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Abstrak :
Disertasi ini bertujuan menggali modus melankoli dalam representasi ruang urban Jakarta dan asmara dalam komik Zaldy Armendaris pada periode 1965-1980 serta berupaya menunjukkan signifikansi kultural dari modus melankoli itu dalam konteks historis perubahan wacana ruang urban pada masa awal Orde Baru. Dengan menggunakan konsep-konsep teoretis yang mencakup representasi dalam Kajian Budaya, asmara sebagai praktik kultural, melankoli sebagai mood yang terkonstruksi secara kultural, dan praktik spasial dalam ruang urban, dan dengan pembacaan kritis atas data, disertasi ini mengajukan kesimpulan bahwa asmara dalam komik-komik Zaldy merupakan praktik kultural yang bertegangan dengan lembaga perkawinan dan keluarga kelas menengah serta dengan praktik perselingkuhan dan batas kondisi kemiskinan. Dalam tegangan itu, melankoli menjadi taktik pemurnian asmara dengan menempatkan memori melankoli ke dalam ruang urban Jakarta sehingga utopia kemajuan dalam wacana modernitas Orde Baru terus-menerus terganggu oleh tarikan melankoli.

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This dissertation tries to explore the modes of melancholy in the representation of Jakarta urban space and romance in romance comic books of Zaldy Armendaris from 1965-1980 and to explain the cultural signific ance of that modes relating to the historical context of discursive change of urban space in the beginning of New Order. Using the theoretical concepts of representation in Cultural Studies, romance as a cultural practice, melancholy as a mood, and spatial practic, and doing critical reading on the researched data, this dissertation concludes that romance in Zaldy's comic books are cultural practices having tension to marriage and family institution of middle class as well as to infidelity practice and the limit of poverty. In that situation, melancholy becomes a tactic of romance purification through placing melancholic memories to the urban space of Jakarta in the way that utopia of progress in the discourse of New Order's modernity keeps on unstable.

Abstrak :
Skripsi ini membahas tentang romantisisme dalam tujuh buah puisi yang ditulis oleh Kim So-wol. Ketujuh puisi tersebut adalah Geumjandi, Huimang, Bugwi-gongmyeong, Yejeon-e Micheo Mollasseoyo, Azalea, dan Samsoo Kapsan. Tujuan penelitian ini adalah untuk mengetahui karakteristik dan kecenderungan tema romantik yang terdapat dalam karya-karya tersebut. Penelitian ini merupakan penelitian kualitatif dan dilakukan dengan metode deskriptif-analisis. Kesimpulan akhir dari skripsi ini adalah puisi-puisi Kim So-wol memiliki karakteristik romantik yang kuat, dengan sikap berlebih-lebihan yang menjadi karakteristik utama, serta tema melankoli romantik dan sentimentalisme sebagai tema yang dominan dipakai. ......This undergraduate thesis analyzes the existence of romanticism of seven poems written by Kim So-wol. Those poems are exactly Geumjandi, Huimang, Bugwi-gongmyeong, Yejeon-e Micheo Mollasseoyo, Yet-iyagi, Jindallae-kkot, and Samsoo Kapsan. The purpose is to find romantic characterictic and preference of themes which are reflected of them. This research is a qualitative research with descriptive-analitic method. Nine of romantic characteristic and four romantic themes are obtained on this research. This analysis has come up with a conclusion that Kim So-wol poems are strong with romantic characteristics, especially hyperbole, and aim to the tendency of using romantic melancholy and sentimentalism theme as favorite.;

Abstrak :
From Shakespeares Hamlet to Burtons Anatomy to Hilliards miniatures, melancholy has long been associated with the emotional life of Renaissance England. But what other forms of sadness existed alongside, or even beyond, melancholy, and what kinds of selfhood did they help create? Beyond Melancholy explores the vital distinctions Renaissance writers made between grief, godly sorrow, despair, and melancholy, and the unique interactions these emotions were thought to produce in the mind, body, and soul. While most medical and philosophical writings emphasized the physiological and moral dangers of sadness, warning that in its most extreme form it could damage the body and even cause death, new Protestant teachings about the nature of salvation suggested that sadness could in fact be a positive, even transformative, experience, bringing believers closer to God. The result of such dramatically conflicting paradigms was a widespread ambiguity about the value of sadness and a need to clarify its significance through active and wilful interpretation-something this book calls emotive improvisation. Drawing on a wide range of Renaissance medical, philosophical, religious, and literary texts-including moral treatises on the passions, medical textbooks, mortality records, doctors case notes, sermons, theological tracts, devotional poetry, letters, life-writings, ballads, and stage-plays-Beyond Melancholy explores the emotional codes surrounding sadness and the way writers responded to and reinterpreted them. In doing so it demonstrates the value of working across forms of evidence too often divided along disciplinary lines, and the special importance of literary texts to the study of the emotional past.