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Abstrak :
ABSTRAK Penelitian ini bertujuan untuk mengungkapkan Imperialisme Budaya Korea yang dilakukan melalui Media pada Sub Kultur Penggemar K-Pop di Indonesia serta mengungkapkan adanya Dominasi Budaya Korea di Indonesia serta bentuk-bentuk dominasinya, mengetahui Sub Kultur Fandom K-Pop di Indonesia serta menjabarkan media sosial sebagai saluran hegemoni Imperialisme Budaya Korea di Indonesia. Penelitian ini menggunakan kerangka berpikir yang berangkat dari Teori Imperialisme Budaya dan dihubungkan dengan konsep Fandom sebagai sebuah sub kultur. Paradigma dalam penelitian adalah critical constructivist dan merupakan penelitian kualitatif deskriptif. Teknik pengumpulan data yang digunakan adalah melalui in depth interview, observasi serta studi literatur untuk sumber-sumber sekunder. Informan penelitian berjumlah lima orang yang semuanya merupakan penggemar K-Pop. Hasil Penelitian menunjukkan bahwa Hegemoni Budaya Korea di Indonesia dilakukan dengan menggunakan media sosial dan web site sebagai alat utama. Media sosial dan web site-web site khusus penggemar sudah akrab di kalangan anak muda di Indonesia. Bentuk-bentuk imperialisme budaya Korea pada sub kultur penggemar terbentuk melalui sebuah proses yang disebut Proses Fandomisasi. Proses Fandomisasi dimulai dari level individu, kelompok lalu masyarakat, diawali dengan Idol Recognition, Emotion Building, Text Collection, Sub Culture Engagement lalu terakhir Sub Culture Emergence. Bentuk-bentuk Imperialisme Budaya Korea pada penggemar menyentuh tiga aspek : artefak, shared meaning dan social behavior, di mana di dalamnya terjadi adaptasi terhadap imperialisme budaya (adjusted cultural imperialism).

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ABSTRACT This research aims to reveal the Korean Cultural Imperialism conducted through media on Sub Culture K-Pop Fans in Indonesia as well as revealing the dominance of Korean Culture in Indonesia as well as other forms of domination, knowing Sub K-Pop fandom culture in Indonesia as well as social media describe as Korean Cultural Imperialism hegemony channel in Indonesia. This study uses a framework that departs from Cultural Imperialism Theory and linked with the concept of fandom as a sub-culture. Paradigm used in this research is critical constructivist and a descriptive qualitative research. Data collection techniques used were through in-depth interviews, observation and study of literature for secondary sources. Informants for this research are five people who are fans of K-Pop. The result shows that the Korean Cultural Hegemony in Indonesia is done by spreading through the media especially social media and web sites. The greatest role of social media spread is already familiar among young people. And the forms of Korean Cultural Imperialism can be seen through a process called Fandomization. The process of Fandomization start from the level of individual, group and society. Fandomization process start with Idol Recognition, Emotion Building, Text Collection, Sub Culture Engagement and Sub Culture Emergence. The forms of Cultural Imperialism can be seen in three aspects: artefacts, shared meaning and social behavior. Social media plays an important role in each stage of the process.

Abstrak :
ABSTRAK
Penelitian ini bertujuan untuk mengetahui posisi pemaknaan mengenai imperialisme budaya, khususnya pada konsumsi produk musik, oleh penggemar pada pertunjukkan teater idol group JKT48. Pada penelitian ini digunakan pendekatan kualitatif dengan metode penelitian studi kasus yang menggunakan teori resepsi. Berdasarkan hasil interpretasi ditemukan bahwa dimensibehaviors dan symbolsmemiliki peranan dalam mempengaruhi posisi pemaknaan informan. Sementara hasil penelitian ditemukan beberapa faktor penyebab terjadinya imperialisme budaya atas konsumsi produk musik pada penggemar idol group JKT48, yaitu interaktivitas, aktivitas sosial, loyalitas, ilusi kedekatan, serta kebaruan.

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ABSTRACT
This research aims to reveal the audience’s position on interpreting the meaning of cultural imperialism, specifically on the consumption of music, on the theater show of idol group JKT48 using case study as the research method and reception theory. The result suggest that behaviors and symbols of the cultural imperialism’s dimensions hold a meaningful role on the informant’s position on interpreting cultural imperialism. The result also shows five reasons of cultural imperialism on the consumption of music on JKT48’s fans, which are interactivity, social activity, loyalty, illusion of intimacy, and novelty

Abstrak :
Synopsis: "Intimate Empire is a pioneering study of the Japanese (and Korean) language cultural productions by ethnic Koreans from the empire's expansionist era during the Asia-Pacific war. Nayoung Aimee Kwon's intervention enables us to rethink the spaces of complex resistance, vexed co-optation and accommodating governmentalities opened up by these texts that trouble the received notions of ethnonational boundaries between postcolonial Korea and postimperial Japan. Staking out thought-provoking problematics and excavating new materials, analyzed by Kwon with exceptional care, nuance, and theoretical sophistication, Intimate Empire is a major step forward in transnational Asian studies." -- Jin-kyung Lee, author of Service Economies: Militarism, Sex Work, and Migrant Labor in South Korea "Nayoung Aimee Kwon's Intimate Empire is a breakthrough in Korean and Japanese Studies. The book has a dual focus: one is the contested colonial encounter between Korean and Japanese intellectuals in the Japanese Empire; the other is postcolonial power in which minority intellectuals work in the United States. Clearly it is an innovative type of comparative study of imperialisms both past and present." -- Naoki Sakai, author of Translation and Subjectivity: On 'Japan' and Cultural Nationalism "Impressively researched and brilliantly crafted, this is a landmark study of cultural production under Japanese colonialism that is sure to create many big waves across Korean and Japanese studies and which should be read by everyone with an interest in the antinomies and conundrums of colonial modernity throughout the world. Eschewing the conventional nationalist binary of 'collaboration' versus 'resistance,' Nayoung Aimee Kwon introduces the third term of 'intimacy,' and shows that an effective postcolonial critique must interrogate this disavowed and unspeakable zone." -- Takashi Fujitani, author of Race for Empire: Koreans as Japanese and Japanese as Americans during World War II "Besides many compelling analyses and arguments made in Intimate Empire, plentiful visual materials provide us a fascinating glimpse into the cultural fields in the empire... it is a great contribution to the scholarship on colonial culture and imperialism for its exemplary handling of archives and its succinct arguments made based on comparative readings of texts. It is an essential text for researchers of colonial literature, transcultural colonial exchange, cultural fields in wartime Japan, and translation." -- Jooyeon Rhee Acta Koreana "Intimate Empire is a most welcome addition to transcultural scholarship on East Asian literatures and cultures and sets an excellent example for future research on imperialism in East Asia and well beyond." -- Karen Thornber Pacific Affairs "Intimate Empire establishes critical questions for historians to ponder, beginning with: Who writes the empire? How does the language they use matter? Kwon has demonstrated many pathways into, as well as offered new and alternate routes for, future discovery." -- Alexis Dudden American Historical Revie

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Summary: This collection of original essays by leading historians of political thought examines modern European thinkers' writings about conquest, colonization and empire.

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Colonialism had interfered the life of human being over the world since the early of nineteen century. It had great influences in the post colonialism era, the era in which elites of the former colonized nation behave and think as their former colonizer. Consequently while the behavior and thought were implemented in the society, there would be various questions addressed to them. People in the postcolonial nation often considered the pattern of governance in a new society as a new practicing imperialism. This research envisage the phenomenon depicted in novel A Grain of Wheat and Weep Not, Child written by Ngugi Wa Thiong'O. He is a Kenyan writer. Most of his works are dealing with situation created by postcolonial society that often imitated colonialist's thought, behavior, and mentality. The situation of society as well as the people after colonialism era is degraded. Each of them attempts to set their inner life free from situation, but it does not succeed due to the chaotic circumstances in the society. Problematic character is a representation of individual in society, therefore the prominent discussion in this research is dealing with the degraded society in the works that affected such demoniacal character.

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ABSTRACT
Penelitian yang berjudul Majalah Daulat Ra' rsquo;jat 1931-1934: Suara Anti Kapitalisme dan Imperialisme ini, membahas mengenai profil majalah Daulat Ra rsquo;jat 1931-1934 yang merupakan organ Pendidikan Nasional Indonesia PNI-Baru , khususnya peranan majalah sebagai wakil rakyat dalam menyuarakan pemikiran anti kapitalisme dan imperialisme dalam usaha untuk mencapai Indonesia merdeka. Metode penelitian yang digunakan adalah metode sejarah yang terdiri atas empat tahap yaitu, Heuristik, Kritik, Interprestasi, dan Historiografi. Hasil penelitian ini menunjukkan bahwa peranan majalah memiliki pengaruh besar terhadap pergerakan nasional dalam mendidik kader-kader baru pergerakan nasional.

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ABSTRACT
Research entitled Daulat Ra 39 jat Magazine 1931 1934 Voice of Anti Capitalism and Imperialism, discusses the magazine profile between year 1931 1934 which was the organ of Pendidikan Nasional Indonesia PNI Baru , especially about the role of magazines as representatives of the people in voicing the idea of anti capitalism and imperialism in an attempt to reach Indonesia 39 s independence. The method used is the historical method consists of four stages, namely, Heuristics, Criticism, Interpretation, and Historiography. The results of this research indicate that magazine role had a major influence on the national movement in terms of educating new cadres for national movement.