Hasil Pencarian  ::  Simpan CSV :: Kembali

"Decentralized Autonomous Organization (DAO) merupakan jenis eksperimentasi radikal dari organisasi (tata kelola) algoritmik yang memanfaatkan teknologi smart contract dan blockchain untuk mengatur tindakan kolektif dan diri sendiri. Namun, interaksi yang rumit antara agensi manusia dan kemajuan teknologi pada DAO, menimbulkan kebingungan mendalam yang mempertahankan kekosongan struktur kekuasaan dan perselisihan politik—mendorong penulis untuk memeriksa secara menyeluruh tentang kekuasaan pada DAO. Berdasarkan premis tersebut, tulisan ini berupaya memaknai aspek politis pengorganisasian mandiri secara interpretatif melalui sibernetika, mengeksplorasi cara-cara di mana kekuasaan dilaksanakan dan dibentuk dalam DAO melalui konstruksi gagasan kekuasaan Michel Foucault, serta bagaimana struktur-struktur ini kemudian dapat dianggap sebagai mesin politik melalui politik prefiguratif.

---

A Decentralized Autonomous Organization (DAO) represents a fundamentally radical experimentation within the realm of algorithmic governance, harnessing the capabilities of smart contract and blockchain technologies to steer collective and autonomous actions. The complex interplay between human agency and technological progress in DAOs, however, poses profound quandaries pertaining to maintains disengagement from power structures and politics — prompts the author to thoroughly examine power in the DAOs. Premised on this, the present discourse aims to interpretatively decipher the political facets of self-organization through a cybernetic perspective, scrutinizing the means by which power is exercised and configured within DAOs through the theoretical framework of Michel Foucault’s power dynamics. Furthermore, it explores how these structures subsequently evolve into political machines through the lens of prefigurative politics."

"Sebagai salah satu bentuk kesusastraan, puisi mengalami masa-masa keemasan di Cina. Puisi samar atau Menglongshi merupakan salah satu jenis puisi di Cina yang sulit diinterpretasikan maknanya dan muncul pada masa Revolusi Kebudayaan (1966-1976). Bei Dao adalah salah satu penyair yang menulis puisi samar berjudul “Xuanyan (Deklarasi)” pada masa itu. Revolusi kebudayaan membuat Bei Dao dan para penyair puisi samar lainnya tidak bebas berekspresi sehingga harus menggunakan berbagai simbol untuk menyembunyikan makna sebenarnya dalam puisi mereka. Penelitian ini bertujuan untuk mengetahui makna situasi zaman yang terkandung di dalam puisi “Xuanyan (Deklarasi)” karya Bei Dao melalui simbol-simbol yang dituangkan ke dalam puisi ini. Metode penelitian yang digunakan adalah deskriptif kualitatif, yaitu menganalisis puisi “Xuanyan (Deklarasi)” dan melakukan interpretasi untuk mendapatkan makna simbolik dari puisi ini. Penelitian ini mendapati hasil bahwa puisi “Xuanyan (Deklarasi)” memiliki makna simbolik tentang kritik dan penolakan Bei Dao terhadap segala propaganda dalam Revolusi Kebudayaan.

---

As a form of literature, poetry experienced golden times in China. Misty poetry or Menglongshi is a type of poetry in China that is difficult to interpret and emerged during the Cultural Revolution (1966-1976). Bei Dao was one of the poets who wrote the misty poem “Xuanyan (Declaration)” at that time. The cultural revolution made Bei Dao and other misty poets not free to express themselves, so they had to use various symbols to hide the true meaning in their poetry. This study aims to find out the meaning of the current situation contained in the poem "Xuanyan (Declaration)” by Bei Dao through the symbols that are poured into this poem. The research method used is descriptive qualitative, namely analyzing the poem "Xuanyan (Declaration)" and interpreting it to get the symbolic meaning of this poem. This study found that the poem "Xuanyan (Declaration)" has a symbolic meaning about Bei Dao's criticism and rejection of all propaganda in the Cultural Revolution."

"ABSTRACTMenglongshi or misty poetry (also translated as obscure poetry) is one kind of Chinese poems created by young poets who experienced the Cultural Revolution in 1970s. The emergence of a new style of poetry which is different from the previous styles marked a new era of poetry writing in China. its uniqueness lies in wordplay, metaphor, synesthesia, and symbols whose meanings cannot be easily identified. The misty poem also drew the cautious attention of the Chinese government, because the symbols and sequence of sentences were suspected to contain thoughts which are considered not in accordance with the government's policies. Bei Dao and Gu Cheng were known as two of the most important misty poets. This paper analyzes two poems by Bei Dao and two poems by Gu Cheng in terms of their intrinsic elements, such as imagery and language style in order to interpret their meaning. Furthermore, in order to provide more supporting evidence, this research also analyzes the poems extrinsic elements to identify their respective meanings in a more comprehensive way. Therefore, the explanation for the occurrence of Cultural Revolution is a very important finding in this research. This study sought to explain the important role of misty poems in explaining the Cultural Revolution by examining Bei Dao and Gu Cheng's works."

"Pemindahan dari bahasa tekstual ke dalam bahasa visual merupakan bentuk alih wahana yang paling diminati banyak orang. Pada 2019 Tencent Video merilis drama kolosal berjudul The Untamed melalui platform daring WeTV. Dibalik antusiasme dan kesuksesan yang didapatkan oleh drama ini, nyatanya tidak semua penonton mengetahui bahwa The Untamed merupakan alih wahana dari danmei fenomenal yang berjudul Mo Dao Zu Shi (MDZS). Danmei yang memiliki narasi tentang dinamika hubungan romantis homoseksual yang merupakan isu kontroversial di Tiongkok sehingga pemerintah cenderung dengan tegas sangat membatasi konten media yang berhubungan dengan hal tersebut. Oleh sebab itu The State Administration of Radio, Film, and Television (SARFT) akan memboikot seluruh konten yang melanggar standar penayangan Tiongkok. Penelitian ini mengkaji isu tersebut menggunakan konsep negosiasi budaya dalam menyiasati regulasi sensor pemerintah Tiongkok. Dalam proses negosiasi budaya Tencent Video melakukan modifikasi konten untuk menyesuaikan dengan permintaan SARFT. Baik modifikasi konten dan negosiasi budaya yang dilakukan pada drama The Untamed memiliki tujuan yang sama, yaitu agar kontennya lebih “jinak” sehingga versi visual dari novel MDZS yang tidak layak tayang di media digital dapat dinikmati secara luas pada drama alih wahananya, yaitu The Untamed.

---

The transfer from textual language to visual language is the most popular form of ecranisation In 2019 Tencent Video released a colossal drama titled The Untamed through the WeTV online platform. Despite the enthusiasm and success of the drama, not all the viewers knew that The Untamed was an ecranisation Danmei which has a narrative about the dynamics of homosexual romantic relationships, a controversial issue in China. Therefore, the government tends to severely restrict media content related to homosexuals. The State Administration of Radio, Film, and Television (SARFT) will ban all content that violates China's broadcast standards. This research analyzes the issue using the concept of cultural negotiation in getting around the Chinese government's censorship regulations. During the process of cultural negotiation, Tencent Video made content modifications to adjust to SARFT's demands. Both content modification and cultural negotiation conducted on The Untamed drama have the same aim, that is to make the content more "tame" thus the visual version of the MDZS novel that is not appropriate for broadcast on digital media can be widely enjoyed on the drama, The Untamed."