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"Horror film is a film genre that presents things that are frightening, tenses, and horrifying. The idea of horror film is basically to terroriz the audience through various terrifying acts or actors. Horror films in the beginning are closely related to stories rooted in the culture of Europr, ...."

"Making Media uncovers what it means and what it takes to make media, focusing on the lived experience of media professionals within the global media, including rich case studies of the main media industries and professions: television, journalism, social media entertainment, advertising and public relations, digital games, and music. This carefully edited volume features 35 authoritative essays by 53 researchers from 14 countries across 6 continents, all of whom are at the cutting edge of media production studies. The book is particularly designed for use in coursework on media production, media work, media management, and media industries. Specific topics highlighted: the history of media industries and production studies; production studies as a field and a research method; changing business models, economics, and management; global concentration and convergence of media industries and professions; the rise and role of startups and entrepreneurship; freelancing in the digital age; the role of creativity and innovation; the emotional quality of media work; diversity and inequality in the media industries. Open Uva Course: the University of Amsterdam has an open course around the book. The course offers a review of the key readings and debates in media production studies. Course slides 2020 Take a look at the Making Media Facebook page here. Take a look at the Table of Contents and Introduction here."

"Penelitian ini tentang pengunaan narasi penyelamat kulit putih di produk media massa seperti film. Fokus riset ini adalah bagaimana naratif penyelamat kulit putih memperkuat whiteness-keputihan sebagai norma dan melakukan penandaan social terhadap minoritas di sebuah negara multikultural seperti Amerika Serikat. Sebagai riset kualitatatif sekunder, penelitian ini adalah sebuah analysis film terhadap Green Book (2018) melalui teknik perfilman yang digunakan seperti mise-en-scene yang membentuk gaya dan sosok film tersebut. Riset ini telah menemukan bahwa narasi white savior--penyelamat kulit putih memperkuat keputihan dengan menggambarkan rasisme melalui perspektif seorang kulit putih; menyampaikan bahwa rasisme adalah sebuah hasil dari ketidaksadaran dibanding sebuah ketidakadilan sistemis; dan membuatkan karakter minoritasnya diselamatkan oleh karakter utama yang kulit putih. Minoritas ditandai secara social dengan penggunaan stereotip dan cara lain. Salah satu rekomendasi untuk riset ini adalah riset primer tentang persepsi para penonton film dengan narasi penyelamat kulit putih.

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This paper is about the use of white savior narratives in mass media products such as film. The focus of this research is to see how white savior narratives in film reinforce the whiteness as the norm and socially mark minorities in a multicultural society such as the United States. As a secondary qualitative research, this paper is a film analysis of Green Book (2018) through its chosen film techniques such as mise-en-scene that creates its form and style. The research has found that white savior narratives reinforce whiteness by presenting racism through the perspective of a white main character; presenting racism as a ignorance rather than a systemic injustice; and having the minority character saved by the white main character. Minorities are socially marked through the use of stereotypes and other ways. One of the recommendations for this paper is primary research towards audience perception of white savior narratives in film."

"ABSTRAKSkripsi ini membahas mengenai representasi Rote Armee Fraktion dan juga Generasi 68 di dalam film Jerman berjudul die fetten Jahre sind vorbei karya Hans Weingartner. Penelitian ini menggunakan metode kepustakaan dengan menggunakan teori representasi dan identitas dari Stuart Hall. Hasil penelitian menunjukan bahwa film ini merepresentasikan tokoh Jan, Jule, dan Peter sebagai Rote Armee Fraktion generasi millennium melalui penggambaran ideologi yang sama dan juga latar belakang sejarah tokoh Justus Hardenberg. Film ini juga memposisikan dirinya bersebrangan dengan media-media yang sebelumnya telah merepresentasikan Rote Armee Fraktion.

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AbstractThis thesis discusses the representation of Rote Armee Fraktion and Generation 68 in the movie die fetten Jahre sind vorbei directed by Hans Weingartner. Drawing from Stuart Hall's theory of representation and identity, the research utilizes the theory alongside with other approaches in its analysis. Results show that the movie represents the characters Jan, Jule, and Peter as the milenium generation of Rote Armee Fraktion through a depiction of identical ideologies and the background history of the character Justus Hardenberg. This movie also places itself in a position opposite to prior media portrayals of Rote Armee Fraktion"