Hasil Pencarian  ::  Simpan CSV :: Kembali

"Tahun ini hiburan/program non berita telah mendominasi layar televisi Indonesia. Memainkan peran yang signifikan sebagaimbagian dari identitas budaya, televisi membawa bersama dengan program hiburannya : produksi budaya dan reproduksi dalam bentuk simnol, barang, dan komitas. Melalui program produksi TV hiburan, keterkaitan budaya ini tak dapat dielakkan sejak keterlibatan wujud manusia, - yang mana budaya tertanam- menemani semua proses pembuatan program. Sehingga program televisi Indonesia berisi budaya dan tradisi Indonesia yang menampilkan beragam jenis dan bentuk dari entitas, suku, agama, kelas, bangsa, dan sekitarnya. Pertanyaan yang timbul yang mana simbol budaya dimunculkan pada layar televisi yang hanya menghadirkan identitas budaya (tanpa banyak valensi yang menarik) atau jika mereka bermaksud untuk menarik audiens ke stereotip tertentu.Penelitian sebelumnya mengungkapkan bahwa program non faktual pada televisi swasta nasional di aindonesia sekitar 24% menunjukkan identitas budaya ; sementara 7% dari program yang ditampilkan berisi elemen stereotip (Pusat UI Kajian Komunikasi, 2012). Penelitian ini bermaksud untuk menyelidiki banyak isu seperti ini. Ini mengidentifikasi tanda budaya yang muncul pada satu televisi nasional Indonesia. Program yang dianaliais 'Untung Ada Sule' , seorang komedian yang ditayangkan setiap hari di salah satu stasiun televisi swasta nasional di Indonesia. Selama penulisan penelitian ini, UAS memperoleh rating yang tinggi dan hasilnya berdasarkan Penelitian AGB Media Nielsen, meletakkan program tersebut menjadi tingkat prioritas untuk iklan. Pada setiap episode, Untung Ada Sule (UAS) berisi banyak tanda budaya-termasuk pakaian, makanan, dialek, dekorasi, kerajinan tangan, ornamen, dan lainnya-yang menghadirkan etnik spesifik di Indonesia.Objektivitas dari penelitian ini adalah untuk meneliti makna dibalik penggunaan simbol entitas budaya sebagai pemanfaatan bingkai kontekstual yang diberikan pada layar TV hiburan yang akan menciptakan sebuah makna tertentu yang akan membawa prasangka etnik. Penelitian ini akan memperkaya kajian tekx analisis pada program non faktual. Bahkan, hasil penelitian menunjukkan gambaran umum tentang apa yang ditawarkan oleh program TV hiburan yang menggangap komoditas simbol budaya. Ini bisa menjadi bukti rekomendasi untuk kebijakan kepenyiaran Indonesia untuk program televisi yang lebih baik dan lebih sehat. Akhirnya, penelitian ini ingin mengkontibusikan perkembangan kualitas dari program TV hiburan denvan cara mempromosikan pemahaman budaya dan mencegah dari stereotip negatif terhadap entitas tertentu. Penelitian ini diteliti dengan cara teori dan konsep analisis isi, penelitian ini mennyelidiki makna proses pembuatan simbol prasangka etnik yang ditampilkan pada satu episode di program UAS. Dengan mengimplementasikan analisis isi dengan bingkai kontekstual pada setiap adegan program di episode tersebut, dimana penelitian ini dilakukan. Melalui interpretatif konstuktivisme , analisis pada setiap adegan dibuat untuk memahami bagaimana produksi dan reproduksi dari komoditas simbol yang dimanfaatkan semua cara melalui adegan tersebut dan pengaturan episode yang mungkin menciptakan makna tertentu pada konteks tersebut. Identitas budaya menghadirkan masing -masing dan setiap simbol yang muncul di layar diteliti apakah benar atau tidak beberapa tingkatan yang mereka bawa untuk stereotip tertentu terhadap entitas tertentu.Hasil penelitian ini mengidinkasi salah satu adegan UAS yang berisi banyak simbol budaya yang menghadirkan permasalahan ide antara apa pemahaman biasa yang dianggap entitas tertentu dan menciptakan makna baru yang berbeda, yang menyebabkan prasangkan etnik.

---

In recent years entertainment/non-news program have been dominating the Indonesian television screen.mPlayimg a signifocant role asmpart of cultural identity industry, televisiom brongs together in its entertainment program : cultural production and reproduction in the form of symbols, goods, and commodities. Throughout the production of TV entertainment program, this cultural engagement is inevitable since the involvement of humannentity -in which culture is embedded -naccompanies thenoverallnprocess of the making. zThus,mthe Indonesian television program contains the Indonesian culture and traditions that show various kinds and forms of ethnicity, race, religion, class, nation, and vicinity. Questions arise as of whether the cultural symbols appeared on the televisionmscreen are merely representingmthe cultural identity (without any valence attached) of if they are meant to drag the audience toma particula stereotyping.Previous research reveals that in the npn-factual programs on national private televisions inmIndonesia 24% of whichnshows cultural identity; meanwhile 7% of the programs shown contains stereotyping element (UI Center of CommunicationmStudy, 2012). This research is meant to exploremmore on this issue. It identifies the cultural signs appeared on one of the Indonesian television entertainmentmprogramsmwhich obtainsmthe top rank in rating, acquiring prime show time on the nationalmTV slots. The program to bw analuzedmis 'Untung Ada Sule'm(can be translated as 'Luckily There os Sule'), a comedian soap operamthat is beingnaired every day in one privatennational TV station in Indonesia. During the making of this research, UAS has been acquiring high rating and share based on AGB nielsen Media Research, putting the progra, at priority level form advertisements. In every episode, 'Untung Ada Sule' (UAS) contains plentiful cultural signs-including clothing, food, dialect, decoration, handicrafts, ornaments, etc - representing specificmethnicity in Indonesia.The objective of this research is to explore the meaning bwhind the use of symbols representing cultural ethnicity as whether the utilization of the symbols within the contextual framework given on the entertainment TV scene would create a particular meaning that will bring program. Moreover, the research result will providena general picture about what is offered by the Indonesian entertainment TV program with regards to cultural symbolic commodities. This can be furthered up so to provide a recommendation for the Indonesian broadcasting policy for better and healthier television programs. In the end, the study may contribute tp the quality enhancement of TV entertainment program in a way that it promotes cultural undertanding and prevents from negative stereotyping towards particular ethnicity.By means of tje text analysis concepts and theories, this research exploresnthe meaning making process towards ethnic prejudice symbols shown on one episode of UAS program. By implementing text analysis within the contextual framework of every scene in the episode, the study is conducted. Through the interpretive constructivism, analysis on each scene is made as to understand how the production and reproduction of sympolic commodities utilized all the wah through the scene and setting of the episodw may create particular meaning within context. Cultural identities represented by each and every symbol appeared on scene are scrutinized as whether or not to some extent they lead to a particular stereotyping towards a particular ethnicity.This research result indicates one of which is that UAS contains abundant cultural symbols representing the conflicting ideas between what is commonly understood regarding a specific ethnicity and the 'newly created' meaning different from that, which may lead to ethnic prejudice."

"Taylor Swift mulai dianggap sebagai ikon feminisme saat berganti genre musik dari country ke pop ketika ia menyoroti masalah standar ganda yang dihadapi perempuan. Pada tahun 2018, Taylor Swift yang sebelumnya apolitis, menyatakan dukungan politiknya pada salah satu kandidat Partai Demokrat Senate dan House of Representatives. Swift juga mendukung hak-hak komunitas LGBTQAI+ dan membuat petisi untuk Equality Act. Penelitian ini bertujuan untuk menganalisis dan mengevaluasi representasi ide-ide feminisme Taylor Swift dalam lirik lagu dan pidato-pidatonya, serta mencermati pengaruh representasi feminisme tersebut dalam konteks dunia hiburan di Amerika Serikat. Representasi ide-ide feminisme Taylor Swift dan pengaruhnya dalam dunia hiburan Amerika dianalisis dengan menggunakan lensa representasi dan white feminism, dengan teknik analisis tekstual. Penelitian ini menemukan bahwa lirik lagu dan pidato-pidato Taylor Swift menyuarakan agenda feminisme, seperti menentang seksisme, misogini, dan pelecehan seksual, namun feminisme yang ditunjukkan Swift mengarah kepada bentuk white feminism. Swift menunjukkan perlawanan terhadap patriarki yang sejalan dengan agenda feminisme, namun belum mencakup aspek-aspek interseksionalitas karena tidak merasakan tekanan sistemik, seperti rasisme dan klasisisme. Dalam dunia hiburan Amerika, White feminism Taylor Swift digambarkan dalam bentuk branding sebagai ikon feminisme. Swift memanfaatkan menjadi ally LGBTQAI+ untuk mendapatkan ketenaran dan kekayaan. Melalui pemberdayaan, Swift menjadi musisi papan atas yang memecah "glass ceiling", namun belum membawa efek "trickle down" bagi perempuan kulit berwarna.

---

Taylor Swift is considered a feminist icon when she changed her music genre from country to pop when she highlighted double standards faced by women. In 2018, Taylor Swift, who was apolitical, declared her political support for one of Democratic Party candidates for Senate and House of Representatives. Swift also supports the rights of the LGBTQAI+ community and petitioned for the Equality Act.

This study aims to analyze and evaluate the representations of Taylor Swift's feminist ideas in her song lyrics and speeches, as well as to examine the influence of these representations of feminism in the show business in the United States. The representation of Taylor Swift's feminist ideas and their influence in American show business is analyzed using the lens of representation and white feminism, with textual analysis techniques.

This study found that Taylor Swift's song lyrics and speeches showed feminist agendas, such as fighting sexism, misogyny, and sexual harassment, however, Swift demonstrated form of white feminism. Swift shows resistance to patriarchy which is in line with the agenda of feminism, but does not include aspects of intersectionality because she lacks of systemic pressures, such as racism and classism.

In show business, Taylor Swift's white feminism is described in the form of branding as a feminist icon. Swift used being an LGBTQAI+ ally as a way to gain fame and fortune. Through empowerment, Swift becomes a top musician who breaks the "glass ceiling", but has not yet brought a "trickle down" effect for women of color."

"While many novelists go from bad to worse, it must be said for Mr Greene that he has gone from bad to better. This remark, made by John Atkins in his critical study of Graham Greene in 1957, proves not only to be right, but also prophetic. Greene_s latest books Our Man in Havana (1958) and A Burnt-out Case (1961) have been a great success with the reading public and critics alike. In the reviews he was called among other things. Tone of the ablest and most consistent writers alive' and the most accomplished of living English novelists. No doubt, Greene has managed to earn a place as one of the leading Fnglish novelists to-day. This achievement comes only after several attempts and failures, as we can see from his literary career. In 1925, at the age of twenty-one, he wrote a volume of poems called Babbling April. This can be called a youthful experiment, and Greene has dropped this ono'1 of writing now. The next year he worked for the Nottingham Journal and this experience proved to be useful: in the same year he became sub-editor in the letters department of The Times until 1950. Between 1925 and 1929 he wrote two novels and a third which he did not finish...."