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"Artikel ini mempertanyakan sejauh mana masyarakat Belanda Progresif di bidang norma banhasa, kesusahan, dan gender. Dinilai dengan diskusi tentang norma bahasa di kamus Van dale dan resepsi terhadap kamus tersebut di Indonesia serta pandangan terhadap penulis wanita dan statusnya dalam masyarakat Belanda. Artikel ini berkesimpulan bahwa kebudayaan Belanda tidaklah seprogresif yang dibayangkan orang. Dalam hal gender, pandangan terhadap status dan kemampuan perempuan yang agak miring mungkin ini disebabkan oleh perempuan itu sendiri. Dalam hal kesusasteraan, misalnya, perempuan akan diperlakukan sama seperti laki-laki jika mereka menulis dan bertingkah laku berbeda dari yang sekarang"

"Due to the emergence of what in Indonesian is called industri rekaman daerah ?Indonesian regional recording industries?, which has developed significantly since the 1980s, many regional recording companies have been established in Indonesia. As a consequence, more and more aspects of Indonesian regional culture have appeared in commercial recordings. Nowadays commercial cassettes and Video Compact Discs (VCDs) of regional pop and oral literature genres from different ethnic groups are being produced and distributed in provincial and regency towns, even those situated far from the Indonesian capital of Jakarta. Considering the extensive mediation and commodification of ethnic cultures in Indonesia, this paper investigates the impact of the rise of a regional recording industry on Minangkabau oral literature in West Sumatra. Focussing on recordings of some Minangkabau traditional verbal art genres on commercial cassettes and VCDs by West Sumatran recording companies, this paper attempts to examine the way in which Minangkabau traditional verbal art performers have engaged with electronic communication, and how this shapes technological and commercial conditions for ethnic art and performance in one modernizing society in regional Indonesia."

"This article deals with traditional literature of the Pakpak-Dairi and Karo peoples in North Sumatra, who are speakers of closely related Batak languages and have many common features in their language and culture. Their traditional life-style, based on agriculture and the use of forest products, requires the regular performance of community rituals featuring songs, dance, music and other oral traditions including storytelling. The songs, prayers, and stories belonging to their literary tradition have characteristic features that are intimately connected with the social context in which they are created and performed. Karo and Pakpak-Dairi oral genres often contain information about the natural environment, local customs and religious concepts. They may also reflect perceptions of relationships with neighbouring groups, such as the Minangkabau and the Malays who live in the coastal areas."

"This paper examines with a particular affixe (keter-/-an) consisting in two primaryaffixes. Through the analyse of terms coined by the Pusat Bahasa and spontaneousterms, the paper distinguishes between ?double? and ?complex? affixation,corresponding to different operating modes of affixation. The first deals withan already affixed and lexicalized word, then reaffixed and relexicalized. Thesecond, almost only found in documents produced by the Pusat Bahasa, refersto a base getting a first affix in a poorly (or not) lexicalized form, constitutingno more than a morphological stage towards the wished form, which is intentas lexicalized. Complex affix keter-R-an is basically a morphological calque andthe author argues that it has been promoted and used during New Order on anideological basis, as a mean to modernize Indonesian terminology by keepingits shape indigenous rather than by direct borrowing of English terms."

"This paper examines with a particular affixe (keter-/-an) consisting in two primaryaffixes. Through the analyse of terms coined by the Pusat Bahasa and spontaneousterms, the paper distinguishes between ?double? and ?complex? affixation,corresponding to different operating modes of affixation. The first deals withan already affixed and lexicalized word, then reaffixed and relexicalized. Thesecond, almost only found in documents produced by the Pusat Bahasa, refersto a base getting a first affix in a poorly (or not) lexicalized form, constitutingno more than a morphological stage towards the wished form, which is intentas lexicalized. Complex affix keter-R-an is basically a morphological calque andthe author argues that it has been promoted and used during New Order on anideological basis, as a mean to modernize Indonesian terminology by keepingits shape indigenous rather than by direct borrowing of English terms."

"This paper attempts to trace the identity construction of the Chinese from cultural anthropology perspective. It argues that the constructed identity is always changing and very much influenced by socio, economic, political and cultural aspects. By looking at the society, the language, the kinship and belief systems, it comes to a conclusion that the identity is not as simple as it looks. In fact, it often embodies a misperception of what it this to be Chinese. In this context, emphasies the needs for further development of chinese studies in Indonesian universities."

"This paper attempts to trace the identity construction of the Chinese from cultural anthropology perspective. It argues that the constructed identity is always changing and very much influenced by socio, economic, political and cultural aspects. By looking at the society, the language, the kinship and belief systems, it comes to a conclusion that the identity is not as simple as it looks. In fact, it often embodies a misperception of what it this to be Chinese. In this context, emphasies the needs for further development of chinese studies in Indonesian universities."

"This article focuses on the psycholinguistic study of the syntactic aspects of Dutch-Indonesian interlanguage. The study is based on the interlanguage syntax observed in an oral test given to thirty Indonesian learners of Dutchas a second language, whose purpose is to test the processability theory of Pienemann (2005a, b, c, 2007). The results of the study provide evidence for the validity of Pienemann?s theory. Learners who have acquired sentences with the highest level of processing will also already have acquired sentences with a lower level of processing. The results from learners with a high level of Dutch proficiency verify the processability theory with more certainty than the results of learners with a lower proficiency. Learners tend to rely on meaning if they are not confident of their grammatical proficiency. Interlanguage is the result of the immediate need to encode in the mind concepts and ideas into the form of linguistic items, within a fraction of a millisecond, whilst the supporting means are limited, and whilst learners already have acquired a first language and possibly another language as well."

"Land is a society?s potent symbol of wealth, social power, and culture. A long time ago, when extensive jungles and forests still abounded, there were probably no serious conflicts over land ownership. Groups were free to roam about and to open up land to extend their farming area in accordance to their needs. Groups in society marked the land they had cultivated to proclaim their ownership. These marks could be very simple and could simply be a tree, a big stone, or a piece of iron hammered into the soil, or they used the physical condition of the land itself such as rivers, lakes, hills etcetera as borders to distinguish their land from that of others. Minangkabau traditional society never recorded these borders in writing on paper, leaves, or stones or any other means as many peoples in other parts of the world do. Rather, they deemed it sufficient to use natural symbols to demarcate the important agreements they had made between them orally."

"Known as pantun to the Malays in Brunei, Malaysia, Pattani, Riau, Singapore, and Southern Phillipines, it is called peparikan to the Javanese, sesindiran to the Sundanese and many other different names in different ethnic groups in the different parts of the Indo-Malay world, which is made up of Brunei, Indonesia, Malaysia, Singapore, Pattani in southern Thailand, and Mindanao in the southern Philippines. In almost every settlement that sprang up along the major rivers and tributaries in the Indo-Malay world, the pantun blend well with their natural and cultural surroundings. In this article, the geographical extent of the pantun family in the Indo-Malay world is likened to a mighty river that has a complex network of tributaries all over the Indo-Malay world. Within the Indo-Malay world, it is the movement of the peoples help the spread of pantun from one area to the other and makes it an art form of immensely rich and intricate as can be seen from the examples given."