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"Bagaimana memori pada setiap masanya dapat berkaitan dan menjadi suatu narasi dalam bentuk rajutan memori kolektif yang sama-sama bangsa ini jaga kedepannya, sehingga dapat menjawab isu dari “Konstruksi Memori Pada Arsitektur Kawasan Taman Proklamasi di Jakarta”. Penulisan ini membahas bagaimana narasi yang komprehensif dari memori kolektif pada Kawasan Taman Proklamasi dari masa pasca-kemerdekaan hingga masa pascareformasi, melalui studi literatur serta analisis studi kasus pada arsitektur Kawasan Taman Proklamasi di Jakarta. Teori dan pemikiran yang didapatkan dari studi literatur akan digunakan sebagai landasan untuk menganalisis studi kasus yang akan disajikan. Usaha untuk merajut memori kolektif akan mampu menjadi dasar yang kuat dalam perencanaan di masa sekarang dan masa depan. Konstruksi memori yang terdefinisikan pada Kawasan Taman Proklamasi menjadi hal yang sangat penting bagi bangsa dan negara ini kedepannya, banyak narasi yang tertuang pada tempat diproklamirkan kemerdekaan Republik Indonesia ini dan perlu adanya penataan ulang memori dengan sumber-sumber yang orisinal dalam perajutan memori kolektif dari masa pasca-kemerdekaan hingga masa pascareformasi (saat ini). Dengan rajutan memori kolektif tersebut, sehingga dapat menjadi acuan dalam pengembangan arsitektur kawasan ini serta arah gerakpembangunan Kota Jakarta kedepannya.

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The memory of each era in Indonesia’s history is related and potentially transforming into a narrative in the form of a collective memory that this nation will keep. This phenomenon can answer the issue of "Memory Construction in the Architecture of the Proclamation Park Area in Jakarta". This study discusses a comprehensive narrative of the collective memory of the Proclamation Park Area from the post-independence period to the post-reformation period, through literature studies and case study analysis on the architecture of the Proclamation Park Area in Jakarta. Theories and ideas obtained from literature and journals will be used as a basis for analyzing the case studies that will be presented. Efforts to knit collective memory will be able to become a solid basis in urban city planning for the present and the future. The collective memory construction defined in the Proclamation Park Area is very important for this nation and country in the future. There are many narratives contained in this place where the independence of the Republic of Indonesia was proclaimed. Due to its importance, collective memory from the post-independence period until the post-reformation period (currently) must be knitted with notable sources to become a valid collective memory. With the knitted collective memory, it can be a reference in the development of the architecture of this area and the direction of the development of the city of Jakarta in the future."

"In treating memory as a cultural rather than an individual faculty, this book provides an account of how bodily practices are transmitted in, and as, traditions. Most studies of memory as a cultural faculty focus on written, or inscribed transmissions of memories. Paul Connerton, on the other hand, concentrates on bodily (or incorporated) practices, and so questions the currently dominant idea that literary texts may be taken as a metaphor for social practices generally. The author argues that images of the past and recollected knowledge of the past are conveyed and sustained by ritual performances and that performative memory is bodily. Bodily social memory is an essential aspect of social memory, but it is an aspect which has until now been badly neglected. An innovative study, this work should be of interest to researchers into social, political and anthropological thought as well as to graduate and undergraduate students."

"Metode baru dalam proses perancangan Arsitektur dapat ditemukan dari cerita tentang d j vu. D j vu menjadi media pembelajaran bagi Arsitektur untuk dilihat dari sudut pandang waktu. Memori sebagai agen dari proses manusia hidup mengindera sense dalam mengenal familiar segala sesuatunya menjadi dasar bagi pembongkaran mekanisme d j vu dan isi dalam cerita dalam membangun waktu di Arsitektur. Ilusi waktu yang terjadi pada saat d j vu mengimplan memori yang salah pada manusia melalui rasa familiar di dalam dirinya. Eksplorasi dalam teknik representasi cerita dan mekanisme d j vu diuji pada tapak yaitu Glodok untuk menghasilkan metode baru yang relevan. Subjek pengujian merupakan orang pertama atau sebagai pelaku utama dalam menceritakan proses d j vu yang terjadi. Memori tentang Glodok dibangkitkan melalui sebuah cerita yang memindah-mindahkan masa lalu, masa kini, dan masa depan dari peristiwa yang terjadi di Glodok. Ide d j vu dengan mengulang masa lalu, masa kini, dan masa depan mengisyaratkan cerita Arsitektur yang bertumbuh sepanjang waktu melalui kehidupan sehari-hari. Ruang dalam Arsitektur dinikmati dengan cara berbeda-beda oleh subjektivitas manusia yang tidak dapat dihindari.

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New methods in Architectural design process can be found from a story about d j vu. D j vu becomes a learning medium for architecture to be viewed from a time point of view. Memory as the agent of a living human process to senses dan familiar with everything becomes the basis for the dismantling of d j vu mechanisms and contents in story that builds the time in Architecture. The illusion of time occurs when d j vu implants a false memory to human through his familiarity. Exploration in story representation techniques and d j vu mechanisms were tested on the site of Glodok to produce relevant new methods. The subject of testing is first person as actor to tell the story of d j vu.The memory of Glodok is awakened through a story that shifts past, present, and future events from Glodok. The idea of d j vu by repeating the past, the present, and the future implies an Architectural story that grows over time through everyday life. Space in architecture can be enjoyed by people subjectivity that cannot be prevented."

"Penelitian tinggalan arkeologi melalui memori kolektif dapat digunakan untuk melihat identitas dari suatu individu hingga kelompok baik itu berupa gender, seksualitas, sanak keluarga, politik, religi dan sistem sosial. Penelitian ini bertujuan untuk merekonstruksi identitas Kecinaan di Batavia abad ke ndash; 20 melalui data inskripsi pada nisan, patung hingga bangunan yang ada di Mausoleum Oen Giok Khouw. Atribut hingga ragam hias yang ada di Mausoleum Oen Giok Khouw memiliki simbol memori pengingat tentang kehidupan Oen Giok Khouw sebagai orang Cina yang dinaturalisasi oleh orang Belanda dan harapan serta doa untuk Oen Giok Khouw atas kehidupan yang sudah dilaluinya.

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Study of archaeological remains by means of reconstructing collective memory can be used to identify of the past social structure such as gender, sexuality, inter familial roles, politics, religions and social systems. This research aims to reconstruct the identity of Chinese people in Batavia at 20th Century based on the inscription data on the Mausoleum Oen Giok Khouw. Data of this research are inscriptions, gravestone, and statues. The results of this research show the decorations and the shape of the building of Mausoleum Oen Giok Khouw indicate that its have a memorial symbolic about the social status of Oen Giok Khouw during his life. Most of the Mausoleum attributes were using western style that pointed out he wanted to be remembered as a Dutch people rather than a Chinese people because he was naturalized as a Dutch citizen."

"This volume explores the issues surrounding the existence of recovered and false memories. Eminent scholars explore how interactions among motivation, emotion, and memory lead to conditions that can foster both true recovery and false remembering. ;"