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"Artikel ini membahas isu patologi sosial dan kekerasan seksual sebagai representasi praktik BDSM di film Fifty Shades of Grey 2015 dan Venus in Fur 2013 . Dengan analisis tekstual, artikel ini fokus menganalisis masalah seksualitas dan hubungan kekuasaan melalui karakter utama perempuan dari kedua film. Konsep yang digunakan adalah understanding via pathologizing oleh Weiss 2006 dan male gaze oleh Mulvey 1975 .Hasil analisis menunjukan kedua film memperkuat representasi dominan dari film-film BDSM sebelumnya ketika sifat patologis dan kekerasan seksual diromantisasikan, perizinan untuk melakukan praktik BDSM tidak diberikan secara sadar, hubungan kekuasaan bekerja dengan berbeda di dalam dan luar peran seksual, dan karakter wanita digambarkan secara sensual.

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Mainstream media representation of BDSM is complex and often problematic, which needs to be continuously scientifically investigated. This article explores the themes of pathology and abuse in two films Fifty Shades of Grey 2015 and Venus in Fur 2013 . By doing a comparative textual analysis, the analysis discusses female sexualities and power relation between leading female characters, Anastasia Steele in Fifty Shades of Grey 2015 and Vanda von Dunayev in Venus in Fur 2013. Weiss 2006 understanding via pathologizing and Mulvey rsquo s 1975 male gaze are the concepts used to understand how pathology is associated with BDSM practice and why females are depicted as sexual objects in these films.Research findings reveal that both films strengthen mainstream representation of BDSM where pathology and abuse are romanticized, the understanding of consent is problematic, power relation operates differently inside and outside the characters rsquo sexual role play and female characters are sexualized."

"Media Britania Raya telah menjadikan hooliganisme sebagai sisi negatif dari budaya penggemar sepak bola Inggris selama bertahun-tahun melalui penggambaran hooligan sebagai orang-orang yang brutal. Di samping itu, penggambaran ini dipertahankan oleh karya sastra mengenai hooligan yang muncul sejak tahun 1990-an. Walaupun demikian, ada beberapa karya sastra hooligan yang menjadi pengecualian, seperti novel The Football Factory yang mematahkan stereotipe-stereotipe mengenai hooligan. The Football Factory kemudian diadaptasi oleh Vertigo Films dan Rockstar Studio ke dalam film yang mengagungkan stereotipe-stereotipe mengenai hooligan. Karya sastra hooligan memainkan peran penting sebagai cara pandang alternatif dalam memahami hooliganisme, tetapi belum banyak jurnal-jurnal akademis yang membahas hal ini. Studi ini mencoba untuk meneliti proses adaptasi The Football Factory dari novel ke film dengan menggunakan analisis tekstual dengan membandingkan kedua teks dalam kerangka teori adaptasi oleh Hutcheon. Penelitian ini bertujuan untuk mencari tahu bagaimana film tersebut mengagungkan stereotipe-stereotipe mengenai hooliganisme, yang bertolak belakang dengan versi novelnya, berdasarkan elemen-elemen film, ideologi pencipta, dan perubahan pada plot dalam film The Football Factory.

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The British media has portrayed hooliganism as the negative side of English soccer fan culture over the years through the stereotype of the hooligan as brutish people. Furthermore, this portrayal is maintained by the hooligan literature that has emerged since the 1990s. However, there have been exceptions in the hooligan literature genre, such as the novel The Football Factory which debunks the stereotypes of the hooligan. Later, Vertigo Films and Rockstar Studios adapted The Football Factory into a film that glorifies the stereotypes regarding the hooligan. Hooligan literature plays an important role as an alternative perspective to understand hooliganism, yet it has not been adequately discussed in academic journals. This study attempts to examine the adaptation of the novel to the film by using a textual analysis by comparing both texts under the framework of Hutcheon rsquo s adaptation theory. This research aims to find how the film, contrary to the novel, glorifies stereotyped hooliganism based on the film elements, the ideology of the creators and the alteration of the plot in the film adaptation of The Football Factory."