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Abstrak :
Tulisan ini membahas novel karya Ferdinand Wiggers yang berjudul Tjerita Njai Isah; Barang jang soenggoe soedah kedjadian di Bagelen (1904-1905) yang mengisahkan kehidupan percintaan antar-ras di era kolonial Hindia Belanda pada abad ke-19. Kisah percintaan tersebut mencakup kisah percintaan antara laki-laki Eropa dengan perempuan pribumi (pernyaian), perempuan Eropa dengan laki-laki pribumi, dan laki-laki Indo dengan perempuan pribumi. Penelitian ini dilakukan dengan metode deskriptif analitis dan pendekatan sosiologi sastra. Pendekatan sosiologi sastra digunakan untuk mengetahui hubungan konteks dunia kolonial dengan novel Njai Isah. Hasil penelitian membuktikan bahwa Ferdinand Wiggers merupakan penulis produktif pada masa awal kesusastraan modern Indonesia dan novel Njai Isah merupakan tanggapan terhadap dunia kolonial terutama kehidupan kolonial yang berkaitan dengan wacana pernikahan dan ras. ......This thesis discusses a novel by Ferdinand Wiggers entitled "Tjerita Nyai Isah; Barang jang soenggoe soedah kedjadian di Bagelen (1904-1905)" which depicts the lives of an interracial romance in the Dutch East Indies colonial era in the 19th century. Love story includes romance between European men with native women (pernyaian), European women with native men, and Eurasian Man with a native girl. The research was done using descriptive and analytical approach to the sociology of literature. Sociology of literature approach used to determine the relationship with the colonial world context on novel "Njai Isah". The research proves that Ferdinand Wiggers is a prolific writer of the early modern Indonesian literature and novels Njai Isah is a response to the colonial life, especially relating to marriage and racial discourse.

Abstrak :
Jepang dikenal dengan negara yang homogen. Meski sebenarnya, Jepang memiliki beragam etnis yang berbeda. Haafu, merupakan istilah bagi anak yang memiliki dua etnis. Anak yang memiliki dua ras yang berbeda yang didapat dari kedua orang tuanya. Penampilan haafu yang berbeda menjadi daya tarik tersendiri dan mulai menghiasi dunia hiburan menjadi seorang publik figur di Jepang. Namun, perbedaan itu pula yang membuat mereka kerap mendapatkan perlakuan diskriminasi kendati di dalam profesinya sendiri yaitu publik figur. Oleh karena itu, tugas akhir ini akan membahas mengenai diskriminasi nihonjin terhadap haafu dalam profesinya sebagai publik figur. Penelitian ini menggunakan metode penelitian deskriptif analisis kualitatif, dengan mengolah data kepustakaan. Berdasar pada pemaparan kasus diskriminasi yang dialami oleh Miyamoto, Yoshikawa dan Nakagawa, hasil penelitian menunjukan bahwa diskriminasi masih terjadi pada haafu publik figur di Jepang dalam bentuk perkataan kasar yang menyerang perbedaan ras yang mereka miliki melalui media sosial dan internet.

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Japan is known as a homogeneous country. Although in fact, Japan has a variety of different ethnicities. Haafu, is a term for children who have two ethnicities. Children who have two different races obtained from their parents. The difference appearance becomes a trendsetter and began to grace the entertainment industry. Many of them became public figure. However, owing to difference, they often get discriminated even in their job as public figure. Because of it, this research will discuss about nihonjin discrimination of haafu in the profession as a public figure. This is a qualitative analysis descriptive research method with processes library data. Based on the elaboration of discrimination cases experienced by Miyamoto, Yoshikawa and Nakagawa, the results of the study show that discrimination still occurs to haafu public figure in Japan in the form of harsh words that attack the racial differences they have through social media and the internet.

Abstrak :
Masyarakat Jepang adalah masyarakat yang homogen. Homogenitas masyarakat Jepang menimbulkan xenofobia yang menyebabkan diskriminasi terhadap ras asing. Hafu sebagai salah satu ras asing di Jepang tidak terlepas dari perlakuan diskriminasi. Diskriminasi terhadap hafu khususnya tokoh anak dapat dilihat dalam sebuah film pendek karya Emmanuel Osei-Kuffour, Jr yang berjudul Umaretsuki. Masalah penelitian yang diangkat adalah bagaimana konsep uchi-soto bekerja dalam tindakan diskriminasi terhadap tokoh hafu di dalam film pendek Umaretsuki. Tujuan penelitian ini adalah untuk mengungkapkan bagaimana konsep uchi-soto bekerja dalam tindakan diskriminasi terhadap tokoh hafu dalam film pendek Umaretsuki. Penelitian ini menggunakan teori diskriminasi Theodorson & Theodorson dengan konsep uchi-soto untuk melihat pembatas antara pihak uchi dan soto. Hasil yang didapatkan dari penelitian ini adalah pembatas antara pihak uchi dan soto dalam film pendek Umaretsuki diperlihatkan dari tiga aspek yaitu perbedaan penampilan fisik, perlakuan dari pihak uchi terhadap pihak soto, dan stigma masyarakat terhadap pihak soto. ...... Japanese society is a homogeneous society. The homogeneity of Japanese society creates xenophobia which causes racial discrimination against foreigners. Hafu as one of the foreign races in Japan can not be separated from discrimination. Discrimination against hafu, especially children’s character can be seen in a short film works from Emmanuel Osei-Kuffour, Jr titled Umaretsuki. The problem that will be discussed in this research is how the uchi-soto concept works in acts of discrimination against hafu in the short film Umaretsuki. The purpose of this research is to explain how the uchi-soto concept creates a barrier between uchi and soto, causing discrimination against hafu in the short film Umaretsuki. This research applies Theodorson & Theodorson’s discrimination as a theory and uchi-soto concept to see the barrier between uchi and soto. The result of this research is the barrier between uchi and soto in Umaretsuki shown from three aspects, differences in physical appearance, treatment from uchi to soto, and stigma towards soto.

Abstrak :
American Routes provides a comparative and historical analysis of the migration and integration of white and free black refugees from nineteenth-century St. Domingue/Haiti to Louisiana and follows their descendants over the course of two hundred years. The refugees reinforced Louisianas triracial system and pushed back Anglo-American racialization by several decades. But over the course of the nineteenth century, the ascendance of the Anglo-American racial system began to eclipse Louisianas triracial Latin/Caribbean system. The result was a racial palimpsest that transformed everyday life in southern Louisiana. White refugees and their descendants in Creole Louisiana succumbed to pressure to adopt a strict definition of whiteness as purity according to standards of the Anglo-American racial system. Those of color, however, held on to the logic of the triracial system, which allowed them to inhabit an intermediary racial group that provided a buffer against the worst effects of Jim Crow segregation. The St. Domingue/Haiti migration case foreshadows the experiences of present-day immigrants of color from Latin America and the Caribbean, many of whom chafe against the strictures of the binary US racial system and resist by refusing to be categorized as either black or white. The St. Domingue/Haiti case study is the first of its kind to compare the long-term integration experiences of white and black nineteenth-century immigrants to the United States. It fills a significant gap in studies of race and migration that have relied on the historical experience of European immigrants as the standard to which all other immigrants are compared.