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"As an island community, the culture of the Bandanese is closely linked to their natural maritime environment. Not only is fishery the main source of income for many Bandanese, their cultural practices also include the creation of traditional boats and songs which tie the people, their environment and history together. These boats, locally referred to as belang or kora-kora, feature symbolic decorations and take part in an annual competition in which competing villages chant about their oral stories, known as kabata. Before this performance, various sacred locations, keramat, are honoured and a ceremony is held at the traditional house in which special bamboo poles play a central role in the performance of the cakelele warrior dance. This article highlights how nature plays a significant role in the traditional practices of the villages in the Banda Islands and illuminates certain passages from kabata in which Bandanese nature is honoured in song."

"Tourism has positive influence for the community and nation, because it provides economic benefits to achieve the social welfare, besides that the negative impacts should be aware of In the cultural tourism development that uses culture as a potential tourist attraction has been perceived benefits for the community. However, if the management of tourism industry uncontrolled, it can be a very dangerous threat to the preservation of cultural values. Tourism development from a social cultural perspective has focus on the regulation and the management of tourism implementation, with the aim to achieve balance and harmony of the relationship between the goal to achieve people's welfare and the preservation of natural environment and social culture. Thus, tourism development can fulfill the needs of life for future generations because the natural environment and social culture in development dynamically developing harmonious and balanced. Sustainable tourism development will run smoothly on the natural environment and social culture that lives in a safe atmosphere."

"Skripsi ini membahas peranan tuan rumah (host) dalam mengembangkan kegiatan pariwisata berdasarkan nilai-nilai lokal. Tulisan ini berfokus pada penerapan nilai-nilai lokal dalam kegiatan pembangunan desa wisata adat yang dilakukan oleh komunitas adat masyarakat kampung Kuta (host). Permasalahan yang terjadi pada agenda pembangunan desa wisata adat kampung Kuta adalah adanya dua pemimpin, yaitu pemimpin tradisional dan pemimpinan formal. Dalam kehidupan sehari-hari masyarakat kampung Kuta pun terbuka dengan perkembangan zaman akan tetapi mereka tetap mempertahankan nilai-nilai lokal yang dimiliki. Kemudian, bagaimana para pemimpin dapat melaksanakan kegiatan pengembangan desa wisata adat di kampung Kuta dengan tidak menghilangkan nilai-nilai lokal yang dimiliki masyarakat kampung Kuta. Hal ini mengingat bahwa tidak sedikit telah terjadi hilangnya nilai-nilai lokal suatu komunitas masyarakat ketika kehidupan mereka kerap mendapatkan pengaruh dari luar komunitasnya sekaligus lingkungan tempat tinggal mereka dijadikan sebagai destinasi wisata. Penelitian ini merupakan penelitian kualitatif dengan menggunakan metode observasi partisipasi, in-depth interview, dan studi kepustakaan. Hasil penelitian ini adalah bahwa nilai-nilai lokal masyarakat kampung Kuta mengalami perkembangan yang digunakan untuk beradaptasi dengan lingkungan dan perkembangan zaman. Terkait pariwisata, nilai-nilai lokal yang diterapkan menjadi sebuah produk pariwisata yang mendukung berbagai kegiatan wisata di kampung Kuta berdasarkan tujuan dan objek wisata yang ditawarkan kepada para wisatawan......This thesis discusses the role of the host in developing tourism activities based on local values. This paper focuses on the application of local values ​​in the traditional tourism village development activities carried out by the customary community of Kuta village (the host). The problem that occurs in the development agenda of the traditional tourism village of Kuta village is that there are two leaders, namely traditional leaders and formal leaders. In everyday life, the people of Kuta village are also open to the times, but they still maintain their local values. Then, how did the leaders reach an agreement to develop a traditional tourism village in Kuta village by not eliminating the local values ​​owned by the people of Kuta village. This is considering that there has been a loss of local values ​​of a community when their lives often get influences from outside their community as well as the environment in which they live as a tourist destination. This research is a qualitative research using participatory observation method, in-depth interview, and literature study. The results of this study are that the local values ​​of the Kuta village community have developed which are used to adapt to the environment and the times. Regarding tourism, local values ​​that are applied become a tourism product that supports various tourist activities in the Kuta village based on the purpose and object of the tour offered to the tourists."

"ABSTRAKKunjungan wisatawan menuju daerah tujuan wisata didasari oleh dua hal, yaitu faktor pendorong dan faktor penarik. Salah satu faktor pendorongnya yaitu motivasi. Motivasi memiliki 4 tipe, yaitu fisik, budaya, interpersonal, dan status. Keempat motivasi ini menjadi dasar dalam perbedaan kunjungan wisatawan di tiap-tiap atraksi yang jenis kawasannya berbeda, yaitu homogen dan heterogen. Kawasan homogen dalam penelitian ini yaitu kawasan Candi Prambanan dan kawasan heterogennya yaitu kawasan Keraton Yogyakarta. Pengumpulan data dalam penelitian ini menggunakan metode kuota sampling dan wawancara. Data yang diambil berupa motivasi wisatawan. Berdasarkan hasil pengumpulan data dan analisis data, motivasi di tiap-tiap atraksi pada kawasan yang jenisnya berbeda kemudian menghasilkan perbedaan bentuk pola pergerakan di antara kedua kawasan.

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ABSTRACTTourist arrival to the tourist destinations is based on two things, the push and pull factors. One of the push factor is tourist motivation. Tourist motivation has 4 types, physical motivation, cultural motivation, interpersonal motivation, and status motivation. These four types of motivation become the basic of the tourist arrival differences in each attraction of different types of areas, such as homogeneous and heterogeneous. The homogeneous area in this research is Candi Prambanan area and the heterogenous area in this research is Keraton Yogyakarta area. To collect the data, this research is used quota sampling along with interview method. The data that is collected is tourist motivation. Based on the data collecting and data analysist, motivation in each of attractions of different type of areas then lead to the difference in forming the tourist travel pattern between the two regions that describe tourist movement. "

"Tesis ini membahas strategi daya saing destinasi wisata bahari berbasis local wisdom di Kabupaten Kepulauan Sangihe melalui analisis terhadap destination competitiveness dan place marketing. Destination competitiveness digunakan untuk menilai daya saing destinasi wisata bahari dalam rangka penyusunan strategi daya saing yang dilakukan melalui teori place marketing. Penelitian ini adalah penelitian deskriptifkualitatif dengan pendekatan postpositivisme. Hasil penelitian menunjukan bahwa destinasi wisata bahari Kabupaten Kepulauan Sangihe berdaya saing berdasarkan indikator natural resources, heritage and culture, dan special events dan tidak berdaya saing pada indikator tourism infrastructure, demand condition dan promotion and coordination. Penelitian ini menyarankan kepada pemerintah Kabupaten Kepulauan Sangihe dan stakeholder pariwisata Kabupaten Kepulauan Sangihe agar memadukan wisata bahari dengan kearifan lokal melalui buying product dan buying experience, melakukan segmentasi wisatawan potensial, melaksanakan events pariwisata bertaraf nasional dan internasional dengan menonjolkan unsur kearifan lokal masyarakat, menerapkan Community-Based Tourism dan Public-Private Partnership dan bekerja sama dengan kelompok sadar wisata dalam mempromosikan wisata bahari berbasis lokal wisdom dan mengatasi masalah lingkungan pariwisata bahari Sangihe, membentuk brand image destinasi wisata bahari kabupaten kepulauan Snagihe dan menargetkan wisatawan potensial berdasarkan aktivitas tujuan wisata, demografi dan trend kunjungan wisatawan ke provinsi Sulawesi Utara dan Kabupaten Kepulauan Sangihe.

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This thesis discusses the competitiveness of local wisdom-based marine tourism destinations in the Sangihe Islands Regency through an analysis of destination competitiveness and place marketing. Destination competitiveness was used to assess the marine-tourism destination competitiveness in the context of developing the strategies that were carried out through place marketing theory. This research is a descriptive qualitative study with a post-positivism approach.

The findings showed that the marine tourism destinations in the Sangihe Islands Regency were competitive based on indicators of natural resources, heritage and culture, and special events and were not competitive on the indicators of tourism infrastructure, demand conditions, promotion and coordination.

This research recommends the local government of Sangihe Islands Regency and tourism stakeholders, to integrate marine tourism with local wisdom through buying products and buying experience, segmenting potential tourists, carrying out national and international-level tourism events by highlighting elements of local wisdom, implementing Community- Based Tourism and Public-Private Partnership and collaborating with tourism observer groups in promoting local wisdom-based marine tourism and addressing the environmental issues of Sangihe marine tourism, shaping a brand image of marine tourism destinations and targeting potential tourists markets based on tourist destination activities, demographics and tourist visits trend to the North Sulawesi Province and Sangihe Islands Regency."

"Dalam upaya mengembalikan identitas Jakarta, Sunda Kelapa Cultural Centre menciptakan program yang menggabungkan budaya Betawi yang merepresentasikan kehidupan lama kota Jakarta dengan kondisi Sunda Kelapa dan sekitarnya pada saat ini. Program tersebut diangkat dari berbagai kegiatan lokal yang memiliki potensi untuk dikembangkan, serta tren pada masa kini di area Sunda Kelapa sendiri, dengan harapan masyarakat di sekitar Sunda Kelapa dan para turis dapat melestarikan budaya yang berkembang di Jakarta secara berdampingan. Maka dari itu, untuk merealisasikan visi ini, Sunda Kelapa Cultural Centre didesain tidak hanya untuk mengakomodasi ruang untuk acara dan kegiatan kultural maupun kontemporer, tetapi juga menyediakan ruang publik seperti galeri mode, zona kuniler, serta taman rooftop yang menggabungkan budaya etnis dan tren sekarang untuk menarik para pengunjung.

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In an effort to maintain Jakartas identity, Sunda Kelapa Cultural Centre merges the Betawi cultural programmes which represent the old lives of Jakarta with the present surroundings situation within Sunda Kelapa context, both in the aspect of the locals potential activities and also the current trends in the area, in the hope that the locals and the tourists then will be able to work side by side in preserving the culture evolving in this city. Therefore, to realize this vision, Sunda Kelapa Cultural Centre is designed not only to acommodate spaces for cultural and contemporary events, but also to provide public spaces such as fashion gallery, culinary zone, and also rooftop garden which mixes ethnical and popular culture to engage more visitors."

"The historiography of Banda has paid little attention to the existence of women. Stories involving women are mainly about romance, family, and suffering. In reality, the existence of “Mama Lima” (groups of five women) is very strong in the Banda tradition (adat). They are the carriers of knowledge and tradition, a consequence of matriarchy. They determine the content and implementation of adat ceremonies like Buka kampong, forming the set of social norms and customary law of the community. Mama Lima groups are a living example of women throughout the ages who have played a significant role in welfare, the environment, religion, spiritualism, education, and nature. This article discusses the position of women in Banda from its colonization in 1609: defending their land, customs, and descendants, to this day. The results show that Banda women have been practising gender equality for centuries, passing their functions on to the younger generation, and have become an example for all Bandanese today."

"ABSTRAKSkripsi ini menganalisis komodifikasi upacara ruwatan rambut gimbal yang merupakan warisan budaya Dieng dalam festival tahunan kebudayaan masyarakat Dieng bernama Dieng Culture Festival (DCF) yang dimulai sejak tahun 2010 di Dataran Tinggi Dieng, Jawa Tengah. Seiring pesatnya perkembangan industri pariwisata budaya di Indonesia, upacara ruwatan rambut gimbal dikembangkan menjadi sebuah ?spectacle? (tontonan) yang bertujuan untuk menarik wisatawan. Upacara ruwatan yang bernilai sakral kini berubah menjadi sesuatu yang profan, dari tuntunan bergeser menjadi tontonan belaka sebagai dampak dari pengembangan pariwisata. Keistimewaan anak gimbal sebagai objek ruwatan tersebut kini dimaknai dan diperlakukan berbeda oleh pelaku wisata hingga pemerintah setempat. Proses komodifikasi dikuatkan melalui proses pemasaran melalui media online. Skripsi ini menggunakan konsep utama ?Spectacle? dari Guy Debord, dilengkapi dengan konsep komodifikasi dalam isu ekonomi politik pariwisata yang dikemukakan oleh beberapa ilmuwan kepariwisataan (tourism scholar)mulai dari Kevin Fox Gotham, Melanie K. Smith, dan John Urry. Hasil penelitian ini menunjukkan adanya komodifikasi budaya upacara ruwatan rambut gimbal dalam Dieng Culture Festival yang berdampak terhadap kehidupan sosial-budaya masyarakat Dieng. Dampak sosial terkait dengan adanya ketegangan yang terjadi di dalam masyarakat sebagai bentuk resistensi terhadap komersialisasi budaya. Sedangkan dampak kultural lebih terkait dengan isu keaslian (authenticity) budaya dimana dalam ruwatan festival terjadi beberapa pengubahan pelaksanaan ritual rambut gimbal yang dilakukan oleh penyelenggara Dieng Culture Festival.

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ABSTRAKThis paper analyzes the commodification of dreadlocks hair children?s ritual ceremony in Dieng Culture Festival at the Dieng Plateau, Central Java. With the rapid development of cultural tourism industries, those ritual developed into a spectacle that aims to attract tourists in the annual cultural festival named Dieng Culture Festival which began in 2010. The sacred value of ritual now being transformed by the social actors, including Dieng Culture Festival organizer, local government with the use of online media into something profane. The dreadlock hair children as main objects of ritual now is being understood and treated differently. This paper uses the ?Spectacle? from Guy Debord as a main concept and concept of commodification in the political economy of tourism discussed and developed by three tourism scholar; Kevin Fox Gotham, Melanie Smith, and John Urry. The result indicates the existence of cultural commodification of dreadlocks hair children?s ritual ceremony in Dieng Culture Festival which is causes both social and cultural impact. The social impacts relate to the tensions between local people who confront with the rise and dominanve of tourism development within Dieng Culture Festivaland the cultural impact is focuson the issue of cultural authenticity because there are some increments and alterations of dreadlocks hair children?s ritual."

"Upacara adat Rofaer Wardi Desa Lontor, Kepulauan banda, kabupaten maluku Tengah merupaka kebudayaan lokal dalam bentuk penyelenggaan tradisi pembersih sumur keramat secara massal oleh warga desa Lontor. Upacara yan dilaksanakan setiap 8-10 tahun ini menyimpan banyak makna dan simbol yang membentuk menjadi sistem budaya pada masyarakat. Penelitian ini bertujuan untuk menetahui latar belakang dan mendeskripsikan makna dan simbol dalam upacara adat Rofaer War. Metode yang diginakan adalah metode kualitatif deskriptif. Data penelitian berupa prosesi upacara Rofaer War yang dilestarikan oleh masyarakat desa Lontor dalam wujud bahasa dan nonbahasa. Makna dan simbol dalam penelitian dianalisis dengan menggunakan kajian ilmu semiotika sosial. Hasil penelitian menunjukan bajwa upcara adat Rofaer War dilatar belaknagi oleh satu cerita rakyat yang turun tmurun dipercaya oleh masyarakat dan dalam prosesi pelaksanaan upacaa terdapat simbol-simbol berupa tanda verbal dan tanda noverbal. Tanda verbal mengacu pada unsur kebahasaan dalam lirik lagu.nyanyian-nyanyian sedangkan tanda nonverbal mengacu pada benda, gerak dan perilaku diluar unsur kebahasaan.

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Traditional ceremony of Rofaer Warin Lontor village, Banda Island, Maluku,wasa lokal cultural traditions in implementation of cleaning sacred well by Lontor’s people. The ceremony hel de very8—10 years contains meaning and symbol that for med to becultural system in society.This research aimed to know the background and describe the meaning and symbols in traditional ceremony Ro faer War. The method used descriptive qualitative method. There search data was Ro faer War’s procession which is conserved by the society in the form oflanguage andnon-language.The meanings and symbols in the research analyzed by social semiotics study. The results showed that the traditional ceremony Ro faer War motivated by the folklore of hereditary trusted by the society and the procession of the ceremony have symbols in form of nonverbal and verbal sign. Verbal sign refers to the elements of language in the lyrics/songs while the nonverbal signs refers to the object, the motion and behavior besides the linguistic elements."