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"Barongsai performance in the Chinese New Year ritual is unique and imposing processional ceremony of cultural performance in Semarang. The aesthetic aspects of the cultural performance are closely related to the meaningful symbols of society's prevailing cultural patterns background which are still uphold till nowadays. Specifically, the problem raised up in this study deals with the meaning of Barongsai performance text in Chinese New Year ritual ceremony. Furthermore, the researcher used performance studies approach in order to solve the problem. The data collection was done by observation, in-depth interview, and documentation. The analysis was done qualitatively by referring to the interactive cycle analysis model. Furthermore, the analysis procedures were done through the process of data reduction, data presentation, and drawing conclusions or verification. The research findings dealing with meaning in Barongsai performance text are as follows: 1) religious meaning between human and God, 2) meaning of human relationship with their relatives and predecessor, and 3) meaning of harmony or balance between human and nature."

""Pertunjukan Barongsai dalam upacara ritual Imlek yang dilangsungkan secara arak-arakan di Kota""Semarang, merupakan pertunjukan budaya yang unik dan khas. Aspek-aspek estetis pertunjukan yang disajikan sangat erat bertalian dengan simbol-simbol maknawi dengan Jatar belakang pada pola budaya yang berlaku dan dijunjung oleh warga masyarakat pendukungnya. Secara khusus masalah yang diaju­ kan dalam penelitian ini adalah makna teks pertunjukan Barongsai dalam upacara ritual Imlek. Untuk mengkaji masalah tersebut digunakan pendekatan performance studies, sebagai payung teori dalam penelitian ini. Pengumpulan data dilakukan dengan observasi, wawancara mendalam, dan dok:umen­ tasi. Bersamaan dengan proses pengumpulan data dilakukan juga tahapan analisis secara kualitatif dengan merujuk model analisis siklus interaktif. Prosedur analisis ditempuh melalui proses reduksi data, penyajian data, dan penarikan simpulan atau verifikasi. Hasil penelitian menemukan makna dalam teks pertunjukan Barongsai, yaitu (1) makna religius manusia dengan Tuhan, (2) makna relasi manusia dengan leluhur dan sesama, dan (3) makna harmoni dan atau keseimbangan antara manusia dan alam. Kata kunci: barongsai; tanda; makna; teks pertunjukan""

"Viewed from the perspective of art and culture, in general the province of Nusa Tenggara Barat (NTB) has a very pluralistic cultural diversity, in addition to art and culture that are rooted in tradition and culture of Sasak, there are also art traditions rooted in the cultural traditions of other ethnic which have occupied especially the territory of Lombok and Mataram in the periods of long enough time. The plurality of cultural traditions when explored and developed more broadly becomes an additional point for NTB in the development of the tourism industry. Of the various forms of artistic cultural traditions, the Balinese performing arts is one of art forms that developes in the city of Mataram and has quite high potency if it is involved in the tourism industty. Appeals for more highlighting the indigenous cultural traditions of Sasak people causes the marginalization of Balinese arts and gives very small chance to participate actively in the world of tourism development efforts in Mataram. This phenomenon is examined in this study, particularly related to the issues presented, namely, the role of government, community and tourism components in exploiting the potency of traditional performing arts in the tourism industry as well as the conception of the shape and structure of the traditional performing arts in the tourism industry in the city of Mataram."

"Brayut is a phenomenal myth figure in Balinese culture. He is adored and also pleaded for a child by those who want a child in their families. On the other hand, he is disrespected as a family that is lack of attention on the prosperity of their family because he has to grow many children in his family. At the present, his existences is decorating the gardens lots as an absurd family which described briefly in a literary work known as Brayut geguritan. Implicitly, behind the absurdity of this family described in the beginning of the geguritan, can be found that the concept of Tantrayana strongly influence the social diversity system of the Baliiese Hindus in Bali. Tantrayana is a religious sect of Hindus in India which then localized in Bali. It might be influenced with Balinese local genius which obtain similar concepts that enable the Tantric teachings to be acculturated."

"This artwork is revealing about the existence of Legong Tombol in Banyuatis village, Buleleng which has stagnated regeneration. Through this work, the steps taken to resolve the impasse is by reconstructing the shape of the dance, then rechoreographing the missing parts and subsequently teaching the dance form to the local young generation dancers. Related to the issues raised on the existence Legong Tombol in Banyuatis village, then this work present about : (1) Creation Method of dance that starts from the reconstruction effort of the dances that is almost extinct, (2). Reconstructing and re-packing the form of Legong Tombol dance and then returning to the community, (3). Resenting the training methods of Legong dabce which is contained in the creativity of the figure of the artist (late.) I Wayan Rindi which has been successfully re-lifted up."

"Balinese pop music has undergone industrialization since the decade of 1990's when the technological progress, economical system, and new musical culture massively drove to the born of recording studios, musicians, and and the products. In the hands of capital owners, Balinese pop music capitalism occurs. Behind the discourse of the preservation of Balinese culture through Balinese pop music, ideology and interests work for the purpose of capitalization. The result of the study shows that during the two and a half decades, the industrialization of Balinese pop music goes in the form of production, distribution, and consumption in the province of Bali due to the linked cultural power, the power of capital, and media power. Industrialization is influenced by a number of ideologies, capitalism, popisme, local political culture, and multiculturalism, in which capitalism became the dominant ideology. Bali pop music industrialization causes a certain impact. The economical impact related to exchange rates; social impact (use value) related to the value / benefits; cultural impact associated with the value of identity / authenticity; and political impacts associated with the value of developmentalism 1 developmentalism."

"ABSTRAKSeni bajidoran Ujang Lanay adalah salah satu kesenian rakyat asal Kecamatan Ciranggon Kabupaten Karawang. Meskipun gempuran globalisasi dan kebudayaan asing sangat kuat menerpa dan mempengaruhi kebudayaan tradisional, namun seni ini tetap eksis dan disukai masyarakat Karawang terutama di pedesaan. Secara estetika, seni bajidoran memiliki keindahan tersendiri, dilihat dari wujud, bobot, dan penampilan. Seni bajidoran menjadi identitas Karawang, karena sudah memberi makna dan menjadu salah satu adat masyarakat Karawang. Bajidoran juga menjadi sistem sosial masyarakat Karawang, suatu sistem yang menjadi kolektivitas milik masyarakat dan berperan sebagai struktur relasi dalam masyarakat tersebut. Tujuan dalam kajian ini, ingin mengungkapkan nilai estetika apa yang terdapat dalam seni bajidoran dan bagaimana seni bajidoran menjadi identitas masyarakat Karawang. Penelitian ini menggunakan pendekatan kualitatif dan bersifat etnografis terbatas, karena seni tari tidak lepas dari konteks sosiologis, psikologis, antropologis yang mendeskripsikan keseluruhan posisi tari di dalamnya. Adapun pengambilan data melalui observasi, wawancara mendalam pada informan dan studi pustaka serta pengambilan gambar melalui fot0"

"Rumusan permasalahan dalam kajian ini adalah untuk menjawab pertanyaan bagaimanakah budaya Indies menghasilkan hibriditas gaya desain grafis yang mempunyai ciri khas? Mengapa gaya desain grafis Indies mampu bertahan dan mempunyai pengaruh kuat dalam pembentukan gaya desain grafis Indonesia masa kini. Tujuannya untuk menjelaskan secara kronologis budaya Indies pada masa kolonial Hindia-Belanda mempengaruhi lahirnya gaya desain grafis Indies. Menjelaskan pengaruh gaya grafis Indies dalam rangka usaha menemukan pembentukan gaya desain grafis Indonesia di masa kini. Hasil kajian ini adalah menjelaskan perkembangan visualitas desain grafis Indies yang merupakan produk konstruksi kebudayaan pemerintah kolonial Hindia Belanda, telah mengalami puncak perkembangannya pada masa akhir kolonialisme di Indonesia tahun 1940-an. Gaya desain grafis Indies merupakan hibridisasi antara gaya desain modern Barat yang dikembangkan oleh para seniman dan desainer grafis Belanda dengan gaya visual seni tradisional pewayangan Jawa yang dianggap sebagai warisan adiluhung kebudayaan masyarakat Jawa di masa lampau. Perpaduan itu membentuk sintesa gaya desain yang yang bersifat eklektik menjadi ciri khas desain Indonesia dengan ketinggian kualitas artistik yang menjadi rujukan dan sumber inspirasi bagi para perancang desain grafis masa kini."