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"Media Barat sering mengabaikan suara perempuan dalam narasi beritanya tentang hijab dan perempuan Muslim. Hal tersebut menyebabkan perempuan Muslim menjadi agen pasif dan mengawetkan representasi negatif hijab yang seolah mencabut hak dan otoritas perempuan dari tubuhnya. Penelitian ini mengamati asosiasi media Barat terhadap hijab di dalam dua media, Fox News dan BBC, dari tahun 2017 sampai 2020 untuk melihat apakah perempuan Muslim diberikan kesempatan untuk menyuarakan perspektif mereka tentang hijab dan apakah suara mereka memiliki peran yang signifikan dalam narasi berita. Dengan menggunakan analisis wacana feminis, penelitian ini menunjukkan bahwa pemberitaan tentang hijab di Fox News dikemas dengan orientalisme dan ideologi seksis, sedangkan BBC menyediakan representasi yang lebih seimbang dengan menyertakan suara perempuan Muslim.Western media tend to eliminate Muslim women`s voices by turning a blind eye to their perspectives when discussing veils and Muslim women. Reducing veiled women into passive agents only leads to the continuation of the erroneous representation of veiling as what hinders women from their rights over their bodies. This research article examines Western media`s association upon veil, particularly in two popular media, Fox News and BBC between 2017 and 2020 in order to problematize how Muslim women are given chances to voice their opinions and if their opinions have any significance. By using feminist critical discourse analysis (CDA), this study reveals that while Fox News coverage of the veil is framed with oriental and sexist ideology, BBC provides a more balanced representation which incorporates Muslim women`s voices."

"This study unveils the representations of women in the documentary film, Tanah Ibu Kami, which depicts women’s movements defending nature from corporations in four islands in Indonesia. It utilizes feminist critical discourse analysis which incorporates critical discourse analysis and feminist studies to disclose perplexing hegemonic power relations. The data in this study are taken from the transcription of the dialogues in the film. Some extracts constructing the representations of women in the film are extracted for further analysis. Interviews were conducted with the film’s producer and female figures. The four themes constructing the representations of women are: (1) women in patriarchal culture, (2) women as leaders in environmental movements, (3) women as symbols, and (4) women’s enthusiasm to protecting nature. The paper concludes that women are challenging traditional gender divisions and leading environmental movements. They have become the symbol of courage, bravery, and sacrifice. They are recognized as the equivalent of Kartini, a renowned Indonesian heroine, for all they have done as defenders of the land. They have raised awareness of the importance of caring relations with nature and spread the ecophilosophies by which humans can live in harmony with nature."

"Romantisasi kekerasan dalam pacaran relasi heteroseksual merupakan permasalahan kriminologis karena merupakan salah satu bentuk kekerasan terhadap perempuan. Penulisan ini bertujuan untuk menjelaskan bagaimana film Story of Kale sebagai film bergenre romaan wacana yang digunakan telah meromantisasi kekerasan dalam pacaran terhadap perempuan dalam hubungan heteroseksual. Dengan menggunakan analisis wacana kritis feminis tulisan ini menemukan terdapatnya wacana normalisasi dominasi maskulin melalui dialog yang terdapat pada sebelas adegan dalam film yang meromantisasi perilaku kekerasan dalam pacaran, ketidaksetaraan, ketidakadilan, dan kejahatan kepada perempuan.

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The romanticization of violence in heterosexual relationships is a criminological problem because it is a form of violence against women. This writing aims to explain how the film Story of Kale as a romance genre film with the theme of violence, especially in the dialogue and discourse used has romanticized the dating of violence against women in heterosexual relationships. By using feminist critical discourse analysis, this paper finds the discourse of normalizing domination of domination through dialogues contained in eleven scenes in the film that romanticize courtship behaviour, inequality, injustice, and crimes against women.

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