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Hasil Pencarian

Ditemukan 2 dokumen yang sesuai dengan query
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Orchidea Kartika
"Skripsi ini menjabarkan pertimbangan desain, fungsi, serta tujuan pemakaian furnitur dalam film karya Wes Anderson, dengan bantuan cabang ilmu ergonomi dan estetika yang dipakai di dalam dunia nyata. Melalui film The Grand Budapest Hotel (Wes Anderson, 2014), skripsi ini menganalisis posisi dan orientasi furnitur di dalam ruang, proporsi dan skala furnitur, serta pengalaman tekstur dan warna yang diberikan furnitur kepada manusia. Dari analisis tersebut, terlihat bahwa furnitur digunakan Wes sebagai tokoh untuk menyampaikan narasi film. Cara skripsi ini menilai kualitas furnitur hanya melalui visualisasi (film) dapat dipakai dalam pembelajaran furnitur di dunia nyata.

This undergraduate thesis defines design considerations, function, and purpose of furniture in film by Wes Anderson. Using the real-life perspective of ergonomy, and a study of furnitures’ position and orientation, proportion and scale, and also texture and color experiences that furniture gives to human were conducted to the film The Grand Budapest Hotel (Wes Anderson, 2014). Based on the observation, an argument on how Anderson utilized furnitures as characters through which a storyline was conveyed was made. This method of evaluating furniture’s quality strictly from visualization (film) can be used for studies of furniture in real-life.
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Depok: Fakultas Teknik Universitas Indonesia, 2014
S59973
UI - Skripsi Membership  Universitas Indonesia Library
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Ridho Budi Wijaya
"Throughout the years, scholars argue about the fidelity of adaptation works towards the original texts. However, we can see the adaptation works objectively if we see the original texts and the adaptation works autonomously. In this journal article, we can acknowledge how the concept of subversion in Roald Dahl's Fantastic Mr. Fox is represented from novel into film by Wes Anderson. This journal article focuses on textual analysis by using framework from George Bluestone. From the analysis, it is revealed that Dahl's concept of subversion is not drowned out by Anderson instead he deconstructs Dahl's idea of stealing. Hence, we can recognize that two different media have different way in delivering perception to the readers."
Depok: Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2016
MK-Pdf
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library