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Abilita Putinagari Imani
"Drama adalah karya seni yang terdiri dari percakapan lisan atau gerak yang dilakukan oleh tokoh serta memiliki subjek, aksi, perkembangan, klimaks, dan kesimpulan. Drama memerlukan alur cerita dan penokohan yang kuat untuk dapat membentuk cerita yang menarik. K-Drama merupakan fase pertama dari hallyu yang menjadi awal globalisasi budaya dan produk hiburan Korea. Penelitian ini dilakukan untuk menganalisis penokohan dan konflik pada tokoh utama drama Voice 3 menggunakan pendekatan psikologi sastra. Penelitian ini menggunakan teori psikoanalisis Jacques Lacan untuk menganalisis karakteristik tokoh utama dalam drama Voice 3. Metode penelitian yang digunakan adalah metode deskriptif dengan teknik studi pustaka. Pada hasil penelitian ini disimpulkan bahwa kedua tokoh utama, Do Kangwoo dan Kang Kwonjoo, adalah tokoh protagonis yang memiliki nilai moral yang berbeda. Kemudian disimpulkan juga bahwa konflik pada penokohan kedua tokoh utama berada pada fokus yang berbeda. Konflik Kwonjoo difokuskan pada konflik antartokoh, sedangkan konflik Kangwoo difokuskan pada konflik batin dengan dirinya sendiri. Kedua konflik ini timbul karena adanya psikopati pada other Kangwoo dan pengaruh tokoh antagonis, Kaneki Masayuki. Kedua elemen tersebut juga menjadi benang merah yang menghubungkan Kangwoo dan Kwonjoo.

Drama is a work of art that consists oral conversations or movements carried out by characters and has a subject, action, development, climax, and conclusion. Drama needs a strong plot and characterization to build an interesting story. K-Drama was the first phase of hallyu which marks the beginning of the globalization of Korean culture and entertainment. The purpose of this research is to analyze the characterization and conflicts of Voice 3 Korean drama’s main characters using literary psychology approach. This research uses Jacques Lacan’s psychoanalysis theory to analyze the characteristic of the main characters. This research uses descriptive method with literature review technic. From the result of this research it is concluded that both main characters, Do Kangwoo and Kang Kwonjoo, are protagonists who have a different moral value. It is also concluded that there was a different focus on the conflict of the main characters. Kwonjoo’s conflict is focused on conflict between character, meanwhile Kangwoo’s conflict is focused on his inner conflict with himself. These conflicts are caused by Kangwoo’s psychopathic other and the influence an antagonist character, Kaneki Masayuki. Those two elements also become a connecting line between the main characters."
Depok: Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2021
TA-pdf
UI - Tugas Akhir  Universitas Indonesia Library
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Abilita Putinagari Imani
"Drama adalah karya seni yang terdiri dari percakapan lisan atau gerak yang dilakukan oleh tokoh serta memiliki subjek, aksi, perkembangan, klimaks, dan kesimpulan. Drama memerlukan alur cerita dan penokohan yang kuat untuk dapat membentuk cerita yang menarik. K-Drama merupakan fase pertama dari hallyu yang menjadi awal globalisasi budaya dan produk hiburan Korea. Penelitian ini dilakukan untuk menganalisis penokohan dan konflik pada tokoh utama drama Voice 3 menggunakan pendekatan psikologi sastra. Penelitian ini menggunakan teori psikoanalisis Jacques Lacan untuk menganalisis karakteristik tokoh utama dalam drama Voice 3. Metode penelitian yang digunakan adalah metode deskriptif dengan teknik studi pustaka. Pada hasil penelitian ini disimpulkan bahwa kedua tokoh utama, Do Kangwoo dan Kang Kwonjoo, adalah tokoh protagonis yang memiliki nilai moral yang berbeda. Kemudian disimpulkan juga bahwa konflik pada penokohan kedua tokoh utama berada pada fokus yang berbeda. Konflik Kwonjoo difokuskan pada konflik antartokoh, sedangkan konflik Kangwoo difokuskan pada konflik batin dengan dirinya sendiri. Kedua konflik ini timbul karena adanya psikopati pada other Kangwoo dan pengaruh tokoh antagonis, Kaneki Masayuki. Kedua elemen tersebut juga menjadi benang merah yang menghubungkan Kangwoo dan Kwonjoo.

Drama is a work of art that consists oral conversations or movements carried out by characters and has a subject, action, development, climax, and conclusion. Drama needs a strong plot and characterization to build an interesting story. K-Drama was the first phase of hallyu which marks the beginning of the globalization of Korean culture and entertainment. The purpose of this research is to analyze the characterization and conflicts of Voice 3 Korean drama’s main characters using literary psychology approach. This research uses Jacques Lacan’s psychoanalysis theory to analyze the characteristic of the main characters. This research uses descriptive method with literature review technic. From the result of this research it is concluded that both main characters, Do Kangwoo and Kang Kwonjoo, are protagonists who have a different moral value. It is also concluded that there was a different focus on the conflict of the main characters. Kwonjoo’s conflict is focused on conflict between character, meanwhile Kangwoo’s conflict is focused on his inner conflict with himself. These conflicts are caused by Kangwoo’s psychopathic other and the influence an antagonist character, Kaneki Masayuki. Those two elements also become a connecting line between the main characters."
Depok: Fakultas Ilmu Pengetahuan dan Budaya Universitas Indonesia, 2021
MK-pdf
UI - Tugas Akhir  Universitas Indonesia Library
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Benita Annisa Ayu
"[Manga sebagai salah satu produk kebudayaan populer Jepang tidak hanya bertujuan sebagai media hiburan tetapi juga dapat digunakan sebagai media pembelajaran. Penelitian ini mengkaji mengenai gambaran watak tokoh utama yang dianalisis melalui penokohannya. Tujuannya adalah untuk mengungkapkan perubahan-perubahan watak yang dialami oleh tokoh utamanya, Shouya. Melalui hubungan Shouya dengan tokoh-tokoh yang memiliki pengaruh penting tersebut,
penulis juga akan mengungkapkan pesan-pesan moral yang ingin disampaikan oleh pengarangnya secara tersirat. Dalam meneliti Koe no Katachi, penulis menggunakan metode pengumpulan data berupa studi dokumen. Hasil analisis
menunjukkan bahwa terdapat perubahan-perubahan watak tokoh Shouya dan pesan-pesan moral yang berfungsi sebagai media pembelajaran.

Manga as one of the product of Japanese popular culture not only to purpose on entertainment but also for education. This thesis discusses about the image of
characterization of main character which analyzed through characterization. The purpose is to reveal transformation of characterization of main character, Shouya. Through interaction between Shouya with characters who have important impact to him, writer also reveal implicit moral value which convey by author. In research of Koe no Katachi, the method of collecting data which using by writer is study of document. The result of analysis shows that the characterization of Shouya was transformed and moral values which aim for education. Manga as one of the product of Japanese popular culture not only to purpose on entertainment but also for education. This thesis discusses about the image of characterization of main character which analyzed through characterization. The
purpose is to reveal transformation of characterization of main character, Shouya. Through interaction between Shouya with characters who have important impact to him, writer also reveal implicit moral value which convey by author. In research of Koe no Katachi, the method of collecting data which using by writer is study of document. The result of analysis shows that the characterization of Shouya was transformed and moral values which aim for education;Manga as one of the product of Japanese popular culture not only to purpose on entertainment but also for education. This thesis discusses about the image of characterization of main character which analyzed through characterization. The
purpose is to reveal transformation of characterization of main character, Shouya. Through interaction between Shouya with characters who have important impact
to him, writer also reveal implicit moral value which convey by author. In research of Koe no Katachi, the method of collecting data which using by writer
is study of document. The result of analysis shows that the characterization of Shouya was transformed and moral values which aim for education;Manga as one of the product of Japanese popular culture not only to purpose on entertainment but also for education. This thesis discusses about the image of characterization of main character which analyzed through characterization. The
purpose is to reveal transformation of characterization of main character, Shouya. Through interaction between Shouya with characters who have important impact
to him, writer also reveal implicit moral value which convey by author. In research of Koe no Katachi, the method of collecting data which using by writer
is study of document. The result of analysis shows that the characterization of Shouya was transformed and moral values which aim for education.;Manga as one of the product of Japanese popular culture not only to purpose on
entertainment but also for education. This thesis discusses about the image of
characterization of main character which analyzed through characterization. The
purpose is to reveal transformation of characterization of main character, Shouya.
Through interaction between Shouya with characters who have important impact
to him, writer also reveal implicit moral value which convey by author. In
research of Koe no Katachi, the method of collecting data which using by writer
is study of document. The result of analysis shows that the characterization of
Shouya was transformed and moral values which aim for education, Manga as one of the product of Japanese popular culture not only to purpose on
entertainment but also for education. This thesis discusses about the image of
characterization of main character which analyzed through characterization. The
purpose is to reveal transformation of characterization of main character, Shouya.
Through interaction between Shouya with characters who have important impact
to him, writer also reveal implicit moral value which convey by author. In
research of Koe no Katachi, the method of collecting data which using by writer
is study of document. The result of analysis shows that the characterization of
Shouya was transformed and moral values which aim for education]"
Depok: Fakultas Ilmu Pengetahuan dan Budaya Universitas Indonesia, 2015
S-pdf
UI - Skripsi Membership  Universitas Indonesia Library
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Astari Pramesti
"[ABSTRAK
Dalam suatu karya sastra, baik puisi, novel, maupun film selalu memiliki unsur intrinsik. Salah satu unsur penting dalam unsur interinsik adalah tokoh dan penokohan. Penokohan dalam sebuah karya sastra merupakan salah satu cara pengarang untuk memperkenalkan dan menggambarkan sifat juga watak dari sebuah tokoh kepada pembaca maupun penonton. Jurnal ini menganalisis tokoh dan penokohan Gyeonwoo sebagai tokoh utama di dalam film ?엽기적인그녀 (My Sassy Girl)?. Tujuan dari penelitian ini adalah untuk membandingkan dan mendeskripsikan sifat dan watak tokoh utama dalam novel dan film ini dilihat dari ucapan maupun perilakunya. Metode penelitian yang digunakan adalah metode penelitian deskrptif kualifikatif. Hasil dari penelitian adalah secara umum pendeskripsian sifat Gyeonwoo dalam novel dan film memiliki persamaan dan perbedaan.ABSTRACT In a literature, such as poetry, novel, and film, they always have an intrinsic element. One of the important element in intrinsic element are character and characterization. Characterization in literature is the way of the author to introduce and portray the characteristic and personality of a character to reader and/or viewer. This journal analyze the character and characterization of Gyeonwoo as the lead character in the movie ?엽기적인그녀 (My Sassy Girl)?. This study aims to compare and describe characteristic and personality of the lead character, in the novel and film, seen from his remark and behaviour. Research method that used is descriptive qualitative method. The result of the study is the description of Gyeonwoo?s character in the novel and film both have similarities and differences. ;In a literature, such as poetry, novel, and film, they always have an intrinsic element. One of the important element in intrinsic element are character and characterization. Characterization in literature is the way of the author to introduce and portray the characteristic and personality of a character to reader and/or viewer. This journal analyze the character and characterization of Gyeonwoo as the lead character in the movie ?엽기적인그녀 (My Sassy Girl)?. This study aims to compare and describe characteristic and personality of the lead character, in the novel and film, seen from his remark and behaviour. Research method that used is descriptive qualitative method. The result of the study is the description of Gyeonwoo?s character in the novel and film both have similarities and differences. , In a literature, such as poetry, novel, and film, they always have an intrinsic element. One of the important element in intrinsic element are character and characterization. Characterization in literature is the way of the author to introduce and portray the characteristic and personality of a character to reader and/or viewer. This journal analyze the character and characterization of Gyeonwoo as the lead character in the movie ‘엽기적인그녀 (My Sassy Girl)’. This study aims to compare and describe characteristic and personality of the lead character, in the novel and film, seen from his remark and behaviour. Research method that used is descriptive qualitative method. The result of the study is the description of Gyeonwoo’s character in the novel and film both have similarities and differences. ]"
Fakultas Ilmu Pengetahuan dan Budaya Universitas Indonesia, 2015
MK-PDF
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Meuthia Khairani Erfan
"ABSTRAK
Drama ?Orang-orang Terminal? (1979) adalah drama yang ditulis oleh Agnes Yani Sardjono. Drama ini menceritakan tiga tokoh gelandangan dan interaksinya dengan orang-orang yang bersinggahan di terminal. Penelitian ini bertujuan memaparkan karakter tokoh gelandangan (Botak, Peyang, dan Min) yang ditampilkan dari cara mereka membicarakan keadaan sekitar dan hubungan mereka dengan masyarakat. Kesimpulan penelitian ini adalah karakter gelandangan di dalam drama tidak sepenuhnya sama dengan gelandangan dalam anggapan masyarakat dan definisi para ahli.

ABSTRACT
"Orang-orang Terminal" (1979) is a drama written by Agnes Yani Sardjono. This drama tells the three bums and their interaction with people who visit the terminal. This thesis describes the character of bums (Botak, Peyang, and Min) that showed by the way they talk about the issues around their life and their correlation with the society. The thesis concludes that character of the bums in the drama is not entirely as same as the bums in public?s perception and definition of the experts."
2016
S64341
UI - Skripsi Membership  Universitas Indonesia Library
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Atikah
"Jurnal ini membahas amanat dan penggambaran tokoh katak hijau dalam fabel ?굴개굴개 청개구리? (Gulgaegulgae Cheonggaeguri, Nyanyian Katak Hijau). Fabel yang fenomenal baik dalam negerinya sendiri, di Korea, maupun secara global dan diterjemahkan ke dalam beberapa bahasa ini bercerita mengenai seekor katak hijau yang tidak pernah mendengarkan perkataan ibunya sehingga menyebabkan ibunya sakit keras dan meninggal. Katak hijau kemudian menyesali perbuatannya. Metode penelitian yang digunakan dalam jurnal ini adalah metode deskriptif-kualitatif dalam menganalisis amanat dan penggambaran tokoh katak hijau itu sendiri. Temuan dalam penelitian ini menunjukkan bahwa fabel Gulgaegulgae Cheonggaeguri memiliki amanat yang berkaitan dengan nilai-nilai Konfusianisme yang sangat kental di Korea pada awal abad ke-16 hingga abad ke-17, di antaranya adalah berbakti kepada orang tua dan mengikuti norma yang terdapat dalam masyarakat. Tokoh katak hijau sendiri digunakan karena fabel ini difokuskan pada segmen pembaca anak-anak. Katak hijau yang mudah dijumpai di alam sekitar, memiliki keunikan perilaku dan warna yang mencolok sehingga menarik bagi anak-anak.

This journal discusses a message and a portrayal of a character which is green frog in a fable called '굴 개굴 개 청개구리' (Gulgaegulgae Cheonggaeguri, The Singing Green Frog). This fable well-known in Korea and the world and it has been translated into several languages. The story is about a green frog who never listen to his mother and causes his mother?s illness and death. After that he regrets everything. The method used in this journal is a descriptive-qualitative method. To analyse the message and the portrayal of a green frog. The conclusion from this study indicates that the fable Gulgaegulgae Cheonggaeguri has a message related to the Confucian values, which were very strong in Korea in the early 16th century until the 17th century. The values were to respect parents and to follow the norms in society. Then the green frog is used in this story because it is created for children. While the green frog figure it is used in fable because it focuses on the segment of children readers. Green frogs are easily found everywhere and they also have a unique behaviours and colour which attractive for children."
Depok: Fakultas Ilmu Pengetahuan dan Budaya Universitas Indonesia, 2015
MK-PDF
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Sri Kusmariah Rahayu
"Skripsi ini membahas tentang tokoh utama Cheng Dieyi dalam film dan novel 霸王别姬 Bawang Bie Ji (Farewell My Concubine). Tujuan dari penelitian iniadalah untuk memaparkan lebih lanjut persamaan dan perbedaan penokohanCheng Dieyi dari masing-masing media. Hasil dari penelitian ini menunjukkanbahwa penokohan Cheng Dieyi di dalam novel lebih menonjol dibandingkandalam film karena penyesuaian yang dibutuhkan akibat perbedaan darikarakteristik masing-masing media. Sumber data dari penelitian ini adalah film Farewell My Concubine dan novel 霸王别姬 Bawang Bie Ji (Farewell MyConcubine) terbitan kedua. Selain itu, penulis juga menggunakan literatur-literaturyang relevan untuk menunjang penelitian.

This undergraduate thesis analyzes the main character Cheng Dieyi in the film and novel 霸王别姬 Bawang Bie Ji (Farewell My Concubine). The purpose of this study is to explain both the similarities and differences of Cheng Dieyi's characterization between the film and novel. The conclusion of this study indicates that the characterization of Cheng Dieyi in the novel is more prominent than in the film due to the characteristics of both mediums. The sources of this study are the film Farewell My Concubine and the second edition of novel 霸王别姬 Bawang Bie Ji (Farewell My Concubine). Moreover, the author also uses otherrelevant sources to support the study.
"
2016
S64529
UI - Skripsi Membership  Universitas Indonesia Library
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Yud Izdihar Alhananiputri
"Darbareye Elly merupakan sebuah film thriller psikologis dari Iran yang disutradarai oleh Asghar Farhadi dan diproduksi pada tahun 2009. Bercerita tentang sekelompok teman yang sedang pergi ke pinggir kota, Pantai Kaspia, untuk berlibur. Seiring berjalannya cerita, terungkap kebohongan-kebohongan dari para tokoh untuk mewujudkan keinginannya masing-masing. Motivasi dari para tokoh membuat perubahan karakter yang digambarkan berbeda-beda. Penelitian ini menggunakan metode deskriptif kualitatif. Teori yang digunakan adalah teori psikologi sastra mengacu pada Sigmund Freud. Tujuan dari penelitian ini adalah untuk memaparkan karakter tokoh utama sesuai dengan teori psikologi sastra oleh Sigmund Freud. Hasil dari penelitian ini didapatkan bahwa kepribadian tokoh utama, yaitu Elly, Sepideh, dan Ahmad memiliki karakter id yang paling mendominasi dibandingkan dengan ego dan superego, serta tokoh yang paling menunjukkan perubahan karakternya adalah Sepideh, lalu Elly, dan yang tidak terlalu menunjukkan perubahan karakternya adalah Ahmad.

Darbareye Elly is an Iranian psychological thriller film directed by Asghar Farhadi and produced in 2009. It tells the story of a group of friends who go to the edge of the city, the Caspian Coast, for a vacation. As the story progresses, lies are revealed from the characters to realize their respective desires. The motivations of the characters make changes to the characters portrayed differently. This research uses a qualitative descriptive method. The theory used is the theory of literary psychology referring to Sigmund Freud. The purpose of this research is to describe the main character in accordance with the theory of literary psychology by Sigmund Freud. The results of this study found that the personalities of the main characters, namely Elly, Sepideh, and Ahmad have id characters that dominate the most compared to ego and superego, and the character who shows the most character change is Sepideh, then Elly, and the one who doesn't show too much character change is Ahmad."
Depok: Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2024
TA-pdf
UI - Tugas Akhir  Universitas Indonesia Library
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Muhammad Afandi
"ABSTRAK
Penulis akan menganalisa karakter Ryu dan Ken dalam seri pertama film Street Fighter: Assassin’s Fist untuk memperlihatkan bagaimana Orientalisme dibentuk dan diangkat di dalam seri tersebut. Mengamati kedua karakter tersebut menggunakan konsep Orientalisme dari Said dan Face-threatening Acts (FTAs) dari Brown dan Levinson, penulis akan membahas bagaimana Orientalisme dihadirkan selama sesi pertama film seri tersebut dan bagaimana FTAs berhubungan dengan Orientalisme. Penemuan di dalam penelitian ini membuktikan bahwa ada ambivalensi ketika menentukan manakah dari kedua karakter tersebut yang merupakan representasi dari Barat dan dari Timur.

ABSTRACT
The author will analyze Ryu and Ken’s characters in the first season of Street Fighter: Assassin’s Fist movie series to show how Orientalism is constructed and brought up in the series. In examining the characters, using Said’s Orientalism and Brown and Levinson’s Face-Threatening Acts (FTAs), the author will discuss how Orientalism is presented throughout the first season of the series and how FTAs are related to Orientalism. The finding of this research is that there is ambivalence in terms of determining which of the two characters is the representation of the West and vice versa.;;"
2016
MK-pdf
UI - Makalah dan Kertas Kerja  Universitas Indonesia Library
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Zatira Marchya Raditia Putri
"Film Big Fish & Begonia《大鱼海棠》merupakan film animasi yang dirilis pada tahun 2016. Film ini mengisahkan perjalanan, pengorbanan, dan ikatan emosional antara insan dari dunia berbeda. Chun, seorang gadis remaja dari dunia mistik di mana “The Others” tinggal, menghadapi banyak kesulitan dan rintangan ketika merawat Kun yang berasal dari dunia manusia. Akan tetapi, Chun berhasil melaluinya dengan adanya keyakinan dalam dirinya serta bantuan dari temannya yaitu Qiu. Penelitian ini bertujuan untuk menganalisis latar sebagai aspek yang mendukung penokohan dalam film Big Fish & Begonia. Penelitian ini menggunakan pendekatan intrinsik dengan fokus pada unsur latar dan penokohan. Hasil penelitian ini menunjukkan bahwa latar merupakan aspek penting yang mempengaruhi penokohan dalam film. Hal ini karena interaksi antara para tokoh yaitu Chun, Kun, dan Qiu dapat terjadi karena adanya benturan antara latar dua dunia, yaitu dunia mistik dan dunia manusia. Selain itu, penelitian ini juga mengungkap makna di balik judul film yang mewakilkan dua dunia, serta memiliki keterkaitan dengan tokoh dalam film, yaitu Kun dan Chun.

Big Fish & Begonia 《大鱼海棠》is an animated film released on 2016. This film tells the story of the journey, sacrifice, and emotional bond between people from different worlds. Chun, a teenage girl from the mystical world where “The Others” lives, faces many difficulties and obstacles while taking care of Kun who is from the human world. However, Chun managed to get through it with the belief in her and the help of her friend, Qiu. This research aims to analyze the settings as an aspect that supports the characterizations in the film Big Fish & Begonia. This research uses an intrinsic approach with a focus on the element of settings and characterization. The results of this research indicate that settings is an important aspect that influences the characterizations in the film. This is because the interaction between the characters, namely Chun, Kun, and Qiu, can occur due to a clash between the settings of the two worlds, that is the mystical world and the human world. In addition, this research also reveals the meaning behind the title of the film which represents two worlds, and related to the characters in the film, namely Kun and Chun."
Depok: Fakultas Ilmu Pengetahuan dan Budaya Universitas Indonesia, 2022
TA-pdf
UI - Tugas Akhir  Universitas Indonesia Library
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