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Abstrak :
[ABSTRAK
Sebagai Presiden ke-6 dan elit partai, Susilo Bambang Yudhoyono, atau yang dikenal dengan nama SBY, memiliki cara yang unik untuk mengekspresikan perasaannya, yaitu dengan bermusik dan menulis lagu. Selama dua periode kepresidenan, empat album dan satu album instrumental telah lahir. Studi ini bertujuan untuk mengidentifikasi tiga aspek psikologis pada SBY melalui lirik lagunya. Aspek-aspek tersebut adalah emosi, prestasi dan harmoni. Sebanyak 23 lagu yang ditulis oleh SBY dikumpulkan untuk kepentingan analisis. Tiga studi telah dilakukan untuk menganalisis aspek psikologis dalam lirik lagu SBY. Pertama, analisis dengan AK untuk mengidentifikasi valensi dan arousal dalam setiap lagu dengan metode word count. Kedua, analisis ALK untuk mengidentifikasi valensi dan arousal di setiap lagu dengan penilaian manusia. Ketiga, dengan melibatkan expert untuk menilai kata yang paling sering muncul pada lagu SBY. Studi menunjukkan selama tahun 2006 hingga 2014, album lagu SBY memiliki muatan valensi positif yang konstan dan peningkatan level arousal. Selain itu, analisis EJ menunjukkan bahwa kata dominan menggambarkan aspek prestasi dan harmoni.

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ABSTRACT
As the 6th Indonesian President and party?s elite, Susilo Bambang Yudhoyono, also known SBY, has unique way to express his feeling, by playing music and writing songs lyrics. For over two presidency periods, four albums and one instrumental album has been produced. This study aims to identify three psychological aspects on SBY through his songs lyrics. Those aspects are emotion; achievement and harmony. For over 23 songs written by SBY has been collected for analyzing purposes. Three studies have conducted to analyze psychological aspects from SBY?s lyrics. The first is AK (Algoritma Kata) to identify valence and arousal in every song using word count method. Second is ALK (Analisis Lirik Keseluruhan), to identify valence and arousal in every song using human evaluation. The third is by using expert judgment (EJ) to analyze dominant words that emerges in all lyrics. Current study shows that from 2006 to 2014 SBY?s song albums contain constant positive valence and increase in the level of arousal. Beside that, EJ method shows that dominant words represent achievement and harmony., As the 6th Indonesian President and party’s elite, Susilo Bambang Yudhoyono, also known SBY, has unique way to express his feeling, by playing music and writing songs lyrics. For over two presidency periods, four albums and one instrumental album has been produced. This study aims to identify three psychological aspects on SBY through his songs lyrics. Those aspects are emotion; achievement and harmony. For over 23 songs written by SBY has been collected for analyzing purposes. Three studies have conducted to analyze psychological aspects from SBY’s lyrics. The first is AK (Algoritma Kata) to identify valence and arousal in every song using word count method. Second is ALK (Analisis Lirik Keseluruhan), to identify valence and arousal in every song using human evaluation. The third is by using expert judgment (EJ) to analyze dominant words that emerges in all lyrics. Current study shows that from 2006 to 2014 SBY’s song albums contain constant positive valence and increase in the level of arousal. Beside that, EJ method shows that dominant words represent achievement and harmony.]

Abstrak :
Penelitian ini bertujuan untuk melihat apakah terdapat perbedaan antara pemain musik klasik yang tampil secara solo, duo dan trio atau lebih dalam hal kecemasan performa musikal. Responden dalam penelitian ini adalah 90 murid sekolah musik di wilayah Jabodetabek yang pernah melakukan penampilan musik klasik. Kecemasan performa musikal diukur menggunakan alat ukur Kenny-Musical Performance Anxiety Inventory yang dikonstruksi dan dikembangkan oleh Kenny (2006). Hasil dari Penelitian ini adalah tidak adanya perbedaan tingkat kecemasan performa musikal yang signifikan antara pemain musik klasik yang tampil secara solo, duo, dan trio atau lebih. ......The aim of this research is to find if there are any differences between classical music players who perform solo, duo, and trio or more in the matter of their musical performance anxiety. Respondents for this study are 90 music school students in Jabodetabek who has performed in a classical music performance. Musical Performance Anxiety is measured by Kenny-Musical Performance Anxiety Inventory constructed and developed by Kenny (2006). This research found that there is no level difference of musical performance anxiety between classical music players who perform solo, duo, and trio or more.

Abstrak :
Penelitian ini bertujuan untuk mengetahui perbandingan subjective well-being antara musisi dan non-musisi. Sampel penelitian ini merupakan musisi dan non-musisi yang dibagi berdasarkan aktivitas musikal yang dilakukan sepanjang hidupnya (Hanna-Plady & MacKay, 2011) berusia 18 ? 40 tahun yang berjumlah 123 orang. Musisi merupakan individu yang sudah memiliki pengalaman bermain musik selama 10 tahun secara teratur dan pernah mengikuti pendidikan musik formal berjumlah 55 orang. Nonmusisi merupakan individu yang tidak bisa bermain musik, tidak bisa membaca not balok, dan tidak pernah menerima pendidikan musik secara formal berjumlah 68 orang. Subjective well-being diukur menggunakan Satisfaction with Life Scale (SWLS) yang dikembangkan oleh Diener, Emmons, Larsen, dan Griffin (1985) untuk mengukur evaluasi kognitif dan Positive Affect Negative Affect Scale (PANAS) yang dikembangkan oleh Watson, Clark, dan Tellegen (1988) untuk mengukur evaluasi afektif. Hasil penelitian menunjukkan bahwa musisi memiliki tingkat subjective wellbeing yang lebih tinggi secara signifikan dibandingkan non-musisi.

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The objective of this study is to know the subjective well-being comparison between musician and non-musician. Participants of this study is musician and non-musician which is divided based on the musical activity throughout their lifespan (Hanna-Pladdy & MacKay, 2011) aged 18 - 40 years with the amounts of 123 participants. Musician is a person who had played a musical instrument on a regular basis for at least 10 years and joined formal musical training with the amounts of 55 participants. Non-musician is a person who had never played music, cannot read music notes, and never received formal musical training with the amounts of 68 participants. Subjective well-being was measured using the Satisfaction with Life Scale (SWLS) developed by Diener, Emmons, Larsen, and Griffin (1985) to measure cognitive evaluation and Positive Affect Negative Affect Scale (PANAS) developed by Watson, Clark, and Tellegen (1988) to measure affective evaluation. The result showed that the musicians have a higher level of subjective well-being significantly than non-musicians.

Abstrak :
Whether you listen to Bach or Bono, music has a significant role in your life--even if you never realized it. Why does music evoke such powerful moods? The answers are at last becoming clear, thanks to revolutionary neuroscience and the emerging field of evolutionary psychology. Both a cutting-edge study and a tribute to the beauty of music itself, this book unravels a host of mysteries that affect everything from pop culture to our understanding of human nature, including: Are our musical preferences shaped in utero? Is there a cutoff point for acquiring new tastes in music? What do PET scans and MRIs reveal about the brain's response to music? Is musical pleasure different from other kinds of pleasure? Neuroscientist and former recording engineer Levitin explores music across cultures, brain disorders and developmental levels to unlock deep secrets about how nature and nurture forge a uniquely human obsession

Abstrak :
Banyak anggapan bahwa musik hip-hop adalah salah satu bentuk hiburan gelap karena sifatnya yang transgresif seperti yang ditunjukkan melalui penggunaan lirik yang ekspresif dan agresif dalam lagu-lagunya. Artikel ini bertujuan untuk mengeksplorasi lebih jauh hubungan antara musik hip-hop dan hiburan gelap ini melalui analisis tekstual dan visual pada lagu-lagu hip-hop terpilih. Secara khusus, artikel ini menganalisis lirik dan video musik dari lagu-lagu hip-hop terpilih dengan kerangka teoretis psikoanalisis yang dirancang oleh Sigmund Freud. Temuan penelitian menunjukkan bagaimana lagu hip-hop yang dipilih, 1-800-273-8255 oleh Logic dan Darkness oleh Eminem, memberikan perspektif baru untuk mengatasi masalah yang sangat topikal melalui penggunaan berbagai aspek psikoanalitik seperti dinamika Id, Ego, Super-ego, Defense Mechanism, dan teori Object Relations. Menanggapi karya-karya ilmiah yang ada tentang masalah ini, artikel ini menyerukan interpretasi hip-hop yang lebih objektif dan mendalam untuk merefleksikan bagaimana budaya hip-hop berpotensi dapat digunakan untuk mengevaluasi diskursus sosial kontemporer.

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Many have argued that hip-hop music is a form of dark leisure because of its transgressive nature as shown through the use of expressive and aggressive lyrics. This article aims to further explore this connection between hip-hop music and dark leisure by conducting a textual and visual analysis on the selected hip-hop songs. In particular, this article analyses the lyrics and music videos of selected hip-hop songs through the theoretical frameworks of psychoanalysis designed by Sigmund Freud. Research findings have shown how the selected hip-hop songs, Logic's 1-800-273-8255 and Eminem's Darkness, offer new perspectives to address a very topical issue through the use of various psychoanalytical aspects such as the Id, Ego, Super-ego dynamic, Defence Mechanism, and Object Relations theories. In response to existing scholarship on the issue, this article calls for a more objective and in-depth interpretation of hip-hop to reflect on how the hip-hop culture can be used to evaluate contemporary social discourse.