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"Buku ini merupakan kumpulan cerpen kontemporer Korea yang ditulis pada abad 20 oleh 10 orang penulis Korea"

"ABSTRAKPenelitian ini bertujuan untuk membuktikan bahwa kolonialisme Jepang di Korea tidak hanya merenggut nyawa, sumber daya alam, dan identitas bangsa Korea semata. Akan tetapi, juga membuat kehidupan masyarakat Korea, khususnya kaum petani, lekat dengan kemiskinan dan kesengsaraan. Penulis merumuskan bagaimana Kim Yujeong menggambarkan ironi kaum petani dalam cerpen Manmubang, Geum Ttaneun Kong Bat, dan Sonakbi yang dirilis pada 1935. Penelitian ini merupakan penelitian deskriptif kualitatif dengan metode close reading. Hasil penelitian menunjukkan bahwa kolonialisme Jepang di Korea turut melatarbelakangi lahirnya karya sastra yang menggambarkan realita penderitaan kaum kelas bawah akibat kebijakan-kebijakan pemerintah kolonial. Dalam karya tersebut, para sastrawan biasanya menyelipkan kritik-kritik yang ditujukan kepada Jepang. Berbagai kritik tersebut disuguhkan menggunakan aliran sarkasme. Di sisi lain, Kim Yujeong menyuguhkan gagasan-gagasannya melalui karakter-karakter kaum kelas bawah menggunakan ironi sebagai alat kritik terhadap pemerintahan Jepang. Ironi situasional tersirat dalam cerpen Manmubang dan Geum Ttaneun Kong Bat, sedangkan ironi dramatis tersirat dalam cerpen Sonakbi.

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ABSTRACTThis research aims to prove that Japanese colonialism in Korea not only took the lives, natural resources, and the identity of Korean people. However, it also made the peasantry lived in poverty and misery. The writer stated how Kim Yujeong described the irony of peasantry in Manmubang, Geum Ttaneun Kong Bat, and Sonakbi released in 1935. This research is a qualitative descriptive research using close reading method. The results show that Japanese colonialism in Korea has influenced the birth of literature works that portraying the harsh reality of the lower class people due to the policies of the colonial government. In the literature works, the writers put in critics for the Japanese colonialism. Many of the critics are served in a sarcastic way. On the other hand, Kim Yujeong presented his ideas through the characters of the lower class people in an ironical way as a means of criticism to the Japanese government. Situational irony is implied in Manmubang and Geum Ttaneun Kong Bat, while dramatic irony is implied in the Sonakbi."

"ABSTRAKJurnal ini menganalisis fokalisasi yang terdapat pada cerpen Bincheo karya Eun Hee Kyung yang terbit pada tahun 1996. Cerpen ini menceritakan kehidupan dari pernikahan sepasang suami dan istri yang tidak bahagia. Metode penelitian yang digunakan adalah metode penelitian kualitatif. Hasil dari penelitian ini adalah cerpen ini berfokalisasi internal jenis variable melalui penggunaan kata ganti orang pertama berupa ? na yang berarti saya atau aku dan adanya pergantian fokus antara tokoh ldquo;aku rdquo; suami dan tokoh ldquo;aku rdquo; istri , yang dibedakan melalui narasi yang terdapat pada cerpen. Fokalisator pada cerpen ini mengetahui pikiran atau pendapat kedua tokoh dan juga mengetahui perasaan yang dirasakan oleh kedua tokoh, seolah-olah ia menjadi kedua tokoh itu sendiri.

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ABSTRACTThis journal analyzes the focalization in Eun Hee Kyung 39;s Bincheo short story published in 1996. This story tells about the marriage life of an unhappy couple. Qualitative researched method is used in this research. The result of this research is this short story has internal focalization with the type of variable through the use of the ldquo;first person rdquo; in the form of ? na which means me or I and there is a focus shift between the I husband and the I wife character who is differentiated through narration in the short story. The focalisator in this short story knows the thoughts or opinions and the feelings felt by the two characters as if he was the two characters themselves."

"Asia Publishers presents some of the very best modern Korean literature to readers worldwide through its new Korean literature series . We are proud and happy to offer it in the most authoritative translation by renowned translators of Korean literature. We hope that this series helps to build solid bridges between citizens of the world and Koreans through a rich in-depth understanding of Korea. Part of the story I suggested we open a dumpling shop at the place once known as Q's Chinese restaurant. The menu would be mandu dumplings and jjolmyeon spicy noodles. Q would make the dumplings and W would make the noodles. "This girl and I can take the orders and serve the food," I said, tapping her lightly on the head. The high school girl said, "Thank you for counting me in," and started sobbing. "I'm crying because this is too hot. Don't take me wrong." She gulped down the noodles without chewing. I chipped in with the money I'd earned working at the travel agency, and W contributed her income from working part time at the bathhouse. We painted the walls and laid non-slip tiles on the floor. We found an expired lottery ticket at the bottom of the safe. The four of us gathered around and began to scratch it. First, we verified how much the prize money was. One hundred thousand won. The winning number was 5. W moved the coin slowly over the surface. The number 5 slowly revealed itself. "What a pity! If only it hadn't expired," the girl said over and over again. Q stuck the lottery ticket on the wall next to the cash register. "This will bring us good luck," he said."

"Asia Publishers presents some of the very best modern Korean literature to readers worldwide through its new Korean literature series . We are proud and happy to offer it in the most authoritative translation by renowned translators of Korean literature. We hope that this series helps to build solid bridges between citizens of the world and Koreans through a rich in-depth understanding of Korea. Part of the story After another short pause, Mr. Park replies, his voice serene, "I'll be back." Sister doesn't answer. Out of the blue, she turns over the bowl of coins next to the telephone on the counter and begins to count the few coins inside. When Mr. Park finally makes a movement towards the coffee shop door, Sister begins to laugh hysterically and calls out: "That's wonderful. Congratulations! You don't have to drop by here any more. I'm so grateful. I feel so relieved. Yun-hi! Let's have lunch. I'm hungry. Auntie, is my lunch ready yet?" I'm so nervous! Not because she's so rude. I don't expect anything less from her given her temper. But I am worried about Mr. Park. Being such a gentle person by nature, I am worried that he might simply say, "I won't go then" after what Sister said. Would it make any sense at all if he didn't visit his mother just because of her nasty temper? Only when I hear his footsteps going down on the stairs do I let out a sigh of relief."

"Asia Publishers presents some of the very best modern Korean literature to readers worldwide through its new Korean literature series . We are proud and happy to offer it in the most authoritative translation by renowned translators of Korean literature. We hope that this series helps to build solid bridges between citizens of the world and Koreans through a rich in-depth understanding of Korea. Part of the story As I recounted my adventure to my father on his "