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"Tesis ini bertujuan untuk memberikan gambaran yang mendalam dan menyeluruh tentang dinamika interaksi yang terjadi antara agen dan struktur penyiaran di Indonesia dalam menata sistem kepemilikan media televisi swasta di Indonesia, terutama sejak munculnya kasus akuisisi PT IDKM oleh PT EMTEK hingga proses persidangan uji materi UU Penyiaran di Mahkamah Konstitusi selama tahun 2011-2012. Teori strukturasi Anthony Giddens dikaitkan dengan konsep strukturasi ekonomi politik Vincent Mosco menjadi teori utama penelitian ini.Penelitian ini menggunakan paradigma kritis yang memandang struktur kepemilikan media televisi swasta di Indonesia amat dipengaruhi oleh kekuasaan modal (kapital). Pendekatan penelitian kualitatif deskriptif dengan desain penelitian Studi Kasus (Case Study) digunakan untuk dapat memberikan deskripsi yang komprehensif akan dinamika tersebut. Data dikumpulkan melalui wawancara dan studi dokumen.Hasil penelitian menunjukkan bahwa aksi korporasi IDKM oleh EMTEK mencerminkan pemusatan/ konsentrasi kepemilikan media yang merupakan konsekuensi dari sistem kapitalisme global. Struktur kapitalisme inilah yang mendominasi sistem kepemilikan media televisi swasta di Indonesia saat ini dimana upaya peningkatan akumulasi modal dilakukan melalui praktik penguasaan saham beberapa media televisi swasta pada level perusahaan induk (holding company). UU Penyiaran no.32 tahun 2002 yang memiliki prinsip diversity of ownership itu sendiri tidak mampu mencegah praktik konsentrasi tersebut karena adanya celah penafsiran terutama pada pasal 18 ayat (1) tentang pembatasan pemusatan kepemilikan dan pasal 34 ayat (4) tentang larangan pemindahtanganan izin penyiaran. Meski demikian, struktur kapitalisme tersebut terus mendapat perlawanan dari beberapa agensi yang menentang pemusatan kepemilikan media televisi di Indonesia

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This research aims to provide a comprehensive description about the dynamics interaction between agent and structure of Indonesian broadcasting system particularly in order to organize commercial television media ownership. Our observation is since the case of acquisition PT IDKM by PT EMTEK until the Judicial Review proceedings in the Constitutional Court. Giddens‟s Structuration Theory combining with Political Economy Structuration Vincent Mosco is became the main theory.

Critical paradigm is used to see the dominance of capital power in media ownership structure in Indonesia, especially commercial television. Descriptive qualitative approach with a case study research design is used to provide a comprehensive description about these dynamics process. The data were collected by means of interview and documents review.

The results showed that the acquisition of IDKM by EMTEK reflect the concentration of media ownership as a consequence of the global capitalism system. The structure of capitalism were the dominant system of commercial television ownership in Indonesia effort to increase the accumulation of capital through stock purchase practices at holding company level. Broadcasting Act 2002 which has a principle of diversity of ownership itself cannot prevent the practice of the concentration is due to the multi interpretation of article 18 paragraph (1) about the restrictions of ownership concentration and article 34 paragraph (4) about the prohibition of transfer of broadcasting licenses. However, the structure of capitalism continue to get resistance from some agencies against the television media ownership concentration in Indonesia."

"Tesis ini bertujuan untuk memberikan gambaran yang mendalam dan menyeluruh tentang dinamika interaksi yang terjadi antara agen dan struktur penyiaran di Indonesia dalam menata sistem kepemilikan media televisi svasata di Indonesia, terutama sejak munculnya kasus akuisisi PT IDKM oleh PT EMTEK hingga proses persidangan uji materi UU Penyiaran di Mahkamah Konstitusi selama tahun 2011-2012. Teori strukturasi Anthony Giddens dikaitkan dyngan konsep strukturasi ekonomi politik Vincent Mosco menjadi teori utama penelitian ini. Penelitian ini menggunakan paradigma kritis yang memandang struktur kepemilikan media televisi swasta di Indonesia amat dipengaruhi ollen kekuasaan modal (kapital). Pendekatan penelitian kualitatif deskriptif dengan desain penelitian Studi Kasus (Case Study) digunakan untuk dapat memberikan deskripsi yang komprehensif akan dinamika tersebut. Data dikumpulkan melalui wawancara dan studi dokumen. Hasil penelitian menunjukkan bahwa aksi korporasi IDKM oleh EMTEK mencerminkan pemusatan/ konsentrasi kepemilikan media yang merupakan konsekuensi dari sistem kapitalisme global. Struktur kapitalisme inslag yang mendominasi sistem kepemilikan media televisi swasta di Indonesia saat ini dimana upaya peningkatan akumulasi modal dilakukan melalui praktik penguasaan saham beberapa media televisi swasta pada level perusahaan induk (holding company). UU Penyiaran no.32 tahun 2002 yang memiliki prinsip diversity of ownership itu sendiri tidak mampu mencegah praktik konsentrasi tersebut karena adanya celah penafsiran terutama pada pasal 18 ayat (1) tenten pembatasan pemusatan kepemilikan dan pasal 34 ayat (4) tenten larangan pemindahtanganan izin penyiaran. Meski demikian, struktur kapitalisme tersebut terus mendapat perlawanan dari beberapa agensi yang menentang pemusatan kepemilikan media televisi di Indonesia

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This research aims to provide a comprehensive description about the dynamics interaction between agent and structure of Indonesian broadcasting system particularly in order to organize commercial television media ownership. Our observation is since the case of acquisition PT IDKM by PT EMTEK until the Judicial Review proceedings in the Constitutional Court. Middens's Structuration Theory combining with Political Economy Structuration Vincent Mosco is became the main theory.

Critical paradigm is used to see the dominance of capital power in media ownership structure in Indonesia, especially commercial television. Descriptive qualitative approach with a case study research design is used to provide a comprehensive description about these dynamics process. The data were collected by means of interview and documents review.

The results showed that the acquisition of IDKM by EMTEK reflect the concentration of media ownership as a consequence of the global capitalism system. The structure of capitalism were the dominant system of commercial television ownership in Indonesia effort to increase the accumulation of capital through stock purchase practices at holding company level. Broadcasting Act 2002 which has a principle of diversity of ownership itself cannot prevent the practice of the concentration is due to the multi interpretation of article 18 paragraph (1) about the restrictions of ownership concentration and article 34 paragraph (4) about the prohibition of transfer of broadcasting licenses. However, the structure of capitalism continue to get resistance from some agencies against the television media ownership concentration in Indonesia."

"Disertasi ini membahas tentang industri media radio siaran yang keberadaannya tidak lepas dari pengaruh dinamika industri media secara keseluruhan. Perubahan yang terjadi pada industri media akan mempengaruhi para pelaku industri radio. Demikian pula sebaliknya, perkembangan bisnis radio akan mempengaruhi berbagai aspek dalam industri media. Selanjutnya, industri media yang berkembang saat ini semakin memperlihatkan bahwa media merupakan suatu entitas bisnis semata karena dijalankan dengan cara-cara tertentu untuk pencapaian keuntungan. Padahal media seharusnya tetap menjalankan fungsi utamanya sebagai sarana menyebar informasi, pendidikan, hiburan dan pengawasan. Di sisi lain, kondisi industri media yang memperlihatkan turunnya prosentase iklan dan jumlah pendengar radio di Indonesia menyebabkan industri media radio di Indonesia sampai pada tren pengelolaan radio secara berjaringan yang merupakan respon atas dinamika industri media tersebut. Pada prakteknya, tren berjaringan yang ada lebih mengarah kepada konsep spasialisasi yang dapat dipahami sebagai perluasan kekuasaan korporasi dalam industri komunikasi. Dalam pandangan ekonomi politik media, organisasi induk memiliki pengaruh dan kekuatan untuk menguasai organisasi jaringannya. Tetapi jika kita melihat praktek berjaringan pada media radio maka kita akan menemui kekuatan jaringan yang dapat mempengaruhi radio induknya. Karenanya, studi strukturasi ditawarkan untuk melihat relasi radio induk dan jaringan serta dinamika yang terjadi dalam industri radio sebagai respon atas perubahan yang terjadi pada industri media di Indonesia. Melalui teori strukturasi akan dilihat dualitas yang terjadi. Dua kelompok-kepemilikan yaitu Masima Radionet dan Mahaka Media dipilih sebagai obyek penelitian, melalui jaringan radio yang dimiliki yaitu jaringan radio Prambors FM dan Gen FM. Penelitian yang menggunakan pendekatan kualitatif dengan paradigma kritis ini menemukan bahwa dinamika industri media radio saat ini tidaklah stagnan melainkan terus berubah dengan munculnya struktur baru yang merupakan hasil interaksi yang ada. Selain itu makna berjaringan yang diamanatkan dalan undang-undang tidak tercermin dalam praktek berjaringan yang dijalankan saat ini. Karenanya perlu sinergi antara berbagai aturan yang berhubungan dengan industri media di Indonesia agar media tidak semata-mata digunakan untuk kepentingan individu atau kelompok tertentu. Perlu dilakukan penguatan terhadap agen dalam hal ini masyarakat agar keberadaan mereka dapat memberikan pengaruh terhadap struktur yang ada, sehingga masyarakat tidak hanya sebagai obyek tetapi dapat menjadi pihak yang mampu menyuarakan kepentingan dan kebutuhannya terhadap keberadaan media.

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This dissertation is focused on discussing about media industry of broadcasting radio of which its existence is affected by the dynamics of the entire media industries. Changes occuring in media industry will affect the actors of radio industry. On the contrary, development of radio business will also influences various aspects in media industy. Furthermore, recent development of media industry has shown that media is definitely a business entity, since it is conducted in such a way as profit-making enterprise. Actually, media should firmly stick with its main function as vehicle to disseminate information, education, entertainment and social control. Besides, recent media industry in Indonesia has shown decreasing percentage of advertisement and number of radio listeners.

As respond to the recent dynamics of media industry, the trend of managing broadcasting radio tends to change towards networking-based radio management. In practice, the existing networking-trend is leading towards the concept of spatialization meaning which is understood as an expansion of corporation capability in communication industry. From the perspective of political economy media, main organization tends to have influence and power to cope its network organization. However, in fact, the practices of networking-radio media, it can be seen that the power of neworking can affect its main radio organization. Due to this phenomena, study of structuration is offered to see the relation between main radio organization and its networks including the dynamics happening in radio industry as a respond to the changes in media industry in Indonesia. Two group-ownership media enterprises, Masima Radionet and Mahaka Media were chosen as objects of research, through their own radio networks, the so called Prambors FM and Gen FM.

The research, designed using qualitative approach with critical paradigm, has found that the dynamics of the recent radio media industry keeps changing, not in stagnant condition, due to the appearance of new structure as a result of the existing interactions among the radio networks. Besides, the essence of networking media, instructed by broadcasting law and regulation, is not wellimplemented in recent networking radio media practices For this reason, it is essential to syncronize various regulations related to media industry in Indonesia in order to optimize the usage of media for public and social benefit not merely for the individual and certain-community interests. This is important to make societies be alert of their existence and hopefuly can give influence to the existing structure. Moreover, the essence of this study is to make societies not merely as an object but also as an agent capable to convey societal interests and needs through the existence of media."

"Writing for Television, Radio, and New media has been the leading work in its field for more than fifty years. Its frequently updated revisions, including the eleventh edition, combine the best principles and examples of the past with those of contemporary practice. Its thorough coverage of concepts, approaches, and techniques concentrates on the key media formats of commercials; news and sports; documentaries; reality programs; talk shows; interviews; music programs; corporate, educational, and children's formats; and drama and sitcoms. The text also presents basic information that writers need to know about production techniques, demographics, copyrights, and career opportunities. New material on social media allows today's students to understand the continued importance of clear writing and shows them how their digital skills can transfer to career opportunities"

"ABSTRAKPernikahan selebriti merupakan sebuah peristiwa yang menarik perhatian publik. Pernikahan selebriti pun kerapdimanfaatkan oleh industri televisi untuk memperoleh keuntungan. Televisi kini rajin menampilkan tayanganpernikahan selebriti secara intensif. Pernikahan selebriti tersebut diliput secara langsung, dikupas mendalam, dandibungkus sedemikian rupa hingga menghasilkan tayangan yang laku di pasaran. Tayangan pernikahan selebritiyang ada sukses meraih angka rating dan share yang tinggi sehingga industri televisi semakin gencar dalammemberitakan pernikahan-pernikahan selebriti selanjutnya yang dibungkus sesuai standar yang telah terbuktisukses. Televisi menyuguhkan pernikahan selebriti sebagai suatu produk hiburan pada khalayak. Oleh karenaproduk hiburan ini dapat dengan mudah dicerna, khalayak tidak dapat berpikir secara kritis dan hanya mampumenerima produk tersebut secara pasif. Gencarnya industri televisi dalam menayangkan pernikahan selebriti jugamembuat khalayak terkurung dan tidak mempunyai pilihan lain dalam mengonsumsi seni sebagai saranahiburan.

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ABSTRACTCelebrity rsquo;s wedding is an event that attracts public rsquo;s attention. This event is often utilized by television industryto generate profits. Television nowadays often broadcasts celebrity rsquo;s wedding intensively. Celebrity rsquo;s weddingis reported live, digged in depth, and packaged in such way to produce successful broadcast in market. Theexistent broadcast of celebrity rsquo;s wedding had been proved to be successfully reach high number of rating andshare. Thus, television is more aggressive in reporting the next celebrity rsquo;s wedding and packaged them in astandardized way that had been proved successful. Television offers celebrity rsquo;s wedding as entertainment toaudience. Since this kind of entertainment can be easily disgested, audience is not able to think critically andonly able to receive this product passively. The aggressiveness of television industry in broadcasting celebrity rsquo;swedding traps audience so that audience doesn rsquo;t have other choice in consuming art as source of entertainment. "

"The requirements of the community for information presently have become the major requirements in the daily living.

The existing information media, both newspapers and radio broadcast like the television broadcast must be able to meet the requirements on information in accordance with the era. With the sophisticated technology, satellites for broadcast relays, both radio and television broadcast have been developed. Furthermore, telecommunication technology and computer (digital technology) have set up an internet information media.

The competition has occurred between the television broadcasting industries, since the establishment of the television station RCTI in 1989, and later followed by SCTV, Indosiar and so forth. Until 2004, there are already 15 national private television stations.

The development of business industries on television broadcasting conducted competitively among these television broadcasts, had brought forth the issuance of Constitution No. 32 year 2002 on Broadcasting.

With the validity of the constitution, there has occurred a number of responses both pro and contra, due to the impact on the private television industries.

From the results of research, this had motivated the writer to further know the impact of Constitution No. 32 year 2002 on Broadcasting towards the business industries on television broadcast. The writer had carried out a Field Research through the distribution of questionnaires on 30 respondents in the program and technical divisions, and HRD of PT, RCTI.

In order to know the impact on the Constitution on Broadcasting No. 32 year 2002, some articles were considered very crucial, and the questionnaire data showed an independent variable, i.e. the crucial articles that influence the dependent variables (Broadcasting Program) having 15 articles. These articles will influence the development of the broadcasting stations and working outlines (DPK) of RCTI as the National Television.

With the issuance of the Constitution on Broadcasting No. 32 year 2002, this will influence the performance of RCTI, particularly in obtaining the competition of the market segments on advertisements already available. Conversely, Constitution on Broadcasting No. 32 year 2002, will protect the local programs and become a information and entertainment media adjusting with the Indonesian culture in supporting the Regional Autonomy Constitution."

"Studi ini bertujuan untuk meneliti persaingan usaha dalam industri televisi swasta nasional, serta menginvestigasi pengaruh konsentrasi kepemilikan serta karakteristik industri televisi terhadap harga iklan dan pendapatan iklan pada industri televisi swasta nasional tidak berbayar.Penelitian ini menggunakan metode SCP dan persamaan simultan, menemukan bahwa struktur pasar Industri televisi swasta nasional bercorak Oligopoli ketat serta faktor teknologi memiliki dan jumlah pemirsa mempengaruhi keuntungan dan harga iklan sebuah industri siaran televisi swasta nasional.

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This study aims to examine competition in the national private television industry, as well as to investigate the effect of concentration of ownership and industrial characteristics on the price of television advertising and advertising revenues at the national private television industry free to air.

This study uses SCP and simultaneous equations finds that the market structure of the industry national private television patterned tight oligopoly and technological factors affecting the audience has and the amount of profit and price advertising a national private television broadcasting industry."