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"ABSTRAK

Skripsi ini membahas mengenai bagaimana tema menjadi metode perancangan ruang yang kemudian berpengaruh terhadap bagaimana manusia menerima sensasi dan persepsi didalamnya. Arsitektur, seperti yang kita ketahui, menjadi medium ruang yang selalu dialami manusia.

Sementara tema, merupakan suatu cara dalam memberikan suatu konsep nyata kepada suatu pengalaman. Menerapkan tema pada ruang arsitektur, khususnya theme park, menjadi topik utama yang dianalisa dengan melihat keterhubungan tersebut. Dengan mengambil World Bazaar (Tokyo Disneyland) sebagai studi preseden dan Studio Central (Trans Studio Bandung) sebagai studi kasus.

Skripsi ini mengupas bagaimana strategi yang diterapkan kedua theme park dalam penerapan tema yang dilakukan. Satu cara yang membedakan metode penerapan tema pada arsitektur dengan metode lainnya adalah, dilakukannya manipulasi terhadap indera lewat elemenelemen ruang yang membentuknya sehingga menimbulkan sensasi yang menggugah dan persepsi berupa keadaan hiper-realitas. Temuan pada skripsi ini adalah bagaimana arsitektur dapat berperan besar pada penciptaan suatu kondisi tertentu dengan pengaturan elemen ruang didalamnya, sehingga manusia dapat menerima sensasi dan persepsi yang lebih terarah.

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ABSTRACT

This study discuss about how theme used as a method on designing space and how human receive the sensation and the perception inside the space. Architecture, as we all know, is a space medium that is always experienced by

human.

Theme, on the other hand, is a method to bring a factual concept to the experience. The using of a theme on architectural space, especially theme park, become the main topic in this study, related to that connection. With World Bazaar (Tokyo Disneyland) as a precedent and Studio Central (Trans Studio Bandung) as a case study, this study will analyze the strategy between the two study with the use of theme on the two. One way that differentiate this method to the others is by using the manipulation on human senses with the arrangement of spatial elements, so it will create an enhanced sensation and hiperreality as perception.

This study find out that architecture can be a big role in deciding what condition human will experience with the arrangement of spatial elements in it, so that human can receive a more directed sensation and perception.

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"Taman tematik kerap memiliki lanskap dengan narasi ataupun cerita tertentu, namun narasi tersebut tidak selalu dapat diperlihatkan kepada pengunjung. Skripsi ini membahas mengenai bagaimana narasi digunakan pada taman tematik dan lanskap sebagai penyampai narasinya. Penyusunan elemen fisik lanskap penyampai narasi berupa form, path, elemen alami, dan signage sehingga membentuk suatu ruang yang dapat menyampaikan cerita. TMII menjadi studi kasus dalam mengamati elemen lanskap yang menjelaskan narasi. Dari studi kasus tersebut diketahui bahwa elemen lanskap dapat menjadi media penyampai narasi dengan memperhatikan sudut pandang dalam menyusun narasi dan menangkap narasi yang disampaikan dan sudut pandang penting untuk memahami dan merasakan kualitas ruang yang dibentuk pada ruang luar.

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The landscape of a theme park is often seen with a certain narrative or story that is sometimes not explicitly shown to the visitors. This thesis discusses about how the landscape of a theme park becomes an agent of the narration used in the theme park. The physical elements of landscape that are used as the narrative agent, such as form, path, natural elements, and signage, composed to form a space that can tell the stories it holds. The case study of this thesis is TMII, observed thoroughly to see how the landscape of the said theme park became a narrative agent. From the observation, it can be concluded that the landscape can be a narrative agent, with point of view as a consideration to compose and to capture the narrative that is trying to be delivered. Point of view itself is an important factor for understanding and experiencing the spatial quality formed in an outdoor space. It is also important to consider what kind of element suits the narrative of the space, and how people experience the narrative itself."

"Globalization is a much talked about subject in academic and non-academic circles; hence plenty has been written to understand it, describe it, and find conceptual tools to explain it. However, academic work on globalization often tends to segment it into either economic globalization in the form of flows of capital, investment, commodities, or cultural globalization in the form of fast food, Barbie dolls, and migrant landscapes, or political globalization in the form of hollowing out of the nation state and the emergence of region states. This book explores spectacular landscapes of the Akshardham temples in Gandhinagar and Delhi in India, and Atlanta, Dallas, and Houston in the U.S. to understand globalization as it unfolds in a culture economy synthesis. It critiques analysis as an approach, because of its tendency to segment and sequence reality in such simplistic ways that the very essence of reality is lost. Instead, the book adopts Marxian dialectics and attempts to understand the everyday reality of globalization as it is synthesized in the city. In this approach, culture, economy, and the city are not discrete worlds, but work in tandem to produce globalization through migrant narratives, migrant temple complexes, Vedic boat rides, sound and light laser shows, and theme park religious complexes. The book therefore is as much an exploration of the dialectical stance in social theory and geography as it is a Marxist feminist critique of the spectacular commodification of the urban."