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"ABSTRAKSeni selalu diikuti oleh berbagai ide dan kebutuhan yang tidak dapat dipisahkan dari budaya dan waktu. Perkembangan konsep dan teori seni membuat metode yang berbeda di mana seni disajikan. Saat ini, representasi seni melibatkan konteks spasial. Tulisan ini membahas tentang lukisan dari pameran Kolonialisme dan Orientalisme. Bukan saja Seni dianggap, tetapi konteks menjadi lebih penting karena membawa kisah nyata tentang seni. Parergon berbicara tentang hubungan antara seni dan konteks. Ekstrinsik seni adalah konteks yang dapat mengkonfirmasi definisi seni, makna seni, atau isi seni. Konteks berisi informasi tentang seni, sehingga pengunjung galeri dapat memahami, menghargai, dan menikmati tentang seni. Tulisan ini membahas tentang seni, sejarah seni, dan Parergon.

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ABSTRACTArt is always followed by various ideas and needs that cannot be separated from culture and time. The development of art concepts and theories makes different methods in which art is presented. At present, art representations involve spatial contexts. This paper discusses the paintings from the exhibition of Colonialism and Orientalism. Not only is Art considered, but context becomes more important because it brings true stories about art. Parergon talks about the relationship between art and context. Extrinsic art is a context that can confirm the definition of art, the meaning of art, or the content of art. Context contains information about art, so gallery visitors can understand, appreciate, and enjoy about art. This paper discusses art, art history, and Parergon."

"Novel Rasina karya Iksaka Banu menggambarkan fenomena kehidupan pribumi di bawah kekuasaan penjajahan Belanda. Penelitian ini bertujuan untuk menganalisis bentuk-bentuk praktik perbudakan kolonial Belanda terhadap pribumi di Batavia saat menjelang kebangkrutan VOC tahun 1755. Metode yang digunakan adalah deskriptif kualitatif dengan kajian pascakolonialisme. Penelitian ini menggunakan teori orientalisme dari Edward Said. Pengumpulan data dilakukan dengan teknik studi pustaka. Hasil analisis mengungkapkan terdapat tiga bentuk praktik perbudakan kolonial Belanda terhadap pribumi. Pertama, perdagangan budak yang menunjukkan perampasan hak asasi seseorang melalui aksi jual-beli manusia. Kedua, penyiksaan budak yang menunjukkan perbuatan melampaui batas kemanusiaan yang memanfaatkan ketidakberdayaan masyarakat pribumi di mata kolonial Belanda. Ketiga, penyelundupan budak yang menunjukkan tindak korupsi orang-orang Belanda yang hanya memberi keuntungan bagi para pejabat Kompeni. Ketiga hal tersebut membuktikan bahwa praktik perbudakan kolonial Belanda terhadap pribumi merupakan perbuatan pencelaan, pelanggaran hak asasi manusia, perebutan kebebasan hidup, serta ketidakadilan dalam perlakuan hukum yang secara keseluruhan bertolak belakang dengan kemanusiaan dan kedaulatan individu.

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The Rasina novel by Iksaka Banu describes the phenomenon of indigenous life under Dutch colonial rule. This study aims to analyze forms of Dutch colonial slavery practices against natives in Batavia at the time of the VOC's bankruptcy in 1755. The method used is descriptive qualitative with post-colonialism studies. This study uses the orientalism theory of Edward Said. Data collection was carried out using literature study techniques. The results of the analysis revealed that there were three forms of Dutch colonial slavery practices against natives. First, the slave trade which denotes the deprivation of a person's human rights through human trafficking. Second, the torture of slaves which showed an act of exceeding the limits of humanity that took advantage of the powerlessness of the indigenous people in the eyes of the Dutch colonialists. Third, the smuggling of slaves which showed the corruption of the Dutch people which only gave benefits to Company officials. These three things prove that the practice of Dutch colonial slavery against natives was an act of disgrace, violation of human rights, struggle for freedom of life, and injustice in legal treatment which as a whole was contrary to humanity and individual sovereignty."

"Although frequently dismissed as mere entertainment, popular music can be utilized as a site for constructing and representing identities. This is exemplified by Indonesian R&B/hip-hop singer Agnez Mo who aspires to, among others, represent Indonesia through her English works. This study explores the Indonesian identity Mo portrays in the lyrics and images of her music video Long As I Get Paid (2017). Carlsson’s (1999) theory on music video textual analysis is utilized in this study. Results are then understood in relation to Orientalism and self-Orientalism. This study finds that Mo constructs the identity of a feminine, strange, exotic, and sexually assertive Eastern woman who willingly sells herself to a Western man for money. Moreover, she is depicted ignoring the criticisms she receives for it. Such portrayal is a reiteration of classic Orientalist stereotypes. Furthermore, Mo being the one to Orientalize herself ultimately makes her actions fall under self-Orientalism. This study’s findings indicate that the concept of self-Orientalism is relevant not only to the realms of advertising and tourism– which are what a large number of previous studies on self-Orientalism focus on – but also popular culture."

"Tesis ini membahas tentang Orientalisme yang muncul pada wacana Novel Shi no Hana. Berisi interaksi tokoh utama Hinobe sebagai orang Jepang berinteraksi dengan tokoh lainnya yang berbeda bangsa yaitu bangsa Eropa khususnya Belanda. Saat itu Jepang menginvasi Indonesia. Di satu sisi, negara Jepang adalah termasuk bangsa Timur, tetapi di sisi lain, Jepang telah berideologi Barat. Tesis ini memakai penelitian kuantitatif dengan metode deskriptif, teori Orientalisme Edward Said dan teori Orientalisme Jepang. Hasil penelitian ini adalah ternyata wacana Orientalisme terbukti dalam konteks Asia Timur yaitu dalam novel Shi no Hanakarya Abe Tomoji.

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This thesis discusses the discourse of Orientalism that appear on the Novel Shi no Hana. Contains lead character interaction as the Japanese Hinobe interact with other characters of different nations, namely the Europeans, especially the Dutch, while the Japanese invaded Indonesia. On the one hand, Japan is the country including East nation, but on the other hand, Japan has the ideology of the West.

This thesis wearing descriptive quantitative research methods, theory and the theory of Orientalism Edward Said's and Japan Orientalism. The results of this study turns the discourse of Orientalism is proven in the context of East Asia, namely in the novel Shi no Hana Abe Tomoji work."

"Novel Pulang berkisah tentang empat sekawan pelarian politik, dengann Dimas Suryo sebagai tokoh utama. Mereka terjebak di Perancis dan terancam tidak bisa lagi kembali lagi akibat status mereka yang dianggap berafliasi dengan PKI. Pada Novel Pulang terlihat jelas polarisasi Barat dan Timur, Barat sebagai sisi positif dan Timur sebagai sisi negatif. Kolonialisme secara struktur menciptkan oposisi biner antara Barat dan Timur. Pengkajian polarisasi Barat dan Timur mengambil bangun teori poskolonialisme atau yang juga disebut orientalisme.

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This paper will discuss about East-West Polarization in the novel Pulang by Leila S. Chudori. Pulang focuses on political refugees with Dimas Suryo as the main character. They stuck in France and threatened that they can't go back to Indonesia because they are considered to be afliated with Indonesian Communist Party. In Pulang, . East-West polarization seems obvious. The novel indicates West the positive side and East as the negative side. The perspective is legacy of colonial era that creates a binnary opposition of East and West. To Review about East-West, this paper will use post-colonialims theory pr better known as Orientalism."

"[ABSTRAKRealityshow Primitive Runaway (PR) episode Lia Wa Ode dan Rio Dewantomengunjungi suku Sambori di Bima, Nusa Tenggara Barat, merepresentasikanpertemuan dua budaya yang berbeda, modern (Barat) dan tradisional (Timur).Pertemuan dua budaya tersebut menghasilkan oposisi biner maju dan terbelakang,percaya gaib dan berfikir rasional, bersih dan kotor, yang merupakan cara pandangOrientalisme Edward Said yakni cara Barat memosisikan Timur.Penelitian ini membahas bagaimana suku Sambori direpresentasikan dalamPrimitive Runaway serta bagaimana sudut pandang orang kota terhadap masyarakatyang tinggal di belahan Indonesia Timur itu. Penelitian ini menggunakan pendekatanSemiotik Roland Barthes untuk membongkar mitos (mythologies) serta ideologihegemoni yang terkandung di program reality show ini.

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ABSTRACTReality Show Primitive Runaway on Lia Wa Ode and Rio Dewanto episodevisiting Sambori tribe in Bima, Nusa Tenggara Barat, represented the meeting of twodifferent cultures modern and traditional. The meeting of those two different culturesproduced binary opposition, deveveloped and undeveloped, mistics and rational,hygienis and dirty, which was the Orientalism view of Edward Said, how Westpositioned East.This Research aims to analyze how Sambori tribe represented in PrimitiveRunaway and the view of modern people about the tribe from East Indonesia. Thisresearch used methodology approach of Semiotic Roland Barthes to find themythologies and its ideology.;Reality Show Primitive Runaway on Lia Wa Ode and Rio Dewanto episodevisiting Sambori tribe in Bima, Nusa Tenggara Barat, represented the meeting of twodifferent cultures modern and traditional. The meeting of those two different culturesproduced binary opposition, deveveloped and undeveloped, mistics and rational,hygienis and dirty, which was the Orientalism view of Edward Said, how Westpositioned East.This Research aims to analyze how Sambori tribe represented in PrimitiveRunaway and the view of modern people about the tribe from East Indonesia. Thisresearch used methodology approach of Semiotic Roland Barthes to find themythologies and its ideology.;Reality Show Primitive Runaway on Lia Wa Ode and Rio Dewanto episodevisiting Sambori tribe in Bima, Nusa Tenggara Barat, represented the meeting of twodifferent cultures modern and traditional. The meeting of those two different culturesproduced binary opposition, deveveloped and undeveloped, mistics and rational,hygienis and dirty, which was the Orientalism view of Edward Said, how Westpositioned East.This Research aims to analyze how Sambori tribe represented in PrimitiveRunaway and the view of modern people about the tribe from East Indonesia. Thisresearch used methodology approach of Semiotic Roland Barthes to find themythologies and its ideology., Reality Show Primitive Runaway on Lia Wa Ode and Rio Dewanto episodevisiting Sambori tribe in Bima, Nusa Tenggara Barat, represented the meeting of twodifferent cultures modern and traditional. The meeting of those two different culturesproduced binary opposition, deveveloped and undeveloped, mistics and rational,hygienis and dirty, which was the Orientalism view of Edward Said, how Westpositioned East.This Research aims to analyze how Sambori tribe represented in PrimitiveRunaway and the view of modern people about the tribe from East Indonesia. Thisresearch used methodology approach of Semiotic Roland Barthes to find themythologies and its ideology.]"

"Skripsi ini membahas orientalisme dalam anime Hetalia: Axis Powers karya Hidekaz Himaruya yang dirilis pada tahun 2008. Penelitian ini bertujuan untuk menganalisis adanya tindak hegemoni dan pandangan orientalisme yang ditampilkan dalam anime tersebut. Analisis masalah penelitian menggunakan teori hegemoni Antonio Gramsci (1971) dan teori orientalisme Edward Said (1978). Penelitian skripsi ini bersifat kualitatif yang difokuskan pada anime Hetalia: Axis Powers. Hasil penelitian ini menunjukkan bahwa representasi orientalisme pihak Barat dalam anime Hetalia: Axis Powers terhadap pihak Timur dapat dibuktikan keberadaanya serta diwujudkan melalui beragam bentuk dominasi, namun teori Said tidak dapat diaplikasikan pada keseluruhan anime karena terdapat beberapa pengecualian.

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This study is focused on orientalism in Hidekaz Himaruya?s anime, Hetalia: Axis Powers released in 2008. This study aimed to analyze hegemony action and orientalism as its part who were shown in the anime. The discussion in this study uses Antonio Gramsci?s Hegemony (1971) and Edward Said?s Orientalism (1978) as the theories. This study is a qualitative which focused on Hetalia: Axis Powers anime. The results of this study showed that the West?s orientalism over the East in the anime proved its existence and has been formed through domination diversity, even so, Said?s theory could not be applied throughout the anime due to some exception reason."