur. Sebagai suatu istilah yang sering dikaitkan dengan konotasi - ketiadaan - dan - kekosongan - baik dalam musik maupun puisi, silence sebenarnya merupakan suatu jeda dengan muatan signifikan. Keberadaan silence yang hadir dari - kekosongan - tersebut justru memberi jeda dan kesempatan bagi interpretasi terhadap estetika, terutama terkait dengan pengalaman terhadap aspek suara. Ketika pengalaman manusia terhadap ruang dalam arsitektur cenderung dipersepsi lebih dominan dari apa yang terlihat, penilaian terhadap estetika ruang seringkali terbatasi hanya pada properti ruang yang menyangkut domain visual, sehingga properti lainnya terabaikan dan aspek-aspek dalam ruang lainnya menjadi tertutupi. Ini menyebabkan pengalaman ruang yang diperoleh menjadi terdegradasi. Dalam meningkatkan pemahaman terhadap estetika ruang ini, suara sebagai bagian dari aspek aural kemudian menjadi suatu properti ruang yang mempunyai potensi memperkaya pengalaman dalam ruang, terlebih ketika arsitektur kemudian dikaitkan dengan musik. Dalam konteks ini, silence dalam arsitektur kemudian hadir sebagai suatu bingkai ruang-waktu di mana pengalaman terhadap seluruh aspek-aspek dalam ruang mungkin untuk dialami. Dalam pengalaman terhadap silence ini kepekaan terhadap ruang - yang dimulai dari kepekaan terhadap pengalaman aural - membuka kemungkinan terhadap dialaminya setiap dimensi dalam ruang lainnya secara seimbang dan menyeluruh, sehingga pengalaman terhadap ruang lebih dari persepsi visual belaka. Sehingga di sini kehadiran silence dapat mengungkapkan estetika ruang yang lain yang dapat dirasakan sebagai pengalaman ruang yang berbeda dari - yang biasa.

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This thesis focuses on the study of the concept of 'silence' and its implication in architectural space. Both in music and poetry, silence usually relates to an understanding of 'nothingness' and 'emptiness'. Moreover, silence actually is a gap that contains important capacity. When silence is present with its 'emptiness', it indeed presents a moment of rest for us to open a space for an interpretation of the aesthetics, especially towards the experience of sounds. While experiencing a space, we tend to perceive architecture from what we can see. Thus, appreciation of the aesthetics of an architectural space is often limited on the spatial properties concerning only to visual domain, which makes the properties of other aspects in space do not get our attention sufficiently. The result is that the value of our experience in space comes to a degradation of what its essence truly is. As we deal with this understanding of the aesthetics in space, sounds as the object of aural experience indeed gets the potency to enrich our feeling for space. Aural experience is, then, supposed to be possible to give us another aesthetics in experiencing architecture, especially when we try to relate architecture to music. In this case, silence implies in architecture as a time-space frame, which lets all aspects in space come to our experience. By experiencing silence, our awareness towards space increases'which begins from our awareness for aural properties'and then opens the possibility for every spatial dimension to be experienced thoroughly. So that the presence of silence will reveal the 'other' aesthetics of space that can be perceived as a different spatial experience from 'the usual'."

"Adopsi teknologi oleh pelanggan merupakan salah satu topik yang banyak dibahas dalam literatur pemasaran. Meski demikian, literatur yang membahas adopsi smartphone android masih sangat terbatas. Untuk mengisi kesenjangan yang ada dalam literatur, penelitian ini bermaksud untuk mengkaji adopsi smartphone android.Lebih spesifik, penelitian ini bertujuan untuk menguji : (1) pengaruh attitude toward using terhadap intention to adopt smartphone android, (2) pengaruh perceived content terhadap attitude toward using smartphone android, (3) pengaruh interface convenience terhadap attitude toward using smartphone android, (4) pengaruh perceived infrastructure terhadap attitude toward using smartphone android, (5) pengaruh design aesthetics terhadap attitude toward using smartphone android, dan (6) pengaruh moderasi hedonic orientation terhadap hubungan design aesthetics dan attitude toward using smartphone android.Penelitian dilakukan dengan metodologi penelitian kuantitatif. Pengumpulan data dilakukan dengan survey menggunakan instrumen kuesioner. Responden penelitian ini adalah 125 mahasiswa S1 FEUI. Analisis regresi digunakan untuk menguji hipotesis-hipotesis yang diajukan.Hasil penelitian menunjukkan bahwa attitude toward using memiliki pengaruh positif dan signifikan terhadap intention to adopt smartphone android. Selain itu, hasil penelitian juga menunjukkan bahwa perceived content, interface convenience, dan perceived infrastructure memiliki pengaruh positif dan signifikan terhadap attitude toward using smartphone android. Akan tetapi, penelitian ini menunjukkan bahwa pengaruh design aesthetics terhadap attitude toward using smartphone android serta pengaruh moderasi hedonic orientation terhadap hubungan design aesthetics dan attitude toward using smartphone android tidak signifikan secara statistik.

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Technology adoption by customer is a topic widely discussed in marketing literature. However, literature discussing the android smartphone adoption is still very limited. In order to fulfill the gap in the literature, this research aims to study the Smartphone android adoption.More specifically, this research aims to examine: (1) the effect of attitude toward using on intention to adopt android smartphone, (2) the effect of perceived content on attitude toward using android smartphone, (3) the effect of interface convenience on attitude toward using android smartphone, (4) the effect of perceived infrastructure on attitude toward using android smartphone, (5) the effect of design aesthetics on attitude toward using android smartphone, and (6) the moderation effect of hedonic orientation on the relationship between design aesthetics and attitude toward using android smartphone.This research was performed using the research methodology of quantitative. The data collection was carried out using survey with questionnaire. The research respondents are 125 FEUI undergraduate students. Regression analysis was performed to test the proposed hypotheses.The research result shows that attitude toward using has positive and significant impact on intention to adopt android smartphone. In addition, the result also shows that perceived content, interface convenience, and perceived infrastructure have positive and significant impact on attitude toward using android smartphone. However, this research shows that the effect of design aesthetics on attitude toward using android smartphone and the moderation effect of hedonic orientation on the relationship between design aesthetics and attitude toward using android smartphone are not statistically significant."

"Balet identik dengan gerakan tubuh yang terlihat indah, magis, surgawi, ringan, dan tanpa usaha. Namun, bagi para penari balet, keindahan tersebut dilakukan oleh tubuh yang juga merasakan sakit dan menyimpan memori, serta kode sosial dari strukturnya. Keterlibatan aktif tubuh membuat penari mengembangkan suatu habitus yang terus menaturalisasi rasa sakit sebagai bagian dari proses “menjadi”-nya. Bagi penari balet perempuan, rasa sakit begitu melekat dengan penggunaan pointe shoes. Sejatinya, pointe shoes dibuat untuk meneguhkan keindahan perempuan bak peri atau malaikat dalam dongeng. Pertemuannya dengan rasa sakit kemudian meminggirkan dan mengabjeksi penari ke dalam ruang semiotik chora-nya. Melalui pembangunan lapisan teori antara Angela Pickard dan Julia Kristeva (1941-), tulisan ini mengeksplorasi pengalaman penari balet perempuan atas rasa sakit dan abjeksi, yang ditandai oleh penggunaan pointe shoes. Studi dan tinjauan literatur, serta wawancara, diolah dengan metode kinesemiotik Arianna Maiorani (1970-) untuk mengangkat pemaknaan personal penari dari ruang semiotik ke ruang simbolik, yang ditandai melalui gerak tubuh dalam interaksinya dengan ruang. Pertemuan tanda-tanda pada pointe shoes, menghasilkan suatu pemaknaan yang holistik yaitu estetika rasa sakit yang menyublim.

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Ballet is notable for its beautiful, mystical, celestial, weightless, and effortless movements. However, for ballet dancers, these beautiful movements are all done by a body in pain, a body that embeds memories and social codes of its structure. The active involvement of the body enables a ballet dancer to develop a habitus that constantly naturalizes pain as part of the process of its “Being.” For the female, pain is embodied in pointe shoes. Initially, pointe shoes were meant to enhance the female’s beauty, like fairies or angels in fairy tales. The encounter with pain, then, marginalizes and abjects the dancer into her semiotic chora. Through the layering of theories of Angela Pickard and Julia Kristeva (1940-), this paper explores female ballet dancers’ lived experiences of pain and abjection, represented through pointe shoes. Literature research and reviews, as well as interviews, were analyzed with Arianna Maiorani’s (1970-) kinesemiotics method to put a rise to the dancer’s personal meanings, from the semiotics to symbolics, marked through body movements in interaction with space. The confluence of signs represented in pointe shoes creates a holistic meaning, namely the aesthetics of sublimated pain."

"ABSTRAKLatar Belakang: Psikososial merupakan kondisi yang meliputi aspek psikis dan sosial. Estetika wajah dapat menentukan perlakuan sosial yang diterima seorang individu dari lingkungannya. Gigi-geligi merupakan komponen penting dalam estetika wajah. Susunan gigi-geligi buruk dapat mengakibatkan berbagai masalah terkait fungsi maupun psikososial, namun dapat diatasi oleh perawatan ortodonti. Meskipun demikian, seringkali individu belum sadar akan kebutuhan perawatan ortodontinya. Ditemukan kontradiksi pada berbagai hasil penelitian sebelumnya mengenai hubungan status psikososial dan kebutuhan perawatan ortodonti, terutama pada usia remaja. Tujuan: Mengetahui hubungan status psikososial dengan kebutuhan perawatan ortodonti menggunakan PIDAQ dan IOTN pada siswa SMAN 27 Jakarta Pusat. Metode: Dilakukan penelitian potong lintang pada 95 remaja. Diberikan kuesioner PIDAQ untuk mengetahui status psikososial dan IOTN-AC untuk mengetahui kebutuhan perawatan ortodonti secara subjektif, serta digunakan IOTN-DHC untuk mengetahui kebutuhan perawatan ortodonti secara objektif. Hasil: Nilai signifikansi uji chi-square antara status psikososial dengan kebutuhan perawatan ortodonti berdasarkan IOTN-AC yaitu p = 0,001 dan nilai signifikansi uji chi-square antara status psikososial dengan kebutuhan perawatan ortodonti berdasarkan IOTN-DHC yaitup = 0,140. Kesimpulan: Terdapat hubungan antara status psikososial berdasarkan PIDAQ dengan kebutuhan perawatan ortodonti berdasarkan IOTN-AC dan tidak terdapat hubungan antara status psikososial berdasarkan PIDAQ dengan kebutuhan perawatan ortodonti berdasarkan IOTN-DHC pada siswa SMAN 27 Jakarta Pusat.

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ABSTRACTBackground: Psychosocial is a condition involves psychological and social aspects. Facial aesthetics affects how someone is treated by their surrounding. Teeth arrangement is an important component in facial aesthetics. Misaligned teeth often cause various problems, but can be overcome by orthodontic treatment. However, individuals are often not aware of their orthodontic treatment needs. Previous studies show contradictory results on association of psychosocial status and orthodontic treatment need. Objective: To determine whether psychosocial status associated with orthodontic treatment need using PIDAQ and IOTN in students of SMAN 27 Jakarta.Methods: This cross-sectional study comprised 95 adolescents. PIDAQ was given to assess psychosocial status and IOTN-AC was given to assess subjective treatment need. IOTN-DHC was used to assess objective treatment need. Results: The significance value of chi-square test between psychosocial status and orthodontic treatment need based on IOTN-AC is p = 0.001 and the significance value of chi-square test between psychosocial status and orthodontic treatment need based on IOTN-DHC is p = 0.140. Conclusion: There is an association between psychosocial status based on PIDAQ and orthodontic treatment need based on IOTN-AC and no between psychosocial status based on PIDAQ and orthodontic treatment need based on IOTN-DHC in students of SMAN 27 Jakarta."

"This volume gives evidence for the unity of knowledge in evolutionary biology, the evolutionary social sciences, and the evolutionary humanities. It contains 14 separately authored essays, a foreword by Alice Dreger, a theoretical introduction by Joseph Carroll, and afterwords by David Sloan Wilson and Jonathan Gottschall. Edward O. Wilson, Christopher Boehm, Herbert Gintis, Michael Rose, and Henry Harpending discuss human social evolution. Barbara Oakley integrates psychology and engineering. Dan P. McAdams delineates a model of human identity, and Carroll and his collaborators use a similar model for a quantitative study of Victorian novels. Ellen Dissanayake and John Hawks probe the mystery behind the markings ancient humans made on stones. Brian Boyd uses cognitive psychology to analyze poetry and comics. Catherine Salmon and Mathias Clasen use evolutionary psychology to explain salient genres of popular culture: horror fiction, professional wrestling, romance novels, and male adventure novels."

"Industri esports Indonesia sedang berada pada fase puncak perkembangannya. Kegiatan menonton esports merupakan hal yang baru-baru ini menjadi sebuah hal yang berorientasi sebagai sumber hiburan lainnya bagi pemain game. Hal ini menyebabkan pengembang game dan penyelenggara event esports semakin berlomba-lomba untuk meningkatkan layanannya. Tujuan dari penelitian ini adalah untuk menganalisis hubungan antara watching intention, gaming intention, dan purchase intention. Penelitian ini menggunakan skala MSSC dalam mengukur watching intention, mode ESC dalam mengukur gaming intention, serta bagaimana hubungan kedua hal tersebut dengan purchase intention atau keinginan seseorang untuk membeli barang virtual di dalam game. Penelitian ini dilakukan pada 243 responden yang merupakan pemain game Mobile Legends selama lebih dari 1 tahun dan sudah pernah menonton pertandingan esports M3 World Championship. Hipotesis penelitian diuji dengan menggunakan metode Partial Least Square - Structural Equation Modeling (PLS-SEM) dengan menggunakan aplikasi SmartPLS 4.0.8.4. Hasil penelitian ini menunjukkan terdapat pengaruh positif dan signifikan pada escapism, family and friends, dan social interaction terhadap watching intention, pengaruh positif namun tidak signifikan pada vicarious achievement dan acquisition of knowledge terhadap watching intention, serta pengaruh negatif dan tidak signifikan pada aesthetics, physical attractiveness, dan player’s skills terhadap watching intention. Terdapat pengaruh yang positif dan signifikan pada hedonic motivation terhadap gaming intention, dan terdapat juga pengaruh positif namun tidak signifikan pada flow terhadap gaming intention. Terdapat pengaruh yang positif dan signifikan pada hubungan direct effect variabel watching intention terhadap keinginan konsumen untuk bermain game. Terdapat pengaruh yang positif namun tidak signifikan pada hubungan direct effect variabel watching intention terhadap keinginan konsumen untuk membeli produk virtual di dalam game. Peran gaming intention dalam memediasi hubungan antara watching intention dan purchase intention adalah sebagai mediator penuh.

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The Indonesian esports industry is at the peak of its development. Watching esports is something that has recently become oriented as another source of entertainment for gamers. This causes game developers and esports event organizers to increasingly compete to improve their services. The purpose of this research is to analyze the relationship between watching intention, gaming intention, and purchase intention. This study uses the MSSC scale to measure watching intention, the ESC mode to measure gaming intention, and how these two relate to purchase intention or someone's desire to buy virtual goods in games. This research was conducted on 243 respondents who are Mobile Legends game players for more than 1 year and have watched the M3 World Championship esports match. The research hypothesis was tested using the Partial Least Square - Structural Equation Modeling (PLS-SEM) method using the SmartPLS 4.0.8.4 application. The results of this study indicate that there is a positive and significant effect on escapism, family and friends, and social interaction on watching intention, a positive but not significant effect on vicarious achievement and acquisition of knowledge on watching intention, as well as a negative and insignificant effect on aesthetics, physical attractiveness , and player's skills on watching intention. There is a positive and significant effect on hedonic motivation on gaming intention, and there is also a positive but not significant effect on flow on gaming intention. There is a positive and significant influence on the direct effect relationship between watching intention variable and consumers' desire to play games. There is a positive but not significant influence on the direct effect relationship of the watching intention variable on consumers' desire to buy virtual products in games. The role of gaming intention in mediating the relationship between watching intention and purchase intention is as a full mediator.

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"Dalam beberapa tahun terakhir, perawatan yang ditawarkan oleh klinik estetika seperti injeksi DNA salmon semakin populer. Bahan DNA salmon diklaim memiliki fungsi anti-aging dengan membuat kulit lebih kencang dan mengatasi hiperpigmentasi di kulit. Dokter dalam hal ini berperan penting sebagai pihak pemberi layanan di klinik estetika. Injeksi DNA salmon yang merupakan pelayanan estetika medis awamnya dinilai hanya dapat dilakukan oleh dokter spesialis dermatologi dan venereologi. Sebab, dokter spesialis dermatologi dan venereologi menempuh pendidikan spesialis tambahan. Kurikulum pendidikannya juga mencakup metode seperti subsisi, elevasi, microneedling yang biasa digunakan dalam estetika medis. Meskipun begitu, dokter umum juga dapat menangani permasalahan kulit. Ketika menempuh pendidikan dokter, dokter umum juga diwajibkan menguasai kurikulum kulit. Berdasarkan Standar Kompetensi Dokter Indonesia, tidak terdapat batasan bagi dokter umum dalam konteks pelayanan injeksi DNA salmon. Sedangkan bagi dokter spesialis dermatologi dan venereologi, terdapat Standar Kompetensi Dokter Dermatologi dan Venereologi Indonesia dengan area kompetensi yang lebih rinci yang berpengaruh ke kewenangan dokter spesialis dermatologi dan venereologi sebagai pemilik sertifikat kompetensi spesialis. Dalam peraturan perundang- undangan belum diatur secara jelas mengenai batasan kewenangan antara dokter umum dan dokter spesialis dalam pelayanan estetika medis. Dengan menggunakan metode penelitian doktrinal, penelitian ini akan membahas mengenai kompetensi dan kewenangan yang dimiliki dokter dalam pelayanan injeksi DNA salmon. Dari penelitian ini ditemukan bahwa kewenangan dokter umum dan spesialis masih bersinggungan ketika dihadapkan pada pelayanan estetika medis seperti injeksi DNA salmon. Batasan kompetensi dan kewenangan dokter dalam pelayanan estetika medis yang buram ini dapat dihindari dengan diaturnya mengenai estetika medis secara khusus.

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In recent years, treatments offered by aesthetic clinics such as salmon DNA injections have become increasingly popular. The salmon DNA ingredient is claimed to have an anti-aging function by making the skin firmer and overcoming hyperpigmentation in the skin. The doctor in this case plays an important role as the service provider at the aesthetic clinic. Salmon DNA injection, which is a lay medical aesthetic service, is considered to only be performed by dermatologists. This is because dermatologists undergo additional specialist education. The education curriculum also includes methods such as subsection, elevation, microneedling which are commonly used in medical aesthetics. However, general practitioners can also treat skin problems. During their medical education, general practitioners are also required to master the skin curriculum. Based on the Indonesian Doctors Competency Standards, there are no restrictions for general practitioners in the context of salmon DNA injection services. As for dermatologists, there are Indonesian Dermatology and Venereology Physician Competency Standards with more detailed competency areas that affect the authority of dermatology and venereology specialists as owners of specialist competency certificates. The legislation has not clearly regulated the limits of authority between general practitioners and specialists in medical aesthetic services. By using the normative juridical research method, this research will discuss the competence and authority of doctors in salmon DNA injection services. From this research, it is found that the authority of general practitioners and dermatologists still intersect when faced with medical aesthetic services such as salmon DNA injection. The blurred boundaries of competence and authority of doctors in medical aesthetics services can be avoided by regulating medical aesthetics specifically."